40 products were found matching your search for putrefaction in 14 shops:

Produce high-quality wax pieces Designed for general injection moulded jewellery designs Injection temperature - 65° Low shrinkage rate GRS Premium Injection Moulding Waxes are manufactured in Stoke-on-Trent in England. This General Purpose Aqua Wax is designed for use in most injection moulded jewellery designs. This product is made up of a balanced set of characteristics. It has a good flow with a low shrinkage rate as well as being easy to read. The General Purpose Aqua GRS code is R37WF and the injection temperature is 65°C / 150°F. Technical Data: Flow (cPs) - 204 Hardness (N) - 225 Flexibility (N) - 594 Solidification Point (°C) - 63° Linear Shrinkage (%) - 2.1 Injection Temp (°C) - 65°

Produce high-quality wax pieces Exeptional memory and durability Injection temperature 68°C Withstands rough handling GRS Premium Injection Moulding Waxes are manufactured in Stoke-on-Trent in England. This Flexi Blue Premium Injection Wax is known as the most flexible wax in the GRS Premium range. This wax contains a high amount of plastic which enables it to have exceptional memory as well as durability. The wax is very strong, can be used for stone in place casting and will cope with rough handling and removal from very intricate and delicate moulds. The Flexi Blue GRS code is R34WF and the injection temperature is 68°C / 155°F. Supplied in a 1kg pack. Technical Data: Flow (cPs) - 375 Hardness (N) - 171 Flexibility - 394 Solidification Point (°C) - 61 Linear Shrinkage (%) - 1.7 Injection Temp (°C) - 68

Produce high-quality wax pieces Hardest and most durable wax Injection temperature is 73°C low shrinkage rate GRS Premium Injection Moulding Waxes are manufactured in Stoke-on-Trent in England. This Sturdy Green Premium Injection Wax is the hardest and most durable wax within the GRS Premium range. This wax is great for use in casting moulds or when any patterns have sharp detail or a high amount of accuracy is required for a specific job. The wax has a lower flexibility and a low shrinkage rate, it is easy to remove and easy to read. The Sturdy Green GRS code is R35WF and the injection temperature is 73°C / 163°F. Supplied in a 1kg pack. Technical Data: Flow (cPs) - 590 Hardness (N) - 250 Flexibility (N) - 400 Solidification Point (°C) - 64°C Linear Shrinkage (%) - 1.7 Injection Temp (°C) - 73°C

Play as a skilled problem-solver in aiding overwhelmed farmers and ranchers manage their disorderly agricultural environments. Utilize your expertise in robotics and programming to assist distressed landowners in restoring order to their farms and ranches. As the game unfolds, you will be confronted with scenes of agricultural chaos, where neglected fields are overrun with dissarray of livestock. It becomes evident that the farmers and ranchers are struggling to cope with the demands of their...

Produce high-quality wax pieces Designed for delicate patterns Injection temperature is 70°C Flexible but strong GRS Premium Injection Moulding Waxes are manufactured in Stoke-on-Trent in England. This Finest Filigree Premium Injection Wax is designed for injecting into delicate patterns, and provides a wax which is not only flexible but strong. This wax is great for use in metal moulds or when any patterns have sharp detail or a high amount of accuracy is required for a specific job. It is delicate enough for the most detailed jobs but at the same time is strong enough to enable easy removal from the mould without damaging the item. The wax has a high flexibility as well as a low easy to remove and easy to read. The Finest Filigree GRS code is R36WF and the injection temperature is 70°C / 158°F. Supplied in a 1kg pack. Technical Data: Flow (cPs) - 338 Hardness (N) - 195 Flexibility (N) - 506 Solidification Point (°C) - 64°C Linear Shrinkage (%) - 2.0 Injection Temp (°C) - 70°C

The Yamaha reface bag is the perfect way to protect your reface piano. The compact Yamaha reface synths are made to be carried and this practical case makes that easy. A perfect fit this case holds your instrument plus theres extra room for a cable and adapter. It protects your synthesizer whilst on the move combating against scrapes and bumps. It even features a built-in loop which can be used to attach the bag to your suitcase for added flexibility.

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The Yamaha reface YC Combo Organ has 5 vintage organ sounds with drawbars and percussion to please old school organ lovers. The YC also has distortion and reverb effects that instantly alter the parameters of your sound. The reface YC emulates classic sounds such as the Hammond Vox Acetone and Yamaha Organs. This lightweight portable organ will inspire creativity in a range of settings.

Evil's sturdy dirt jumper, for hitting the big lines again and again Made using Reynolds 520 steel Tapered head tube BMX style horizontal drop-outs Mid size bottom bracket shell Contact us at support@biketart.com if you wish to discuss components or to arrange a full custom built Evil Faction II.

Evil's sturdy dirt jumper, for hitting the big lines again and again Made using Reynolds 520 steel Tapered head tube BMX style horizontal drop-outs Mid size bottom bracket shell Contact us at support@biketart.com if you wish to discuss components or to arrange a full custom built Evil Faction II.

Evil's sturdy dirt jumper, for hitting the big lines again and again Made using Reynolds 520 steel Tapered head tube BMX style horizontal drop-outs Mid size bottom bracket shell Contact us at support@biketart.com if you wish to discuss components or to arrange a full custom built Evil Faction II.

Evil's sturdy dirt jumper, for hitting the big lines again and again Made using Reynolds 520 steel Tapered head tube BMX style horizontal drop-outs Mid size bottom bracket shell Contact us at support@biketart.com if you wish to discuss components or to arrange a full custom built Evil Faction II.

Evil's sturdy dirt jumper, for hitting the big lines again and again Made using Reynolds 520 steel Tapered head tube BMX style horizontal drop-outs Mid size bottom bracket shell Contact us at support@biketart.com if you wish to discuss components or to arrange a full custom built Evil Faction II.

Evil's sturdy dirt jumper, for hitting the big lines again and again Made using Reynolds 520 steel Tapered head tube BMX style horizontal drop-outs Mid size bottom bracket shell Contact us at support@biketart.com if you wish to discuss components or to arrange a full custom built Evil Faction II.

This product is a brand new and unused Boiling Steel: Preface Steam Key

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40 channel portable USB audio interface, project studios, monitor racks, technical-acoustic laboratories Overview: Professional USB audio interface expandable via ADAT, SPDIF & AES/EBU. Reference standard with outstanding price-performance ratio Classically found in project studios, monitor racks, technical-acoustic labs and audiophile hi-fi systems Supports direct recording to USB storage media Maximum 8 analog inputs and 6 analog outputs plus 1 independent headphone mix TotalMix DSP mixer with parametric 3-band EQ, highpass, delay, reverb, compressor, expander and auto Level - completely latency-free and storable Stand alone operation - perfect as submixer, also for live situations RME SteadyClock for insensitive clocking Optional control via iPad Optional remote control via separately available Arc remote control Professional free analysis plug-in DigiCheck for Peak, RMS, LUFS, Phase and Frequency Spectrum RME-typical product maintenance with regular firmware and driver updates - users of older systems can find suitable software in RME's download archive Additionally Class Compliant capable For connection of coaxial SPDIF & AES/EBU sources a D-Sub adapter cable is required(BO968) RME Fireface UCX II Video 40 channels in half a HU and proven RME quality The little brother of the UFX II The Fireface UCX II is a USB audio interface with 40 audio channels, allowing you to transfer analog and digital audio data from virtually any source directly into your computer in highest quality. Technically, it represents a generation leap, as internally it is rather a compact version of the reference and best-selling interface Fireface UFX II. For studio and live applications With sample rates up to 192kHz, the possibility of direct USB recording (DURec), and the PC- or Mac-independent flexibility of the USB connection, the Fireface UCX II is the ideal solution for a wide range of applications in producing, recording, mixing, and live use. High-end. But why? Numerous unique features, sophisticated settings dialogs, a superior and incredibly flexible mixer and monitoring solution, professional DSP effects, and excellent analog circuitry with the latest digital converters put the Fireface UCX II at the top of all computer-based audio interfaces. Clock and Jitter Suppression With Steady Clock FS, the UCX II features the latest clock and jitter suppression technology. Based on a femto clock, SteadyClock FS reduces the intrinsic jitter of the USB audio interface to an absolute minimum. As you can see in the following product video, the Steady Clock FS is able to process even unclean external clocking signals and remove jitter without leaving any residues. RME Steady Clock FS (German) RME Steady Clock FS (English)

The RME Fireface UFX II is a USB audio interface featuring 60 audio channels, allowing the conversion of analogue and digital a... 60 channel USB audio interface The RME Fireface UFX II 24bit USB Audio Interface features 24-bit AD/DA conversion, two MIDI I/O connections and an internal word clock. The Fireface UFX II is an ideal piece of equipment for transferring analogue and digital audio data directly to a computer from any source. The Fireface UFX II includes DURec (Direct USB Recording) and low latency hardware and driver designs. These characteristics enable the Fireface UFX II to deliver a rich feature set for high end home studios and commercial audio production facilities. Additionally the Fireface UFX II has the capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity. The main features of the RME Fireface UFX II 24bit USB Audio Interface include: 60x Audio Channels (30x Input, 30x Output) 12x Analogue I/O 4x Mic/Instrument Preamp 1x AES/EBU I/O 2x ADAT I/O 1x Word Clock I/O 2x MIDI I/O 1x USB 2.0 DURec (Direct USB Recording) TotalMix FX Supports up to 192kHz +18 dBu Max. Input Level +19 dBu Max. Output Level 75 dB Gain Range (Input)

The RME Fireface 802 FS is a remarkable 192 kHz USB audio interface that redefines what professional sound is all about. Encased in a sleek 19-inch enclosure this interface is a perfect solution for both live performances and studio recordings. It is built for those who refuse to compromise on sound quality stability and ultra-low latency operation and a wide range of pro-grade functions and controls. With an astonishing 60 channels of audio the Fireface 802 FS offers an extensive range of capabilities. Equipped with high-end microphone preamps and reference class converters it ensures pristine audio quality that captures every nuance of your recordings. The interface also boasts a comprehensive effects section allowing you to experiment and enhance your sound to perfection. Operating at up to 192 kHz the Fireface 802 FS delivers stunning clarity and precision. Its the perfect audio companion for musicians producers and engineers who demand nothing but the best. Its seamless integration with any professional setup makes it an indispensable tool for both professionals and enthusiasts alike.

The Fireface UFX III is a flagship 188-Channel 24-bit / 192kHz audio interface delivering pristine audio quality and unrivalled flexibility. The ultimate choice for any multitrack studio Fireface UFX III boasts up to 94 channels of I/O with unparalleled flexibility and compatibility. Featuring SteadyClock FS for effective jitter reduction MADI I/O (64 channels) powerful onboard DSP to use in conjunction with TotalMixFX USB 3.0 (full 94 channel Class Compliant I/O ready) and Direct USB Recording this professional-level audio interface delivers superior performance in any recording mixing or mastering application live or in the studio. With its newly designed analog and digital boards it offers low-noise DC-coupled analog outputs as well as improved AD/DA converters with detailed THD+N values for pristine audio quality.