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This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi's success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Hao's classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists such as E.C. Escher, Guo Xi, Jia Youfu, Liu Guosong, Rene Magritte, Piet Mondrian, and Xu Bing. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present. In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics articulated in terms of wholeness, emptiness, and visibility that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global. Mary Wiseman, The City University of New York This important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary. Dr. Wenny Teo, The Courtauld Institute of Art Through an in-depth study of the ink painting practice of contemporary Chinese artist Jizi, the authors discover Chinese ink painting's philosophical perspectives, cosmic foundations, and contemporary possibilities. They also uncovered a way to enter into the artist's rich and profound spiritual world; through Jiazi's expansive visual patterning and refined spiritual imagery, he activates a long and great cultural tradition. Yu Yang, Central Academy of Fine Arts

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This book discusses how China's transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to the fields of art, comparative aesthetics and philosophy.

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The second part of this multi-volume project assembles a series of recollections and debates on the Ukrainian revolutions of 1990, 2004, and 2013-2014. After an introduction to the methodology of oral history, it presents twenty interviews with participants and eyewitnesses of the events in Ukraine, and documents a series of workshop discussions conducted at a symposium held in 2017. In these workshops, activists and observers of each of the three revolutions exchanged and compared their memories, analyses, and evaluations. This volume thus not only provides a comprehensive collection of firsthand accounts of the three historic Ukrainian upheavals, but also reveals the interrelations between them. The volume documents assessments from Barbara Krauz-Mozer, Markiyan Ivashchyshyn, Natalia Klymovska, Vakhtang Kipiani, Mykola Kniazhycki, Natalyia Zubar, Yulia Tymoshenko, Aleksander Kwaoeniewski, Viktor Taran, Markiyan Matsekh, Yulia Tychkivska, Leonid Findberg, Yulia Mostova, Oksana Zabuzhko, Eduard Drach, Michailo Cherenkoff, Andriy Dudchenko, Oleg Mahdych, Rebecca Harms, Herman van Rumpoy, and Jacek Saryusz-Wolski.

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Volume One of Three Revolutions presents the overall research and discussions on topics related to the revolutionary events that have unfolded in Ukraine since 1990. The three revolutions referred to in this project include: the Revolution on Granite (1990); the Orange Revolution (2004-2005); and the Euromaidan Revolution (2013-2014). The project's overall goal was to determine the extent to which we have the right to use the term revolution in relation to these events. Moreover, the research also uncovered the methodological problems associated with this task. Lastly, the project investigated to what extent the three revolutions are connected to each other and to what extent they are detached. Hence, the research in this volume not only discusses the theoretical aspects but also provides new analyses on such issues as religion, memory, and identity in Ukraine.

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This book gathers papers presented at the annual meetings of the Acarological Society of America (ASA), jointly organized with the Entomological Society of America. The ASA plans to publish presentations from its annual meetings on a yearly basis; this book represents the first in the series.

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This volume constitutes the refereed proceedings of the Fourth International Conference on Contemporary Computing, IC3 2010, held in Noida, India, in August 2011. The 58 revised full papers presented were carefully reviewed and selected from 175 submissions.

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Learn how to read in French--instantly! Easy French Reader is a unique, easy-to-follow guide based on the premise that the best way to learn a language is to start reading it immediately! Whether you're a brand-new beginner or an advanced-beginning learner, you will dive into the language with engaging readings that progress in difficulty to match your growing reading skills. This process will allow you to rapidly build comprehension and confidence as you enjoy the stories. Build your comprehension of the French language with readings of increasing difficulty Find out what unfamiliar words and phrases mean with the book's helpful glossary Discover the nuances of French language and culture as well as the country's history through engaging texts Get a feel for authentic French society with readings from contemporary literature Use the accompanying CD-ROM to hear engaging recordings of more than twenty-five passages featured in the book. You can listen to and view text simultaneously on your computer or download the audio files to your iPod or other mp3 device for learning on-the-go.