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Matters of authenticity are matters of accuracy, matters of truthfulness, matters of reliability and legitimacy. While Authenticity begins with Custer and the questions about his legend s reliability (when tourists and saloon patrons are being rhetorically targeted), it moves through issues of creativity and nonfiction, ghostwriting and grade inflation, padded resumes and online dating. In the end, Authenticity considers, via Plato, the question as old as western philosophy itself: How do we know that anything we know is, in fact, real?

Certificate of Authenticity and Hologram system: The Hahnemuhle Certificate of Authenticity is designed to protect the security and exclusivity of you limited edition art works and reproductions, and reduce the risk of forgery. Each certificate has a serialized numerical hologram already affixed to the certificate. The certificate can then have your customised design and wording printed onto it, eg: description of art work, publisher, artist, edition number and date, through inkjet, laser, thermal transfer or offset litho printing. An identical numerically serialized hologram is also provided, to be fixed directly to the art work itself, usually on the reverse image side. This combination assures that the Certificate of Authenticity relates directly to that particular piece of artwork. The certificates are manufactured to the strict standards and regulations of Europay and Clearstream, the world leaders in forgery resistant printing. The forgery resistant security characteristics found in this system are both visible and invisible in the forms of serial number, Guilloche with relief, rainbow-pressure, watermarks and a special UV signature. The certificates and hologram systems are available in packs of 100 sequenced numbers. Hahnemuhle also keeps an additional record at their offices for added security.

Authentic COA

Can you imagine? You're at the VFW on a Friday night, and your numbers are called. Sometimes, friends, life isn't just up and down. Sometimes it'...

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Most people assume that the way to mend divisions and factions in our world - marriages, parishes, dioceses, religious orders - is to engage in civil discussions, attend local, regional or national meetings, draw up committee reports and recommendations. To a point this may help, but sad experience makes clear that these approaches alone never heal the polarization problems which plague our civil and ecclesial life.The Biblical therapy is radically different - and it achieves results. This book explores the divine strategy in detail. Research discovers in Scripture 40 or 50 themes that bear on discovering truth and recognizing that it has been solidly found. We learn how we discern whether we are being led by the Holy Spirit or by our own unredeemed inclinations and desires, whether it is the spirit of God or the prince of darkness that is operating in our disagreements and programs. We find in these themes clear responses to key questions:· Why are there divisions and factions in the Church?· How are these polarizations to be healed?· What are the sure signs that some people have truth, while others are in error?· What are the conditions for finding and maintaining a shared vision in marriage,parishes, dioceses, religious orders, the universal Church?

Nothing has more profoundly influenced the development of music making over the last two decades than the growth of the historical performance movement. Perceived by some as a threat, an indication of our loss of faith in our powers of musical creation, and by others as part of the evolution of modern attitudes towards performing styles, this trend towards "historically correct" interpretation has inspired lively debate among scholars and performers. Examining and questioning the prevailing basis for the so-called "authenticity" movement, this collection of papers deals with the conflict between approaching early music performance with respect for the composer's original intentions, and the shortcomings, according to many musicians, that this produces. The contributors include Gary Tomlinson, Will Crutchfield, Howard Mayer Brown, Robert Morgan, Philip Brett, and Richard Taruskin.

In the last ten years or so an interest in 'authenticity' has reached a wide public. Many of the best-selling records of Bach, Handel, Haydn and Mozart are those in which period techniques and period instruments are used. There is however a danger that new 'authentic' dogmas of style and interpretation will come to replace the anachronistic dogmas of the late romantic tradition. 'The search for an 'authentic' interpretation', writes Peter le Huray in his opening chapter, 'is not the search for a single hard and fast answer, but for a range of possibilities from which to make performing decisions.' This book introduces the performer to the problems that must be faced when preparing an 'authentic' interpretation. It does so by focusing on nine representative and well-known works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask, and suggesting fruitful lines of enquiry. It is essential reading and reference material for player, student and listener alike.

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Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday.

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(Limited Classical Reprint Library) Larger book, shiny brown faux leather, very bright gilt logo at bottom front right, very bright gilt lettering and borders on spine, 207 pages plus catalog. tiny price-tag remnant at bottom back right with slight surface wear. Near Very Good.

Personal memories of life in Europe and America as literature professor, archeologist, feature film actor and radio broadcaster and active duty naval officer and teacher on combat vessels and in prisons since 1965.

Most sales training focuses on getting to know the product, analyzing the market, and identifying the competition, but there is more to sales success than that. Successful selling takes three types of preparation:· The what: knowing the product, the industry, and the competition· The how: applying the knowledge, enhancing social interaction, developing relationships, and dealing with emotional ups and downs· The why: understanding the customer’s purpose, intention, values, inner belief boundaries, and self-valueEmotional factors are powerful contributors to sales success. In this book, you will go beyond the what to the how and why, and learn whole-being selling—selling that utilizes the head, heart, and soul and brings mental, emotional, and spiritual forces together.in Authenticity, sales expert Ron Willingham shares new discoveries about the deeper causes of sales success or failure, and offers a step-by-step guide to:· Develop stronger client relationships through enhanced social skills· Increase the value you bring to customers (and feel more worthy of success and compensation)· Boost sales by learning and applying the fundamentals of client-focused selling

This is a clear and well-argued work for the authenticity of 2 Thessalonians. Following a critical examination of the history of the dispute, the author examines the life and epistle of the earliest external witness, Polycarp, to show that 2 Thessalonians was accepted as authentically Pauline about AD 90. Through a careful reading of the letter MacDougall demonstrates that 'tradition' (2 Thess. 2:15; 3:6) is a characteristic of the undisputed letters of Paul, that the doctrinal content - eschatology and imitation - is Pauline, and that the letter's style is authentic. A rigorous defence of the letter is long overdue. MacDougall provides a seminal work on the subject.

This is a clear and well-argued work for the authenticity of 2 Thessalonians. Following a critical examination of the history of the dispute, the author examines the life and epistle of the earliest external witness, Polycarp, to show that 2 Thessalonians was accepted as authentically Pauline about AD 90. Through a careful reading of the letter MacDougall demonstrates that 'tradition' (2 Thess. 2:15; 3:6) is a characteristic of the undisputed letters of Paul, that the doctrinal content - eschatology and imitation - is Pauline, and that the letter's style is authentic. A rigorous defence of the letter is long overdue. MacDougall provides a seminal work on the subject.

Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of "being yourself in a performance situation." Written, among other things, to celebrate PME-ART's twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining co-artistic director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.

Authenticity in the Psychoanalytic Encounter brings together Irma Brenman Pick’s original contributions to psychoanalytic technique. Working within the Kleinian tradition, she produces vivid clinical narratives that succeed in shedding a humane light on the struggles that patients – and, indeed, all of us – face in recognising, in an authentic way, our need for, and the contribution of, others in our lives. Brenman Pick is interested in the infantile antecedents of conflict in her patients, and the book demonstrates the attention needed to sense how these may be present in the patient’s clinical material. This involves an ability to understand the complex and sophisticated unconscious phantasies that are alive in the patient’s mind. She combines this with a creative clinical imagination that allows her to address these expertly in the here-and-now of the analytic encounter. A particular feature of this is the way Brenman Pick uses the analyst’s countertransference to bring in ways in which the struggle over authenticity also extends to the analyst. The focus on authenticity runs through the book and brings an interesting and original perspective to the topics discussed, which include adolescence, sexual identity, stealing and its relationship to the acknowledgement of dependency, the experience of uncertainty, concern for the object, destructiveness, creativity and the striving towards integration. These contributions will prove invaluable to psychoanalysts, psychotherapists and other mental health professionals interested in deepening their understanding of the complex relationships that can arise in the consulting room.