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Boss Katana Mini X 10-watt 1x5" Portable Guitar AmplifierInspiring Quality, Minimal DesignKatana-Mini X delivers acclaimed Katana tones in a fun an...

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

After extensive research and development, we present the 35mm T2.9 1.6x Anamorphic Lens for Sony E, a revolutionary tool for photographers and videographers alike. This lens offers a wide field of view (FOV), equivalent to the horizontal FOV of a full-frame 22mm lens. This feature allows for the inclusion of more elements into the frame, making it an excellent choice for capturing stunning architecture, breathtaking landscapes, and intricate details in tight spaces.This versatile lens set includes four commonly used focal lengths, providing a comprehensive solution for shooting projects from various angles. Its wide field of view is particularly beneficial for indoor photography and landscape shots, offering a broader perspective and more depth.The 35mm T2.9 1.6x Anamorphic Lens for Sony E is part of the full-frame anamorphic lineup, which offers 1.6x more horizontal coverage, showcasing prominent anamorphic characteristics. This makes it an ideal choice for high-end productions seeking to achieve a cinematic look.The lens offers two aspect ratios for added flexibility. When shooting in 3:2, it provides a 2.4:1 aspect ratio. However, when used on a 16:9 sensor, it delivers a wider 2.8:1 aspect ratio, allowing for creative cropping in post-production to achieve a 2.4:1 aspect ratio.The 1.6x squeeze feature of this lens is becoming increasingly popular due to its ability to stretch the background, resulting in taller and skinnier bokeh. This, combined with the lens's ability to create cinematic blue lens flares when hit with a light source, contributes to its unique cinematic look.The 35mm T2.9 1.6x Anamorphic Lens for Sony E features a uniform barrel construction with a T2.9 to T16 aperture range, identical gear position, an 82mm filter thread, a 1/4" threaded hole, and both metric and imperial scales. Despite its robust features, it remains compact and lightweight, weighing in at just 930g/2lbs, making it more portable than similar products on the market.This lens lineup is available in RF, L, E, and Z-mount options, ensuring compatibility with professional cinema cameras and popular full-frame mirrorless cameras. The 35mm T2.9 1.6x Anamorphic Lens for Sony E is a testament to our commitment to providing innovative, high-quality photography and videography solutions.

After extensive research and development, we present the 35mm T2.9 1.6x Anamorphic Lens for Sony E, a revolutionary tool for photographers and videographers alike. This lens offers a wide field of view (FOV), equivalent to the horizontal FOV of a full-frame 22mm lens. This feature allows for the inclusion of more elements into the frame, making it an excellent choice for capturing stunning architecture, breathtaking landscapes, and intricate details in tight spaces.This versatile lens set includes four commonly used focal lengths, providing a comprehensive solution for shooting projects from various angles. Its wide field of view is particularly beneficial for indoor photography and landscape shots, offering a broader perspective and more depth.The 35mm T2.9 1.6x Anamorphic Lens for Sony E is part of the full-frame anamorphic lineup, which offers 1.6x more horizontal coverage, showcasing prominent anamorphic characteristics. This makes it an ideal choice for high-end productions seeking to achieve a cinematic look.The lens offers two aspect ratios for added flexibility. When shooting in 3:2, it provides a 2.4:1 aspect ratio. However, when used on a 16:9 sensor, it delivers a wider 2.8:1 aspect ratio, allowing for creative cropping in post-production to achieve a 2.4:1 aspect ratio.The 1.6x squeeze feature of this lens is becoming increasingly popular due to its ability to stretch the background, resulting in taller and skinnier bokeh. This, combined with the lens's ability to create cinematic blue lens flares when hit with a light source, contributes to its unique cinematic look.The 35mm T2.9 1.6x Anamorphic Lens for Sony E features a uniform barrel construction with a T2.9 to T16 aperture range, identical gear position, an 82mm filter thread, a 1/4" threaded hole, and both metric and imperial scales. Despite its robust features, it remains compact and lightweight, weighing in at just 930g/2lbs, making it more portable than similar products on the market.This lens lineup is available in RF, L, E, and Z-mount options, ensuring compatibility with professional cinema cameras and popular full-frame mirrorless cameras. The 35mm T2.9 1.6x Anamorphic Lens for Sony E is a testament to our commitment to providing innovative, high-quality photography and videography solutions.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

The first of the series is the standard lens 30mm F1.4 DC DN Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN Contemporary.

Gloves X-Large w/wrist-support New and Improved

The Boss Katana-Mini X delivers acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming. Evolving on the features of the ...