1663 products were found matching your search for equalizer in 5 shops:

LR Baggs Equalizer Acoustic Preamplifier with 6-Band EQ and Anti-feedback Notch Filter Based on the circuit of the esteemed Para Acoustic DI, the A...

The GE-7 Graphic Equalizer Pedal is a powerful tone-shaping tool for guitarists compacted into a single stompbox.

Based on the Para Acoustic DI circuit, the LR Baggs Align Equalizer preamp pedal uses FET gain staging, tone-shaping EQ and phase inversion feedbac...

ACOUSTIC PREAMPLIFIER WITH 6-BAND EQ AND ANTI-FEEDBACK NOTCH FILTERBased on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combi...

Acoustic Preamplifier with 6-Band EQ and Anti-feedback Notch FilterBased on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combi...

L.R. Baggs Align Series Acoustic Pedal SuiteCreated specifically for acoustic musicians, the Align Series integrates studio processing tools, a hi...

The L.R. Baggs - Align Equalizer Pedal is a necessary tool for the player of multiple instruments with a pickup. Say you play guitar, mando, or a...

Based on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combines our signature, high-graded FET gain stage with powerful tone-sh...

Based on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combines our signature, high-graded FET gain stage with powerful tone-sh...

Based on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combines our signature, high-graded FET gain stage with powerful tone-sh...

6-band EQ and Preamp Pedal for Acoustic-electric Guitar with Highpass Filter and Notch Filter.

Before you dive into the world of sound sculpting, consider the EQ-200 Graphic Equalizer Pedal, a new generation device from BOSS's 200 series. This pedal is designed to offer advanced sound and versatility in a compact, streamlined size, perfect for saving space on your pedalboard. The EQ-200 is equipped with intuitive grab-and-go controls and multi-function switches, making operation a breeze. It also features onboard memories, allowing you to store and instantly recall multiple setups. This pedal is not just about convenience, but also about superior sound quality. It boasts premium audio quality with 32-bit AD/DA, 32-bit internal processing, and a 96 kHz sampling rate. As the most flexible compact EQ ever created for guitar and bass, the EQ-200 features two wide-ranging 10-band EQ channels. It also includes an onboard graphic display that provides a visual representation of the current EQ curve. The selectable signal flow structures allow you to configure the channels for stereo, parallel, or series operation. You can even patch in external pedals for deep pre/post tone shaping. The EQ-200 is designed to optimize performance for different instruments. The frequency centers of all 10 bands can be set to three different types, making it an ideal choice for electric and acoustic guitars, bass, keyboards, and more. The EQ-200 also offers a free Version 1.1 software update, expanding the onboard memory capacity for storing and recalling sounds. With this update, you now have access to 128 user setups, which can be recalled directly via MIDI program change. The EQ-200's refined design, 32-bit/96 kHz engine, and ultra-low noise specs deliver precision tonal control with superior audio quality. Each band offers up to 15 dB of cut or boost, and each channel has a level slider for balancing with the bypass sound or kicking in a solo boost when needed. The EQ-200's variable signal flow structure offers an exceptional level of power in honing your tone for both rhythm and lead playing. The A and B channels can be linked together or used independently, and you can also patch in an external pedal (or a chain of pedals) for pre-EQ and/or post-EQ processing. The EQ-200 is user-friendly with a simple interface and visual EQ display. The hands-on sliders provide direct access to 10 EQ bands and master channel level, while the informative display offers a visual overview of the current EQ curve. The EQ-200 also features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. For deeper control, setups can be directly recalled via program change messages from an external MIDI device. The EQ-200's footswitches control EQ bypass and memory scrolling, but you can reassign them to turn channels on/off, select specific memories, and more. Control is also possible via external footswitches, and these are freely assignable as well. You can connect an expression pedal to control A or B channel levels, or even the overall output....

$19 Demo Savings!Item Condition:This item is in excellent condition and is in perfect working order. Includes all original accessories. This item s...

Based on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combines LR Baggs signature, high-graded FET gain stage with powerful to...

Product description ...

Acoustic Preamplifier with 6-band EQ and Anti-Feedback Notch FilterBased on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combi...

Precise Tonal ControlThe GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency ran...

The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50...

Master of ToneWith 15 dB available boost or cut per band, the BEQ700's seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even extended range instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.The BEQ700 covers the audio spectrum from below 50 Hz to over 10 kHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all.How Does Equalization Work Imagine the audio frequency range as a very wide highway with lots of "lanes". Each of these lanes represents a specific frequency band.• The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums• The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals• The right-hand lanes have all the high-frequency stuff , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mixApplying EQ to Bass InstrumentsWhen frequencies from 20 Hz - 200 Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low-frequency response.The fundamental notes of most basses fall within the 40 Hz - 1000 Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500 Hz to 1000 Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are off ending, and by turning up the overall volume rather than boosting one specific band.How the specific frequency bands of the BEQ700 can shape your sound50 Hz (sub-bass)• Boost: To thicken up sub-bass content, which is mostly felt rather than heard• Cut: To eliminate stage "rumble" and sub-bass content that can rob sound system power120 Hz (soft bass)• Boost: To enhance the lower end of the bass spectrum• Cut: To reduce the tendency of low frequency content to overwhelm a small room400 Hz (hard bass)• Boost: To enhance the "hard" bass punch of fundamental tones• Cut: To reduce punch for better linkage with the kick drum500 HzBoost: or Cut: To control clarity and warmth800 Hz• Boost: To add an aggressive edge to the overall bass sound• Cut: For reducing somewhat nasal or horn-like...

Please note: a signature will be required for delivery for all items valued more than $50.This item is pre-owned/used.Tested and functions 100% as ...