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Tutta l'opera di James G. Ballard è un'autobiografia segreta. Utilizzando se stesso come lente su cui far convergere i raggi della contemporaneità, Ballard ha costruito una delle mappe più acute dell'immaginario tardomoderno: media landscape e geometrie dell'atrocità, tecnologia e sessualità. Ma ha sempre tenuto nascosta quella lente. Adesso la svela, in questa straordinaria autobiografia. Solo adesso, che si sente vicino alla fine, può raccontare direttamente la sua infanzia a Shanghai, i lunghi anni dell'apprendistato alla vita nel campo di prigionia di Lunghua, la morte prematura e insensata della moglie, la dedizione ai figli. Come ogni autobiografia, neanche questa racconta la \"verità\", inaccessibile per definizione, ma diventa un'inestimabile chiave di lettura per tutti gli altri suoi libri.

Tutta l'opera di James G. Ballard è un'autobiografia segreta. Utilizzando se stesso come lente su cui far convergere i raggi della contemporaneità, Ballard ha costruito una delle mappe più acute dell'immaginario tardomoderno: media landscape e geometrie dell'atrocità, tecnologia e sessualità. Ma ha sempre tenuto nascosta quella lente. Adesso la svela, in questa straordinaria autobiografia. Solo adesso, che si sente vicino alla fine, può raccontare direttamente la sua infanzia a Shanghai, i lunghi anni dell'apprendistato alla vita nel campo di prigionia di Lunghua, la morte prematura e insensata della moglie, la dedizione ai figli. Come ogni autobiografia, neanche questa racconta la \"verità\", inaccessibile per definizione, ma diventa un'inestimabile chiave di lettura per tutti gli altri suoi libri.

The remarkable story of everything Sydney Herbert Allard achieved in motor sport and motor car manufacture is framed in an up-to-date commentary co-authored by his own son. This is a tribute unswayed by legend, but based on the facts and achievements of his eponymous company. With contributions from the Allard Owners' Club and Allard Register, this book contains painstaking research of Allard history from 1929 to the present day, including previously unpublished material. Just under 2,000 Allards were built, and approximately 510 are believed to remain on the road or known to be under -restoration. More await discovery - even as this book was being written, one of Sydney's long-lost 1930s 'Allard Specials' has been found after years being forgotten. Other topics covered in this remarkable book include: car-by-car engineering and design details; unseen ideas and projects; the history of the Allard marque in motor sport and the Allard story in the USA. Finally, it features the Allard Owner's Club, Allard Register, members and their cars.

The remarkable story of everything Sydney Herbert Allard achieved in motor sport and motor car manufacture is framed in an up-to-date commentary co-authored by his own son. This is a tribute unswayed by legend, but based on the facts and achievements of his eponymous company. With contributions from the Allard Owners' Club and Allard Register, this book contains painstaking research of Allard history from 1929 to the present day, including previously unpublished material. Just under 2,000 Allards were built, and approximately 510 are believed to remain on the road or known to be under -restoration. More await discovery - even as this book was being written, one of Sydney's long-lost 1930s 'Allard Specials' has been found after years being forgotten. Other topics covered in this remarkable book include: car-by-car engineering and design details; unseen ideas and projects; the history of the Allard marque in motor sport and the Allard story in the USA. Finally, it features the Allard Owner's Club, Allard Register, members and their cars.

Questo libro è dedicato a chi vuole cucinare (e mangiare) in modo consapevole. Non è un trattato di chimica. Non ci sono formule, che spesso, ingiustamente, allontanano il lettore dalla chimica. Ci sono però alcune ricette, anzi preparazioni, per calare il lettore nel contesto chimico della cucina. Spesso si sente associare il concetto di chimica a qualcosa di innaturale, malsano, nocivo, contrario alle tradizioni. Niente di più sbagliato! La chimica è la scienza delle trasformazioni.

Questo libro è dedicato a chi vuole cucinare (e mangiare) in modo consapevole. Non è un trattato di chimica. Non ci sono formule, che spesso, ingiustamente, allontanano il lettore dalla chimica. Ci sono però alcune ricette, anzi preparazioni, per calare il lettore nel contesto chimico della cucina. Spesso si sente associare il concetto di chimica a qualcosa di innaturale, malsano, nocivo, contrario alle tradizioni. Niente di più sbagliato! La chimica è la scienza delle trasformazioni.

Coming in March 2016 from acclaimed director Ben Wheatley, a major motion picture adaptation of J. G. Ballard’s compelling and unnerving tale of what happens when life in a luxury apartment building descends into chaos, starring Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans and Elisabeth Moss.\n\n\n ‘Later, as he sat on his balcony eating the dog, Dr Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.’\n\n\n Within the walls of a high-tech forty-storey high-rise, the residents are hell-bent on an orgy of sex and destruction, answering to primal urges that their utopian surroundings can’t satisfy. The high-rise is a would-be paradise turned dystopia, ruled by intimidation and violence, and, as the residents organize themselves for war, floor against floor, no one wants it to stop …

From the author of 'Crash' and 'Cocaine Nights' comes an unnerving tale of life in a modern tower block running out of control.\n\n\n Within the concealing walls of an elegant forty-storey tower block, the affluent tenants are hell-bent on an orgy of destruction. Cocktail parties degenerate into marauding attacks on 'enemy' floors and the once-luxurious amenities become an arena for riots and technological mayhem.\n\n\n In this visionary tale of urban disillusionment society slips into a violent reverse as the isolated inhabitants of the high-rise, driven by primal urges, create a dystopian world ruled by the laws of the jungle.\n\n\n This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Iain Sinclair, Ali Smith, Neil Gaiman and Martin Amis) and brand-new cover designs.

From the author of 'Crash' and 'Cocaine Nights' comes an unnerving tale of life in a modern tower block running out of control.\n\n\n Within the concealing walls of an elegant forty-storey tower block, the affluent tenants are hell-bent on an orgy of destruction. Cocktail parties degenerate into marauding attacks on 'enemy' floors and the once-luxurious amenities become an arena for riots and technological mayhem.\n\n\n In this visionary tale of urban disillusionment society slips into a violent reverse as the isolated inhabitants of the high-rise, driven by primal urges, create a dystopian world ruled by the laws of the jungle.\n\n\n This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Iain Sinclair, Ali Smith, Neil Gaiman and Martin Amis) and brand-new cover designs.

The definitive cult, post-modern novel – a shocking blend of violence, transgression and eroticism – reissued with an introduction from Zadie Smith.\n\n\n \n \n After being bombarded endlessly by road-safety propaganda it was almost a relief to find myself in an actual accident.\n \n \n\n\n When James Ballard smashes his car into another, he becomes fascinated with the allure of violence. His new friend Dr Robert Vaughan – a charismatic figure with a dubious sense of morality – leads him to a transgressive underworld of desire, where the collision of modernity and sex are pushed to the extremes. In a society ruled by mass-media and technological advancements, are there any limits to humanity’s obsessions?

Coming in March 2016 from acclaimed director Ben Wheatley, a major motion picture adaptation of J. G. Ballard’s compelling and unnerving tale of what happens when life in a luxury apartment building descends into chaos, starring Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans and Elisabeth Moss.\n\n\n ‘Later, as he sat on his balcony eating the dog, Dr Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.’\n\n\n Within the walls of a high-tech forty-storey high-rise, the residents are hell-bent on an orgy of sex and destruction, answering to primal urges that their utopian surroundings can’t satisfy. The high-rise is a would-be paradise turned dystopia, ruled by intimidation and violence, and, as the residents organize themselves for war, floor against floor, no one wants it to stop …

The definitive cult, post-modern novel – a shocking blend of violence, transgression and eroticism – reissued with an introduction from Zadie Smith.\n\n\n \n \n After being bombarded endlessly by road-safety propaganda it was almost a relief to find myself in an actual accident.\n \n \n\n\n When James Ballard smashes his car into another, he becomes fascinated with the allure of violence. His new friend Dr Robert Vaughan – a charismatic figure with a dubious sense of morality – leads him to a transgressive underworld of desire, where the collision of modernity and sex are pushed to the extremes. In a society ruled by mass-media and technological advancements, are there any limits to humanity’s obsessions?

"""Mollard ""Lancio"" CF 40cm SI, Baton, ""Lancio"" series, White shaft made of carbon fiber, Length: 40cm, Weight: 21 g, Silver aluminium handle, Break protected with a tube package"""

'A wonderfully fluent account of how the strange magic of water and the beings that inhabit it can enchant and intoxicate' Chris Yates\n\n'[Will Millard] writes with a genuine sense of humility (...) humour and reflection' Kevin Parr, Countryfile \n\n***\n\nGrowing up on the Cambridgeshire Fens, Will Millard never felt more at home than when he was out with his granddad on the riverbank, whiling away the day catching fish. \n\nAs he grew older his competitive urge to catch more and bigger fish led him away from that natural connection between him, his grandfather and the rivers of his home. That is, until the fateful day he let a record-breaking sand eel slip through his fingers and he knew that he had lost the magic of those days down by the river, and that something had to change. \n\nThe Old Man and the Sand Eel is at its heart the story of three generations of men trying to figure out what it is to be a man, a father and a fisherman. It plots Will's scaly stepping stones back to his childhood innocence, when anything was possible and the wild was everywhere.\n\n***\n\n'Delightful and informative (...) beautifully drawn' The Spectator \n\n '[Will Millard] is a master wordsmith and his first book is a joyful testament to that' Isabelle Broom, Heat\n\n'The writing is sharp and clever (...) I loved all of it and would as happily read it again as I would sit beside the river waiting for the evening rise of trout to begin' Tom Fort, Literary Review\n\n'This is post-modern nature writing that embraces beauty where it finds it and marvels at nature's tenacity (...) But there's more here than just fish. This is also a book about growing up, about how to retain a connection with those who raised you while forging your own identity - what to keep and what to discard. And it's about men. The strong surges of emotion that both draw them together and keep them apart, and the shared pastimes which recognise that intimacy and meaning aren't always accompanied by words' Olivia Edward, Geographical

The classic, heartrending story of a British boy's four year ordeal in a Japanese prison camp during the Second World War. Newly reissued with an introduction by John Lanchester.\n\n\n Based on J. G. Ballard's own childhood, this is the extraordinary account of a boy's life in Japanese-occupied wartime Shanghai - a mesmerising, hypnotically compelling novel of war, of starvation and survival, of internment camps and death marches. It blends searing honesty with an almost hallucinatory vision of a world thrown utterly out of joint.\n\n\n Rooted as it is in the author's own disturbing experience of war in our time, it is one of a handful of novels by which the twentieth century will be not only remembered but judged.\n\n\n This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Zadie Smith, Rivka Galchen, Hari Kunzru and Martin Amis) and brand-new cover designs from the artist Stanley Donwood.

Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come..\n\n\n \n Like everything else since the war, the sky was in a state of change\n \n\n\n Based on J. G. Ballard's own childhood, this is the extraordinary account of a boy's life in Japanese-occupied Shanghai. Trapped in a prison camp and separated from his parents, Jim is witness to the death, starvation and chaos of the Second World War. His story is a mesmerising vision of a world thrown utterly out of joint.\n\n\n Winner of the James Tait Black Memorial Prize and shortlisted for the Booker, Empire of the Sun is an astounding, hypnotically compelling novel by which the twentieth century will be not only remembered, but judged.\n\n\n \n 'Remarkable ... form, content and style fuse with complete success ... one of the great war novels of the 20th century' William Boyd

'A wonderfully fluent account of how the strange magic of water and the beings that inhabit it can enchant and intoxicate' Chris Yates\n\n'[Will Millard] writes with a genuine sense of humility (...) humour and reflection' Kevin Parr, Countryfile \n\n***\n\nGrowing up on the Cambridgeshire Fens, Will Millard never felt more at home than when he was out with his granddad on the riverbank, whiling away the day catching fish. \n\nAs he grew older his competitive urge to catch more and bigger fish led him away from that natural connection between him, his grandfather and the rivers of his home. That is, until the fateful day he let a record-breaking sand eel slip through his fingers and he knew that he had lost the magic of those days down by the river, and that something had to change. \n\nThe Old Man and the Sand Eel is at its heart the story of three generations of men trying to figure out what it is to be a man, a father and a fisherman. It plots Will's scaly stepping stones back to his childhood innocence, when anything was possible and the wild was everywhere.\n\n***\n\n'Delightful and informative (...) beautifully drawn' The Spectator \n\n '[Will Millard] is a master wordsmith and his first book is a joyful testament to that' Isabelle Broom, Heat\n\n'The writing is sharp and clever (...) I loved all of it and would as happily read it again as I would sit beside the river waiting for the evening rise of trout to begin' Tom Fort, Literary Review\n\n'This is post-modern nature writing that embraces beauty where it finds it and marvels at nature's tenacity (...) But there's more here than just fish. This is also a book about growing up, about how to retain a connection with those who raised you while forging your own identity - what to keep and what to discard. And it's about men. The strong surges of emotion that both draw them together and keep them apart, and the shared pastimes which recognise that intimacy and meaning aren't always accompanied by words' Olivia Edward, Geographical

Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come..\n\n\n \n Like everything else since the war, the sky was in a state of change\n \n\n\n Based on J. G. Ballard's own childhood, this is the extraordinary account of a boy's life in Japanese-occupied Shanghai. Trapped in a prison camp and separated from his parents, Jim is witness to the death, starvation and chaos of the Second World War. His story is a mesmerising vision of a world thrown utterly out of joint.\n\n\n Winner of the James Tait Black Memorial Prize and shortlisted for the Booker, Empire of the Sun is an astounding, hypnotically compelling novel by which the twentieth century will be not only remembered, but judged.\n\n\n \n 'Remarkable ... form, content and style fuse with complete success ... one of the great war novels of the 20th century' William Boyd

The classic, heartrending story of a British boy's four year ordeal in a Japanese prison camp during the Second World War. Newly reissued with an introduction by John Lanchester.\n\n\n Based on J. G. Ballard's own childhood, this is the extraordinary account of a boy's life in Japanese-occupied wartime Shanghai - a mesmerising, hypnotically compelling novel of war, of starvation and survival, of internment camps and death marches. It blends searing honesty with an almost hallucinatory vision of a world thrown utterly out of joint.\n\n\n Rooted as it is in the author's own disturbing experience of war in our time, it is one of a handful of novels by which the twentieth century will be not only remembered but judged.\n\n\n This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Zadie Smith, Rivka Galchen, Hari Kunzru and Martin Amis) and brand-new cover designs from the artist Stanley Donwood.