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The writings of Mikhail Moiseevich Botvinnik (1911 - 1995) are legendary. And Botvinnik's legacy is deeply imprinted in the DNA of every grandmaster today says Andy Soltis in his foreword tot this book. ?The Patriarch' took professionalism in chess to a new level and was the first to emphasize preparation: what a player does before a game plays an enormous if not decisive role in what happens during a game. In this book Botvinnik writes the story of the three clashes with his compatriot Vasily Smyslov matches full of tension between two virtually equal opponents and his match with Tigran Petrosian which marks the end of an era: the mighty Botvinnik lost his world title fifteen years after he conquered the highest crown for the first time. The first part of this book gives Botvinnik's view of three World Championship matches and how he prepared for them. The matches were as great a clash of personalities as in any world championship as much as Karpov versus Kasparov. While Botvinnik played the role of a stern father Smyslov was like the smiling easy-going uncle. Botvinnik was proud of what he called his ?hard character'. Smyslov seemed to get along with everyone. His attitude was to try to do his best and let fate decide. The last part of the book is the gripping account of a heroic battle. The ageing Botvinnik desperately tries to bounce back after his Armenian opponent Tigran Petrosian has taken an early lead but ultimately The Patriarch fails.

The writings of Mikhail Moiseevich Botvinnik (1911 - 1995) are legendary. And Botvinnik's legacy is deeply imprinted in the DNA of every grandmaster today says Andy Soltis in his foreword tot this book. ?The Patriarch' took professionalism in chess to a new level and was the first to emphasize preparation: what a player does before a game plays an enormous if not decisive role in what happens during a game. In this book Botvinnik writes the story of the three clashes with his compatriot Vasily Smyslov matches full of tension between two virtually equal opponents and his match with Tigran Petrosian which marks the end of an era: the mighty Botvinnik lost his world title fifteen years after he conquered the highest crown for the first time. The first part of this book gives Botvinnik's view of three World Championship matches and how he prepared for them. The matches were as great a clash of personalities as in any world championship as much as Karpov versus Kasparov. While Botvinnik played the role of a stern father Smyslov was like the smiling easy-going uncle. Botvinnik was proud of what he called his ?hard character'. Smyslov seemed to get along with everyone. His attitude was to try to do his best and let fate decide. The last part of the book is the gripping account of a heroic battle. The ageing Botvinnik desperately tries to bounce back after his Armenian opponent Tigran Petrosian has taken an early lead but ultimately The Patriarch fails.

The writings of Mikhail Moiseevich Botvinnik (1911 - 1995) are legendary. And Botvinnik's legacy is deeply imprinted in the DNA of every grandmaster today says Andy Soltis in his foreword tot this book. ?The Patriarch' took professionalism in chess to a new level and was the first to emphasize preparation: what a player does before a game plays an enormous if not decisive role in what happens during a game. In this book Botvinnik writes the story of the three clashes with his compatriot Vasily Smyslov matches full of tension between two virtually equal opponents and his match with Tigran Petrosian which marks the end of an era: the mighty Botvinnik lost his world title fifteen years after he conquered the highest crown for the first time. The first part of this book gives Botvinnik's view of three World Championship matches and how he prepared for them. The matches were as great a clash of personalities as in any world championship as much as Karpov versus Kasparov. While Botvinnik played the role of a stern father Smyslov was like the smiling easy-going uncle. Botvinnik was proud of what he called his ?hard character'. Smyslov seemed to get along with everyone. His attitude was to try to do his best and let fate decide. The last part of the book is the gripping account of a heroic battle. The ageing Botvinnik desperately tries to bounce back after his Armenian opponent Tigran Petrosian has taken an early lead but ultimately The Patriarch fails.

The writings of Mikhail Moiseevich Botvinnik (1911 - 1995) are legendary. And Botvinnik's legacy is deeply imprinted in the DNA of every grandmaster today says Andy Soltis in his foreword tot this book. ?The Patriarch' took professionalism in chess to a new level and was the first to emphasize preparation: what a player does before a game plays an enormous if not decisive role in what happens during a game. In this book Botvinnik writes the story of the three clashes with his compatriot Vasily Smyslov matches full of tension between two virtually equal opponents and his match with Tigran Petrosian which marks the end of an era: the mighty Botvinnik lost his world title fifteen years after he conquered the highest crown for the first time. The first part of this book gives Botvinnik's view of three World Championship matches and how he prepared for them. The matches were as great a clash of personalities as in any world championship as much as Karpov versus Kasparov. While Botvinnik played the role of a stern father Smyslov was like the smiling easy-going uncle. Botvinnik was proud of what he called his ?hard character'. Smyslov seemed to get along with everyone. His attitude was to try to do his best and let fate decide. The last part of the book is the gripping account of a heroic battle. The ageing Botvinnik desperately tries to bounce back after his Armenian opponent Tigran Petrosian has taken an early lead but ultimately The Patriarch fails.

When Mikhail Botvinnik lost the world championship in 1960 to the dazzling attacking player from Riga Mikhail Tal there seemed little chance of him regaining his title. Yet in the Return Match a year later with a surprising demonstration of aggressive chess Botvinnik completely outplayed his young opponent and ran out the easy winner. All 21 games of the match are deeply annotated.

When Mikhail Botvinnik lost the world championship in 1960 to the dazzling attacking player from Riga Mikhail Tal there seemed little chance of him regaining his title. Yet in the Return Match a year later with a surprising demonstration of aggressive chess Botvinnik completely outplayed his young opponent and ran out the easy winner. All 21 games of the match are deeply annotated.

When Mikhail Botvinnik lost the world championship in 1960 to the dazzling attacking player from Riga Mikhail Tal there seemed little chance of him regaining his title. Yet in the Return Match a year later with a surprising demonstration of aggressive chess Botvinnik completely outplayed his young opponent and ran out the easy winner. All 21 games of the match are deeply annotated.

Brand : BLACK HEN, Binding : Audio CD, Label : Black Hen, Publisher : Black Hen, NumberOfDiscs : 1, NumberOfItems : 1, PackageQuantity : 1, medium : Audio CD, publicationDate : 2011-01-31, releaseDate : 2011-04-19, artists : Roxanne Potvin

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Die Vinnic Power Station PS700W ist ein leistungsstarker mobiler Stromerzeuger mit beeindruckenden 1400 W Spitzenleistung. Das graue Design verleiht der Power Station nicht nur eine moderne Ästhetik, sondern signalisiert auch Robustheit und Zuverlässigkeit. Entdecken Sie die Vielseitigkeit und Leistungsfähigkeit dieser Power Station für Ihre verschiedenen Energiebedürfnisse.

Nach ihrem fulminanten ALPHA-Debüt mit den beiden Klavierkonzerten von Dmitri Schostakowitsch erweist Anna Vinnitskaya mit ihrer neuen Produktion nun dem großen Romantiker Johannes Brahms ihre Reverenz. Die russische Pianistin konzentriert sich dabei auf die späten in kleiner Form gehaltenen Klavierwerke des Komponisten die sich nicht mehr an der Tradition von Beethoven orientieren. Diese komplexen musikalischen Konzentrate erfordern eine besondere künstlerische und interpretatorische Reife welche die hochgelobte Pianistin und Professorin an der Hochschule für Musik in Hamburg mit ihrer fünften CD hier einmal mehr eindrucksvoll unter Beweis stellt.

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