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The publication presents an innovative new perspective on a star of Classical modernism. Ernst Ludwig Kirchner’s art is characterised by austere beauty and bold colouration. However, his creative approach extended far beyond the canvas: he saw the presentation and viewing of his works as integral elements of his art. This book shows Kirchner’s complete oeuvre through his own eyes.\n\nFresh and unexpected – a must for all Kirchner fans. The world’s first major retrospective of Kirchner’s (1880–1938) work was curated by the artist himself in 1933. In presenting the works, he created an exhibition entirely according to his own taste. This volume allows us to look over his shoulder once again and see how he approached both his artistic ideas and his curatorial strategies. Kirchner’s work continues to be an exemplar of early-twentiethcentury art and one of the undisputed highlights of Classical Modernism.

The publication presents an innovative new perspective on a star of Classical modernism. Ernst Ludwig Kirchner’s art is characterised by austere beauty and bold colouration. However, his creative approach extended far beyond the canvas: he saw the presentation and viewing of his works as integral elements of his art. This book shows Kirchner’s complete oeuvre through his own eyes.\n\nFresh and unexpected – a must for all Kirchner fans. The world’s first major retrospective of Kirchner’s (1880–1938) work was curated by the artist himself in 1933. In presenting the works, he created an exhibition entirely according to his own taste. This volume allows us to look over his shoulder once again and see how he approached both his artistic ideas and his curatorial strategies. Kirchner’s work continues to be an exemplar of early-twentiethcentury art and one of the undisputed highlights of Classical Modernism.

Apparse sul periodico «Heavy metal», le strisce del bus son state per anni uno dei pilastri della rivista. Gli ingredienti? Minimi, come per il Queneau di Esercizi di stile: un uomo aspetta l’autobus, sale, scende; a volte il protagonista del fumetto è solo il bus, a volte il conducente. Con questi pochi elementi – d’altronde tutta la musica del mondo è do re mi fa sol la si – Kirchner costruisce, senza dialoghi, un universo vertiginoso, quotidiano, in cui la città si trasforma in un labirinto straniante, la carta su cui è pubblicata la striscia è una dimensione come le altre, la prospettiva un diverso tipo di inganno e lo straordinario può celarsi ovunque: gli idranti prendono vita, un bus si dà alla delinquenza e un altro è la crisalide di un aereo, ma un prigioniero può anche disegnare una fermata del bus dentro una cella e aspettare, e venir portato via. Il bus rilegge il Little Nemo di McCay e pesca a piene mani da Bosch, Escher, i cartoni della Warner Bros., Magritte, Dalì, i cartoni di Max Fleischer, dall’immaginario condiviso dell’epoca, dalle inquietudini di un autore misurato, colto, elegante, capace di fare arte anche disegnando copertine per una rivista pornografica. Sulla scorta della meravigliosa edizione di Tanibis, questo volume propone la raccolta integrale delle strisce del bus, recuperando una decina di episodi estromessi dall’antologia Ballantine del 1987 e consegnando al pubblico un gioiello surrealista misconosciuto. E a chi si domanda se adesso il bus sia arrivato al capolinea si può solo rispondere: forse che sì, forse Queneau.

Apparse sul periodico «Heavy metal», le strisce del bus son state per anni uno dei pilastri della rivista. Gli ingredienti? Minimi, come per il Queneau di Esercizi di stile: un uomo aspetta l’autobus, sale, scende; a volte il protagonista del fumetto è solo il bus, a volte il conducente. Con questi pochi elementi – d’altronde tutta la musica del mondo è do re mi fa sol la si – Kirchner costruisce, senza dialoghi, un universo vertiginoso, quotidiano, in cui la città si trasforma in un labirinto straniante, la carta su cui è pubblicata la striscia è una dimensione come le altre, la prospettiva un diverso tipo di inganno e lo straordinario può celarsi ovunque: gli idranti prendono vita, un bus si dà alla delinquenza e un altro è la crisalide di un aereo, ma un prigioniero può anche disegnare una fermata del bus dentro una cella e aspettare, e venir portato via. Il bus rilegge il Little Nemo di McCay e pesca a piene mani da Bosch, Escher, i cartoni della Warner Bros., Magritte, Dalì, i cartoni di Max Fleischer, dall’immaginario condiviso dell’epoca, dalle inquietudini di un autore misurato, colto, elegante, capace di fare arte anche disegnando copertine per una rivista pornografica. Sulla scorta della meravigliosa edizione di Tanibis, questo volume propone la raccolta integrale delle strisce del bus, recuperando una decina di episodi estromessi dall’antologia Ballantine del 1987 e consegnando al pubblico un gioiello surrealista misconosciuto. E a chi si domanda se adesso il bus sia arrivato al capolinea si può solo rispondere: forse che sì, forse Queneau.

It’s Christmas eve and the sledge race is about to start. There’s a one-horse open sleigh, a two-sailed wooden yacht, a three-stroke snowmobile, and a four-blade snowcopter. Each vehicle encounters obstacles on the way. Who will reach the finish line first and be declared the winner? A brilliant reimagining of the song “Jingle Bells,” featuring animals racing in sledges of all shapes and sizes. This is a great text to share and read aloud, full of detailed and humorous artwork, with fun and arctic-themed characters and a host of elves. Wintry and Christmassy, this is a very unique picture book with an original take on a famous rhyme.

It’s Christmas eve and the sledge race is about to start. There’s a one-horse open sleigh, a two-sailed wooden yacht, a three-stroke snowmobile, and a four-blade snowcopter. Each vehicle encounters obstacles on the way. Who will reach the finish line first and be declared the winner? A brilliant reimagining of the song “Jingle Bells,” featuring animals racing in sledges of all shapes and sizes. This is a great text to share and read aloud, full of detailed and humorous artwork, with fun and arctic-themed characters and a host of elves. Wintry and Christmassy, this is a very unique picture book with an original take on a famous rhyme.

Throughout his career, Ernst Ludwig Kirchner employed a highly inventive and original use of colour. He favoured novel applications of paint in unusual matte finishes. For Kirchner, colour was of primary importance, coupled with technique and style. He was one of the leading Expressionist painters of the time and was one of the founding members of the Brücke. In his deeply personal depictions, he focused on the places where he lived and worked and his close friends and associates. This book, accompanying a major exhibition at the Neue Galerie New York, provides a visual survey of Kirchner’s oeuvre and offers an in-depth analysis of different aspects of the artist’s output. Essays by leading experts examine Kirchner’s approach to colour, his interest in the decorative arts, how electric light affected his treatment of colour, the impact of Nietzsche on his work, and how he was profoundly changed by World War I. This book includes illustrations of nearly 40 paintings, 30 prints, as well as drawings, sketchbooks, photographs, and decorative work.

Throughout his career, Ernst Ludwig Kirchner employed a highly inventive and original use of colour. He favoured novel applications of paint in unusual matte finishes. For Kirchner, colour was of primary importance, coupled with technique and style. He was one of the leading Expressionist painters of the time and was one of the founding members of the Brücke. In his deeply personal depictions, he focused on the places where he lived and worked and his close friends and associates. This book, accompanying a major exhibition at the Neue Galerie New York, provides a visual survey of Kirchner’s oeuvre and offers an in-depth analysis of different aspects of the artist’s output. Essays by leading experts examine Kirchner’s approach to colour, his interest in the decorative arts, how electric light affected his treatment of colour, the impact of Nietzsche on his work, and how he was profoundly changed by World War I. This book includes illustrations of nearly 40 paintings, 30 prints, as well as drawings, sketchbooks, photographs, and decorative work.

Nelle terre dei Dodici Regi compaiono i tre sigilli del Male sulla terra, eventi terribili e soprannaturali come segni della furia degli Dei che si abbatte sugli umani. Cos'ha scatenato tanta collera e quali altri eventi spaventosi attendono la nazione etrusca? Dopo la caduta della favolosa Veio, la Lega si ritrova spaccata in attesa del nuovo Fanum Voltumnae, la riunione annuale dei dodici popoli, per eleggere lo Zilath supremo d'Etruria da cui potrebbero dipendere le sorti dell'intera nazione. Il candiato più papabile sembra essere l'efferato Tarx di Tarchna, sempre affiancato dal perfido maestro Baal. Malio degli Avilii, Lucumone di Caere è deciso a opporsi con tutte le sue forze. Continua l'appassionante saga epica dedicata agli Etruschi. Un viaggio immersivo in un'epoca arcaica e sacra, dominata da divinità capricciose, passioni estreme e ambizioni senza misura. Tra Etruschi e primi popoli italici, uomini e Dei condividono il destino, in un mondo sospeso tra mito e storia, alle soglie della futura grandezza di Roma.

Nelle terre dei Dodici Regi compaiono i tre sigilli del Male sulla terra, eventi terribili e soprannaturali come segni della furia degli Dei che si abbatte sugli umani. Cos'ha scatenato tanta collera e quali altri eventi spaventosi attendono la nazione etrusca? Dopo la caduta della favolosa Veio, la Lega si ritrova spaccata in attesa del nuovo Fanum Voltumnae, la riunione annuale dei dodici popoli, per eleggere lo Zilath supremo d'Etruria da cui potrebbero dipendere le sorti dell'intera nazione. Il candiato più papabile sembra essere l'efferato Tarx di Tarchna, sempre affiancato dal perfido maestro Baal. Malio degli Avilii, Lucumone di Caere è deciso a opporsi con tutte le sue forze. Continua l'appassionante saga epica dedicata agli Etruschi. Un viaggio immersivo in un'epoca arcaica e sacra, dominata da divinità capricciose, passioni estreme e ambizioni senza misura. Tra Etruschi e primi popoli italici, uomini e Dei condividono il destino, in un mondo sospeso tra mito e storia, alle soglie della futura grandezza di Roma.

Victor Korchnoi is one of the greatest figures in chess history, which he has helped to shape for nearly 50 years now. Now, at the beginning of the 21st century, the aggressive style of the now over 70-year-old is undiminished and as awe-inspiring as ever. At tournaments with numerous entrants, the naturalised Swiss citizen leaves world-class players young enough to be his grandchildren far behind him. It is high time, therefore, to update Viktor Kortshnois autobiography \"Chess is my life\", which met with great interest on its publication more than 20 years ago. In long interviews, Victor Korchnoi has completely retold his life story. The memories of his childhood in the besieged Leningrad, his time as a student of the university of his home town (now Saint Petersburg), his rise to the top of the major chess power USSR and the years before and after his defection to the West in 1976 are also of significance as contemporary documents of a life spent in the former Soviet Union. The volume also includes many photographs as well as a number of games with comments in typical Korchnoi-style and which are of decisive importance for his brilliant chess career.

Victor Korchnoi is one of the greatest figures in chess history, which he has helped to shape for nearly 50 years now. Now, at the beginning of the 21st century, the aggressive style of the now over 70-year-old is undiminished and as awe-inspiring as ever. At tournaments with numerous entrants, the naturalised Swiss citizen leaves world-class players young enough to be his grandchildren far behind him. It is high time, therefore, to update Viktor Kortshnois autobiography \"Chess is my life\", which met with great interest on its publication more than 20 years ago. In long interviews, Victor Korchnoi has completely retold his life story. The memories of his childhood in the besieged Leningrad, his time as a student of the university of his home town (now Saint Petersburg), his rise to the top of the major chess power USSR and the years before and after his defection to the West in 1976 are also of significance as contemporary documents of a life spent in the former Soviet Union. The volume also includes many photographs as well as a number of games with comments in typical Korchnoi-style and which are of decisive importance for his brilliant chess career.