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An indispensable study aid for an in-demand project management certification \n\nIn the newly updated second edition of CompTIA Project+ Practice Tests: Exam PK0-005, veteran tech educator and project manager Brett J. Feddersen delivers an indispensable study aid for anyone preparing for the CompTIA Project+ certification exam or a new career in project management. \n\nThis new edition is fully revised to reflect recent changes to the Project+ PK0-005 exam, and offers new questions that emphasize the importance of agile and other iterative project management methodologies commonly used in IT environments. You'll explore every objective covered by the Project+ exam, including project management concepts, project life cycle phases, project tools and documentation, and the basics of information technology and governance. \n\nYou'll also find: \n\n\n\nHands-on and practical information you can use immediately to prepare for a new career in project management, or for expanding your existing skillset\nHundreds of domain-by-domain questions that pinpoint exactly where you excel and where you need more training\nA true-to-life testing format that prepares you for the real-world exam and reduces test anxiety so you can focus on succeeding your first time taking the test\n\nA can't-miss resource for aspiring and veteran project managers, CompTIA Project+ Practice Tests: Exam PK0-005, Second Edition, belongs in the hands of anyone hoping to master the latest version of the Project+ exam or distinguish themselves on their first day of a new project management job.

An indispensable study aid for an in-demand project management certification \n\nIn the newly updated second edition of CompTIA Project+ Practice Tests: Exam PK0-005, veteran tech educator and project manager Brett J. Feddersen delivers an indispensable study aid for anyone preparing for the CompTIA Project+ certification exam or a new career in project management. \n\nThis new edition is fully revised to reflect recent changes to the Project+ PK0-005 exam, and offers new questions that emphasize the importance of agile and other iterative project management methodologies commonly used in IT environments. You'll explore every objective covered by the Project+ exam, including project management concepts, project life cycle phases, project tools and documentation, and the basics of information technology and governance. \n\nYou'll also find: \n\n\n\nHands-on and practical information you can use immediately to prepare for a new career in project management, or for expanding your existing skillset\nHundreds of domain-by-domain questions that pinpoint exactly where you excel and where you need more training\nA true-to-life testing format that prepares you for the real-world exam and reduces test anxiety so you can focus on succeeding your first time taking the test\n\nA can't-miss resource for aspiring and veteran project managers, CompTIA Project+ Practice Tests: Exam PK0-005, Second Edition, belongs in the hands of anyone hoping to master the latest version of the Project+ exam or distinguish themselves on their first day of a new project management job.

“These Walls reframes the debate the country's incarceration crisis, with a compelling focus on architecture as a path forward.” ?Tony Messenger, Pulitzer Prize-winning author of Profit and Punishment\n \n“A critical intervention in the high stakes debate about the social value of jails and what we could do instead to create safety and justice.\" ?Alex Vitale, author of The End of Policing\n\nFor nearly a century, the Rikers Island jail complex has stood on a 413-acre man-made island in the East River of New York. Today it is the largest correctional facility in the city, housing eight active jails and thousands of incarcerated individuals who have not yet been tried. It is also one of the most controversial and notorious jails in America.\n \nWhich is why, when mayor Bill de Blasio announced in 2017 that Rikers would be closed within the next decade, replaced with four newly designed jails located within the city boroughs, the surface reaction seemed largely positive. Not only would Rikers, a long-standing symbol of the ills of mass incarceration, be decommissioned, but the buildings erected in its place would be the product of more enlightened views and outlooks. Many were enthusiastic, including Eva Fedderly, a journalist focused on the intersections of social justice and design, who was covering the closure and its impact for Architectural Digest. In a world of the rhetoric of talking heads and empty political promises, here, finally, was action. Breaking down the structures that enable an unjust system would surely mean its eventual eradication—change. Wasn’t that a sign of progress?\n \nAs Fedderly dug deeper and spoke to more people involved, however, she discovered that the consensus was hardly universal. Among architects at megafirms tasked with redesigns that reconcile profits and progress, the members of law enforcement working to stop incarceration cycles in community hot spots, the reformers and abolitionists calling for change, and, most wrenchingly, the incarcerated and formerly incarcerated individuals whose lives will be most affected, some agreed that closing Rikers was a step in the right direction, but many were quick to point out that Rikers was being replaced, not removed. There was frustration that the presence of new jails would disrupt neighborhoods, and that the city’s resources should be invested in effective crime prevention and rehabilitation in communities to stop the incarceration cycle. On one point, however, there was firm agreement: whatever the outcome, the world would be watching.\n \nPart on-the-ground reporting, part deep social and architectural history, These Walls is an eye-opening look into how systems of inequity are constructed and a challenge to our long-held beliefs about what constitutes power and justice.

“These Walls reframes the debate the country's incarceration crisis, with a compelling focus on architecture as a path forward.” ?Tony Messenger, Pulitzer Prize-winning author of Profit and Punishment\n \n“A critical intervention in the high stakes debate about the social value of jails and what we could do instead to create safety and justice.\" ?Alex Vitale, author of The End of Policing\n\nFor nearly a century, the Rikers Island jail complex has stood on a 413-acre man-made island in the East River of New York. Today it is the largest correctional facility in the city, housing eight active jails and thousands of incarcerated individuals who have not yet been tried. It is also one of the most controversial and notorious jails in America.\n \nWhich is why, when mayor Bill de Blasio announced in 2017 that Rikers would be closed within the next decade, replaced with four newly designed jails located within the city boroughs, the surface reaction seemed largely positive. Not only would Rikers, a long-standing symbol of the ills of mass incarceration, be decommissioned, but the buildings erected in its place would be the product of more enlightened views and outlooks. Many were enthusiastic, including Eva Fedderly, a journalist focused on the intersections of social justice and design, who was covering the closure and its impact for Architectural Digest. In a world of the rhetoric of talking heads and empty political promises, here, finally, was action. Breaking down the structures that enable an unjust system would surely mean its eventual eradication—change. Wasn’t that a sign of progress?\n \nAs Fedderly dug deeper and spoke to more people involved, however, she discovered that the consensus was hardly universal. Among architects at megafirms tasked with redesigns that reconcile profits and progress, the members of law enforcement working to stop incarceration cycles in community hot spots, the reformers and abolitionists calling for change, and, most wrenchingly, the incarcerated and formerly incarcerated individuals whose lives will be most affected, some agreed that closing Rikers was a step in the right direction, but many were quick to point out that Rikers was being replaced, not removed. There was frustration that the presence of new jails would disrupt neighborhoods, and that the city’s resources should be invested in effective crime prevention and rehabilitation in communities to stop the incarceration cycle. On one point, however, there was firm agreement: whatever the outcome, the world would be watching.\n \nPart on-the-ground reporting, part deep social and architectural history, These Walls is an eye-opening look into how systems of inequity are constructed and a challenge to our long-held beliefs about what constitutes power and justice.

"""Schecter Sun Valley Shredder FR LH, Electric Guitar, Lefthand-model, Body: Black Limba, Fingerboard: Ebony, Neck: Wenge with carbon reinforcement, Neck profile: Thin C, Scale: 648 mm, 24 Stainless steel X-Jumbo frets, Fingerboard: 12""-16"", Nut..."

Chicken Picks Shredder 2,4mm Pick, 1 piece; extremely hard & durable Plastic, beveled edges for precise Picking & great Tone; small Jazz form; Gauge: 2,4mm

Chicken Picks Shredder 3.5 mm Plectrum, Guitar Pick, Material: Extremely hard, durable plastic, Sanded edges for precise picking and an excellent tone, Thickness: 3.5 mm, Small jazz shape

Chicken Picks Shredder 3.5mm Pick 3 Pack, Pick Set, Extremely hard and durable plastic, Sanded edges for precise picking and an excellent sound, Small jazz shape, Thickness: 3.5 mm, Package quantity: 3 Pieces

Chicken Picks Shredder 2,4mm Pick 3 Pack; Pick Set; pack of 3 pieces; extremely hard & durable Plastic, beveled edges for precise Picking & great Tone; small Jazz form; Gauge: 2,4mm

"""Schecter Sun Valley Super Shredder BL, Electric guitar, Body: Black Limba, Neck: Wenge with carbon reinforcement, Fingerboard: Ebony, Neck profile: Thin C, Fretboard radius: 305 - 406 mm (12""-16""), Nut width: 42 mm, Nut: Graph Tech XL Black Tusq,..."

"""Schecter Sun Valley Super Shredder FR S Gloss, Electric Guitar, Body: Mahogany, Bolt-on neck: Maple, Fretboard: Rosewood, 24 X-Jumbo frets, Scale: 648 mm, Nut width: 41.3 mm, Pickups: Sustainiac (neck) and EMG RetroActive Super 77 (bridge), 3-Way..."

"""Schecter Sun Valley Super Shredder LH, Electric Guitar, Lefthanded model, Body: Black Limba, Fingerboard: ebony, Neck: Wenge, Neck profile: Thin C, Scale: 648 mm, 24 Stainless steel X-Jumbo frets, Fingerboard radius: 12""-16"", Nut width: 42 mm, Graph..."

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