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The Frugal Millionaires "...contains more apropos information than found in a year's worth of of Wall Street Journals." - Mark M. Owen, Ph.D. (Armchair Interviews). WINNER of the prestigious USA Book News "National Best Books Award" in the Business: Investing category. Ever wonder how some people grow their wealth while others simply can't? The Frugal Millionaires tell you exactly how they do it so you can too. WHAT'S INSIDE: - 70 millionaires anonymously share their ideas about money to help each other and you. - What sets millionaires apart from the other 98% of the population. - The 6 ways millionaires think differently about money. - Why being frugal doesn't mean being cheap. - Over 800 wealth growing ideas across 24 categories, including: investments, mortgages, real estate, credit cards, buying/leasing cars, saving and spending, donating to charity, taxes, conserving resources, recycling, marriage, and retirement. The 15 best practices of the "model" frugal millionaire. - The frugal millionaire's favorite mottoes about money. - The prized possessions they acquired after they became millionaires. PUBLISHER'S NOTE: A portion of the profits will go to charities designated by the anonymous frugal millionaire contributors. This book is truly a "give back" to help everyone be smarter with their money. To see TV coverage of the book go here: http://www.king5.com/video/savemoney-index.html?nvid=293049

Orchestra Parts for the opera 'Arianna in Creta' by G. F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati. Full score (...

One of Argentina's 30,000 "disappeared", Alicia Partnoy was abducted from her home by secret police and taken to a concentration camp where she was tortured, and where most of the other prisoners were killed. Smuggled out and published anonymously, THE LITTLE SCHOOL is Partnoy's memoir of her disappearance and imprisonment.

In December of 1823, the poem now known as The Night Before Christmas was first published anonymously and has since become the best loved Christmas poem of all time. Now, for the first time in The Visit, Dinghy Sharp, a direct descendant of recognized author Clement Clarke Moore, shares her delightful story with us all, and reveals the history and origin of this beloved poem as it has been passed down for generations in the Moore family.

Twenty ghostly tales from the supernatural masters of the Victorian age. Wimbourne Books presents the third in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 3 in the series contains stories published anonymously in America and Britain between 1839 and 1896. Most of these tales are here anthologised for the very first time. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the snowy night, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration. Includes the stories; The Deaf and Dumb Girl (1839) - The Picture Bedroom (1840) - It Is No Fiction (1844) - Mabel (1849) - The Bright Room of Cranmore (1850) - Fisher’s Ghost (1853) - The Ghost at Heatherbell Abbey (1862) - The Tale of a Gas-light Ghost (1867) - Pichon & Sons, of the Croix Rousse (1868) - Haunted (1868) - The Ghost at Laburnum Villa (1870) - The Sergeant’s Ghost Story (1873) - The Bryansfort Spectre (1874) - Twelve O’clock, Noon (1877) - The Story of Clifford House (1878) - The Ghost in the Bank of England (1879) - The Carved Mantelpiece of Granton Hall (1882) - The Invisible Hand (1884) - The Old Lady in Black (1894) - Seen By the Coppice (1896).

Grace Duffie Boylan’s first edition of Thy Son Liveth was written anonymously for fear that she would be ridiculed by her peers. This book is very different from her other works. It is non-fiction...about her son who had just been killed in Flanders fighting in World War I. Furthermore, it is an exact transcription of their conversations via Morse code on a telegraph machine...after he died. Boylan states: “What I felt to see my only son go to war is just what other mothers have felt, and will feel, as more and more young men are given to their country. But what I have to reveal is what every father and mother should know. And quite simply I am going to tell it. This book is published with the hope that it will give comfort to those of whom the war has demanded the bodies of their loved ones.” The books message, as expressed in one of Bob's communications to his mother, is "There is no death. Life goes on without hindrance or handicap. The one thing that troubles the men who come here is the fact that the ones that loved them, are in agony." This revised edition of Thy Son Liveth: Messages From A Soldier To His Mother has been edited, redesigned and re-typeset for easier reading by the author’s great grand-niece. Some of the jargon of the early 20th century has been carefully replaced with words used today, to facilitate understanding as well as to avoid the distraction of words whose meaning have subtly changed over time.

Originally published anonymously in 1826, this historical novel written in Spanish follows Hernan Cortes and his conquest of Mexico, his encounter with, his deception of and his alliance with the people of Tlaxcala, whom he used to defeat Moctezuma and the Aztecs

This volume presents the first complete edition of Oxford, MS Marsh 539, a hitherto unpublished Philosophy Reader compiled anonymously in the eastern Islamic world in the eleventh century. The compilation consists of texts on metaphysics, physiology and ethics, providing excerpts from Arabic versions of Greek philosophical works (Aristotle, Plotinus, Galen), and works by Arabic authors (Qusta ibn Luqa, Farabi, Miskawayh). It preserves fragments of Greek-Arabic translations lost today, including Galen's On my own Opinions, the Summa Alexandrinorum, and Themistius on Aristotle's Book Lambda. The Philosophy Reader provides a unique insight into philosophical activity of the place and time of the well-known philosopher Miskawayh, showing us which works had entered the mainstream and were considered necessary for philosophers to know. Elvira Wakelnig's volume includes a new facing-page English translation and a rich commentary which identifies the source texts and examines the historical and philosophical context of each passage.

Euclid is celebrated as the father of geometry, and author of the Elements, a book once revered like the Bible, but now a school text. Strangely, Greek manuscripts do not mention Euclid, but speak anonymously of the “author of the Elements”. Did Euclid exist? Was the real author of the Elements a woman, Hypatia? Was she black? The mystery geometry of black Egypt aimed to arouse the soul, and prove equity, as in Plato's story of Socrates and the slave boy. Early Christians had similar beliefs about the soul, but the church changed Christian doctrine to enable its priests to rule. When pagans resisted, the church retaliated violently: it smashed their temples, burnt their libraries, cursed the early beliefs about the soul, and banned philosophy. This plunged Christendom into its Dark Age, but catalysed the Islamic Golden Age. The contrast fuelled envy, and Christian priests incited the Crusades, hoping to grab Muslim wealth—but the Crusades failed beyond Spain. To convert Muslims, who accepted reason, the church now sought mathematics, connecting it to Christian doctrine by changing both. That led to a subtle religious bias in mathematics, and to its racist history. This book is for the layperson concerned that both biases are still being thrust upon schoolchildren today.

The Barr Brothers - EP called Alta Falls. The 5 songs on this record are some of our favorite misfits from the Sleeping Operator sessions. The cover art is by our elusive friend Madame Gilles, whose posters have been anonymously gracing the telephone poles of Montreal for years.

Thomas More’s Apology (1533) is one of his most significant works of religious controversy.  More’s defense focuses on an anonymously published pamphlet, A Treatise concerning the Division between the Spirituality and Temporality, issued in 1532 and generally attributed to the jurist Christopher St. German.  This tract was part of a press campaign conducted by the king’s agents.  In part, it repeats ancient grievances against the clergy―accusing them of oppression and corruption―and, more important, the Treatise attacks the ecclesiastical jurisdiction for its alleged partiality and its harsh suppression of criticism and dissent; St. German insists on the supremacy of the king and on the need for drastic curtailment of clerical power.In the Apology, Thomas More defends both himself and the lives and actions of the clergy.  He denies the need for control by lay authority and for revision in the procedure of the church courts against heresy.  He steers carefully away from the most dangerous implication of the debate, royal supremacy.  J.B. Trapp provides a thorough introduction to and commentary on the issues addressed in the Apology.  Textual variants are placed at the foot of the text pages, and a bibliography, glossary, and index are included.  The Treatise concerning the Division is given in an appendix, as are the texts of earlier antiheretical legislation.  Another appendix gives an account of the affair of Richard Hunne and Friar Standish, contributed by J. Duncan M. Derrett.

This reissue of an extremely rare collection, first published anonymously in Boston in 1830, rescues from undeserved oblivion, a story-teller rivaling James Fenimore Cooper. William Joseph Snelling (1803-48), son of Colonel Josiah Snelling, for whom Fort Snelling was named, spent seven years of the 1820's among the Indians in the territory now occupied by Minnesota, North and South Dakota, Iowa, and Wisconsin. As an outgrowth of his experience, he wrote Tales of the Northwest, subtitled "Tales of Indian Life and Character by a Resident beyond the Frontier". This was the first work of fiction to deal with the Northwest and one of the earliest short story collections published in America. First edition of the work in this format and binding, and/or set or series. Size: 8.1 x 5.4 x 1.3 inches. 252 pages. Photos available on request. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: History; Indigenous Cultures. ISBN/EAN: 9780880290647. Inventory No: 4918.

Voyeuristic. Inspirational. Entertaining. One thousand blank journals are currently circulating throughout the world, beckoning contributors who find the journals by chance on trains, in cafs, and anonymously left on doorsteps. Artist Someguy shares more than 250 of the best entries: a collage of African countries repositioned into a new continent; the musings of a teen trapped in a drug- ravaged community; a student's humorous personal ad for his ideal girlfriend ("C-cup required!"). A faux leather cover and two beautifully embroidered pages bring the look and feel of the original journals to life. The perfect gift for journalists, aspiring artists, designers, and anyone who can't wait for one of the journals to magically appear in their lives.

What Is Man? is Mark Twain's skeptical assessment of free will, and determinism, religious belief, and the nature of humanity. He put off publishing it for 25 years, and then released it anonymously in a limited edition of 250 copies. The book takes the form of a Socratic dialogue between a romantic young idealist and an elderly cynic, who debate such issues as whether man is a machine or a free actor, whether personal merit is meaningless given how our environment shapes who we are, and whether man has any impulse other than pursuing pleasure and avoiding pain. As readers "we listen attentively, leaning forward in our chairs," Charles Johnson writes in his introduction, weighing on our own such statements as the Old Man's claim that "No man ever originates anything.... Men observe and combine, that is all. So does a rat." Linda Wagner-Martin, in the afterword, sees the ideas expressed in this volume as "a thread that runs through even the lightest of Mark Twain's fiction, the calmest of his memoirs; and as the questioning hook that may provide a rationale for his becoming a writer in the first place."

An exploration of the modalities, affective intensities, and disturbing qualities of online pornography.Digital production tools and online networks have dramatically increased the general visibility, accessibility, and diversity of pornography. Porn can be accessed for free, anonymously, and in a seemingly endless range of niches, styles, and formats. In Carnal Resonance, Susanna Paasonen moves beyond the usual debates over the legal, political, and moral aspects of pornography to address online porn in a media historical framework, investigating its modalities, its affect, and its visceral and disturbing qualities. Countering theorizations of pornography as emotionless, affectless, detached, and cold, Paasonen addresses experiences of porn largely through the notion of affect as gut reactions, intensities of experience, bodily sensations, resonances, and ambiguous feelings. She links these investigations to considerations of methodology (ways of theorizing and analyzing online porn and affect), questions of materiality (bodies, technologies, and inscriptions), and the evolution of online pornography.Paasonen dicusses the development of online porn, focusing on the figure of the porn consumer, and considers user-generated content and amateur porn. She maps out the modality of online porn as hyperbolic, excessive, stylized, and repetitive, arguing that literal readings of the genre misunderstand its dynamics and appeal. And she analyzes viral videos and extreme and shock pornogaphy, arguing for the centrality of disgust and shame in the affective dynamics of porn. Paasonen's analysis makes clear the crucial role of media technologies―digital production tools and networked communications in particular―in the forms that porn takes, the resonances it stirs, and the experiences it makes possible.

The little bird that whistled shrill from the nib of its yellow bill... Anonymously scribbled into the margin of a ninth-century manuscript, this much-loved Irish poem has inspired countless writers and publications over the years, including The Yellow Nib: The Literary Journal of the Seamus Heaney Centre for Poetry. Now firmly established and renowned for the quality of its content, the journal takes its lead from that anonymous scribe: aiming simply to promote good writing - by both established and emerging writers - and nurture creative talent.

Banned for over eighty years in the west and still illegal in Kyrgyzstan, the anonymously written My Secret Life is as scandalous now as it was when first published in the 1880's. Edited and compiled into eleven volumes years after the author had died and decades after the diary had had its last entry, the sexual escapades of Walter, a privileged London gentleman is nothing less than astonishing. In raw descriptive accounts of a personal obsession with women, Walter takes us with him on his travels through the "baudy houses" of the slums, to musty European bars and to the servant quarters of friends and relatives (whilst not neglecting the company of those friends and relatives along the way); My Secret Life is a rare insight into the lives of peoples from opposite worlds. Walter fills in the gaps that Dickens left out and leaves us a rich understanding of the dreams and reality of Victorian Britain.

It was the perfect place to disappear . . . When Kacy Macgrath's life crumbled two years ago, she changed her name and escaped to her grandmother's cottage in Ireland. Here she lives anonymously, with no reminders of the past--except the terrifying images that continue to haunt her dreams. Images of the stormy night her husband Alex walked out on her--and fell into the raging waters near their Long Island home. After his death, Kacy uncovered secrets about Alex she was better off not knowing, so she ran away. Now someone is watching her.Braedon Roche has traveled across an ocean looking for justice--to expose Kacy Macgrath as a master forger who, along with her late husband, had nearly destroyed his career as an art dealer. What Braedon doesn't expect is his undeniable attraction to the fragile widow hiding behind a web of deception. But Braedon isn't the only man following Kacy. A savage killer stalks from the shadows, chipping away at her sanity, and trapping her in an unspeakable nightmare. . . .

Brazilian artist Rivane Neuenschwander (born 1967) joyously embraces all genres from painting and sculpture to film and photography, installation and collaborative actions. Whether gathering anonymously created objects from bars and restaurants, or installing continually dripping buckets in a forest, her art is ultimately about being alive and responsive. Some of Neuenschwander's best-known works are collaborations with the public: "I Wish Your Wish" enables visitors to select from hundreds of wishes those they hope will come true, in exchange leaving new wishes behind; in "First Love," visitors are invited to describe the face of their first love to a forensic artist. A Day Like Any Other is the artist's first full-length monograph.

DemocracyAn American NovelBy Henry AdamsDemocracy: An American Novel is a political novel written by Henry Brooks Adams and published anonymously in 1880. Only after the writer's death in 1918 did his publisher reveal Adams's authorship although, upon publication, the novel had immediately become popular. Contemporaneous conjecture placed the book under the joint authorship of Clarence King, John Hay and Henry Adams and their spouses who lived side by side on H street in Washington, D.C. and were collectively sometimes called "the Five of Hearts."First published anonymously, March 1880, and soon in various unauthorized editions. It wasn’t until the 1925 edition that Adams was listed as author. Henry Adams remarked (ironically as usual), “The wholesale piracy of Democracy was the single real triumph of my life.”—it was very popular, as readers tried to guess who the author was and who the characters really were. Chapters XII and XIII were originally misnumbered.