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Visionary poet Allen Ginsberg was one of the most influential cultural and literary figures of the 20th century, his face and political causes familiar to millions who had never even read his poetry. And yet he is a figure that remains little understood, especially how a troubled young man became one of the intellectual and artistic giants of the postwar era. He never published an autobiography or memoirs, believing that his body of work should suffice. The Essential Ginsberg attempts a more intimate and rounded portrait of this iconic poet by bringing together for the first time his most memorable poetry but also journals, music, photographs and letters, much of it never before published.

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The prophetic poem that launched a generation when it was first published in 1965 is here presented in a commemorative 40th Anniversary Edition. Allen Ginsberg's Howl and Other Poems was originally published by City Lights Books in the Fall of 1956. Subsequently seized by U.S. customs and the San Francisco police, it was the subject of a long court trail at which a series of poets and professors persuaded the court that the book was not obscene. Howl & Other Poems is the single most influential poetic work of the post-World War II era, with over 1,000,000 copies now in print. \"Howl was Allen's metamorphosis from quiet, brilliant, burning bohemian scholar trapped by his flames and repressions to epic vocal bard.\"--Michael McClure \"It is the poet, Allen Ginsberg, who has gone, in his own body, through the horrifying experiences described from life in these pages.\" --William Carlos Williams \"At the height of his bardic powers, Allen Ginsberg could terrify the authorities with the mere utterance of the syllable \"om\" as he led street throngs of citizens protesting the Vietnam War.\nGinsberg reigned as the raucous poet of American hippiedom and as a literary pioneer whose freewheeling masterwork \"Howl\" prevailed against government censorship in a landmark obscenity trial 50 years ago.\" -- New York Times \"Fifty years ago, on October 3, Judge Clayton Horn ruled that Allen Ginsberg's great epic Beat-era poem HOWL was not obscene but instead, a work of literary and social merit. This ruling allowed for the publication of HOWL and exonerated the poet Lawrence Ferlinghetti, who faced jail time and a fine 50 years ago for publishing 'HOWL.'\" -- Pacifica.org Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian emigre, and Louis Ginsberg, lyric poet and schoolteacher, in Paterson, New Jersey. To these facts Ginsberg adds: \"High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote Kaddish 1959, made tape to leave behind & fade in Orient awhile.\nCarl Solomon to whom Howl is addressed, is a intuitive Bronx dadaist and prose-poet.\"

Tre anni, gli ultimi della sua vita, è il tempo impiegato da Allen Ginsberg per vagliare, ordinare, strutturare in un volume quanto c'è «di più onesto, di più penetrante» nella sua poesia. Questa grande e definitiva autoantologia non è dunque un libro postumo, un monumento al passato, ma un libro vivo, una vita in versi. La voce di un poeta che è stato realista e surreale, psichedelico e civile, erotico e politico. Rivoluzionario. La scelta d'autore di Allen Ginsberg spazia dalle prime poesie scritte a Paterson alle menti morte di fame isteriche nude di \"Urlo\", dalla profezia bardica e pacifista della \"Caduta dell'America\" ai versi blues, rag-time e rock'n'roll nati dal sodalizio con Bob Dylan. E ancora dal congedo funebre e manicomiale di \"Kaddish\" - struggente, furioso lamento in morte di una madre - ai versi pervasi dal pensiero orientale, profonda immersione nell'incanto della materia e incantatoria versificazione intessuta di mantra. Il lettore di \"Poesie\" si sorprenderà della ricchezza pressoché infinita di echi e rivisitazioni delle poetiche occidentali - il canto popolare come le opere di Whitman e Blake - o di culture extraeuropee - indiana, cinese e giapponese. Si stupirà ancor più della continua tensione sperimentale, della voracità di vita, del gioioso inventario di ogni forma d'esistenza che scorre di fronte agli occhi e nello sfrenato linguaggio del più grande poeta del dopoguerra americano.

Planet News collecting seven years' Poesy scribed to 1967 begins with electronic politics disassociation & messianic rhapsody TV Baby in New York, continues picaresque around the globe, elan perceptions notated at Mediterranean, Galilee & Ganges till next breakthrough, comedown Poem at heart & soul last days in Asia The Change 1963; tenement doldrums & police-state paranoia in Manhattan then half year behind Socialist Curtain climaxed as Kral Majales May King Prague 1965, same years' erotic gregariousness writ as Who Be Kind To for International Poetry Incarnation Albert Hall London; next trip West Coast thru center America Midwest Wichita Vortex Sutra ...at last across Atlantic Wales Visitation promethian text recollected in emotion revised in tranquility continuing tradition of ancient Nature Language mediates between psychedelic inspiration and humane ecology & integrated acid classic Unitive Vision with democratic eyeball particulars-book closes on politics to exorcise Pentagon phantoms who cover Earth with dung-colored gas. \"Planet News is a great book of poems.\nIt encourages the reader to release their pre-conceived notions of poetry, and allow themselves to dance disturbingly through a picture that Ginsberg paints...Planet News is a beautiful read. If it's not something you're immediately interested in, the read is worth it for the mere significance Allen Ginsberg has had on the art of poetry.\" -Ned Tobin, Chronicles of Time \"In this collection, the shorter poems, with their impressive grip on exact description, are the best, and remind us of how Ginsberg sees everything-railroads, cloverleafs, Dino Sinclair signs, \"tiny human trees\" in the plains, newspaper stories and their reduction of the real to the (\"continued from page one\") verbal, football fields, J. Edgar Hoover, and above all himself. For his contemporaries, he is the biographer of his time-its high schools, its streets, its telephones, its monsters ('television was a baby crawling toward that deathchamber\"), its bland head counts, its drugs, its cops, its cities, its freeways, and most of all its short-cut language.\"\n-Helen Vendler, New York Times Famous Beat poet Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian emigre, and Louis Ginsberg, lyric poet and school teacher, in Paterson, N.J. To these facts Ginsberg adds: \"High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote \"Kaddish\" 1959, made tape to leave behind & fade in Orient awhile.\" His other famous poetry collections including The Fall of America, Howl, Mind Breaths, Plutonian Ode, and Reality Sandwiches are also published by City Lights Publishers.

Vere icone culturali, Jack Kerouac e Allen Ginsberg sono i nomi più celebrati della Beat Generation, legati da una profonda sintonia artistica e da un'amicizia sincera e duratura, che ha influenzato notevolmente la loro scrittura. Le quasi duecento lettere comprese in questo volume (buona parte delle quali inedite) gettano nuova luce sul loro rapporto, a partire dal 1944, quando Ginsberg era uno studente alla Columbia University, fino a poco prima della morte di Kerouac nel 1969. Uno scambio epistolare di grande fascino, che permette di conoscere dettagli delle loro vite e comprendere le loro opere come mai prima, oltre a fornirci una visione dell'America e del mondo dal dopoguerra agli anni Sessanta. Nonostante momenti di disaccordo, i due scrittori si sono ispirati reciprocamente a livello sia spirituale sia creativo e la loro corrispondenza è presto diventata un laboratorio vitale per la loro arte.

Allen Ginsberg was the bard of the beat generation, and Howl, Kaddish and Other Poems is a collection of his finest work published in Penguin Modern Classics, including 'Howl', whose vindication at an obscenity trial was a watershed moment in twentieth-century history.\n\n'I saw the best minds of my generation destroyed by madness, starving hysterical naked'\n\nBeat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. This new collection brings together the famous poems that made his name as a defining figure of the counterculture. They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'. Dark, ecstatic and rhapsodic, they show why Ginsberg was one of the most influential poets of the twentieth century.\n\nAllen Ginsberg (1926-97) was an American poet, best known for the poem 'Howl' (1956), celebrating his friends of the Beat Generation and attacking what he saw as the destructive forces of materialism and conformity in the United States at the time. He was inducted into the American Academy of Arts and Letters, was awarded the medal of Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, won the National Book Award for The Fall of America and was a co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, the first accredited Buddhist college in the Western world.\n\nIf you enjoyed Howl, Kaddish and Other Poems, you might like Jack Kerouac's On the Road, also available in Penguin Modern Classics.\n\n'The poem that defined a generation'\nGuardian on 'Howl'\n\n'He avoids nothing but experiences it to the hilt'\nWilliam Carlos Williams

Chosen by Ginsberg himself from nearly fifty years of experimental, groundbreaking verse, this selection, in his words, 'summarizes what I deem most honest, most penetrant of my writing', and includes lesser known and later works which go beyond his iconic Beat Generation image. Presented chronologically, and ranging from early works such as 'Paterson' (1949) to selections from White Shroud (1980-85) and Cosmopolitan Greetings (1986-92), and including the classic poems Howl (1955-56) and Kaddish (1959-60) as well as songs, recent uncollected poems and notes by the author, this volume brings together the most intensely personal verse of a great American poet - incandescent explorations that expand the consciousness with their breadth of vision and depth of humanity.

\"Scribbled secret notebooks, and wild typewritten pages for yr own joy.\" Many of Ginsberg's most famous poems. Wake-up nightmares in Lower East Side, musings in public library, across the U.S. in dream auto, drunk in old Havana, brooding in Mayan ruins, sex daydreams on the West Coast, airplane vision of Kansas, lonely in a leafy cottage, lunch hour on Berkeley, beer notations on Skid Row, slinking to Mexico, wrote this last night in Paris, back on Times square dreaming of Times Square, bombed in NY again, loony tunes in the dentist chair, screaming at old poets in South America, aethereal zigzag Poesy in blue hotel room in Peru--a wind-up book of dreams, psalms, journal enigmas & nude minutes from 1953 to 1960 poems scattered in fugitive magazines here collected now book. \"...make no mistake, Reality Sandwiches, 1953-60 ...is genuine poetry, and Ginsberg's commitment marks his superiority over more graceful and refined but tepid craftsmen.\" --Robert D. Spector, Poetry Quarterly Famous Beat poet Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian emigre, and Louis Ginsberg, lyric poet and school teacher, in Paterson, N.J.\nTo these facts Ginsberg adds: \"High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote \"Kaddish\" 1959, made tape to leave behind & fade in Orient awhile.\" His other famous poetry collections including The Fall of America, Howl, Mind Breaths, Plutonian Ode, Kaddish, and Reality Sandwiches are also published by City Lights Publishers.

Rainy night on Union Square, full moon. Want more poems? Wait till I'm dead.\nAllen Ginsberg, August 8, 1990, 3:30 A.M.\n\nAllen Ginsberg wrote incessantly for more than fifty years, and many of the poems collected for the first time in this volume were scribbled in letters or sent off to obscure publications and unjustly forgotten. Containing more than a hundred previously unpublished poems, accompanied by original photographs, and spanning from the 1940s to the 1990s, Wait Till I'm Dead is the final major contribution to Ginsberg's sprawling oeuvre, a must have for Ginsberg neophytes and long-time fans alike.

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In Senza filtri Allen Ginsberg ci insegna che non esiste cesura tra arte e vita: l’arte è naturale come la vita stessa; la poesia è la fotografia dei nostri pensieri, vive nei ritmi del nostro sangue e dei nostri respiri. E può cambiare il mondo.\r\n«Fondamentale nel mio lavoro è l’assenza di mestiere. Non c’è alcuna arte, nel senso generico delle parole arte e mestiere. L’arte e il mestiere consistono semmai nel provare a osservare la nuda attività della mia stessa mente. Per poi trascriverla su carta. Quindi mestiere è essere lesti nell’illuminare l’attività mentale come con una torcia.»\r\nAllen Ginsberg, la voce simbolo della Beat Generation e uno dei più influenti poeti e intellettuali del secolo scorso, parla qui in prima persona attraverso quarant’anni di interviste, interventi politici e semplici chiacchierate tra amici.\r\n\r\nSenza filtri tocca tutte le tematiche care al poeta, spaziando da ricordi personali a eventi che hanno segnato la storia e la cultura degli Stati Uniti: i numi tutelari Walt Whitman e William Blake, l’amicizia con i membri della Beat Generation – Kerouac, Burroughs, Ferlinghetti e Corso – e con Bob Dylan, le tecniche di composizione poetica, il linguaggio debitore del parlato e della cadenza jazz, la militanza politica e l’opposizione a ogni forma di autorità e dittatura, l’influenza del buddhismo e delle filosofie orientali, la vicinanza alla contestazione giovanile degli anni sessanta, l’amore per la pittura e la fotografia, l’omosessualità raccontata e vissuta senza schermi e il lunghissimo legame con Peter Orlovsky. In queste pagine Ginsberg interagisce con slancio e partecipazione con i suoi interlocutori, anche con chi lo critica o è apertamente ostile. E se nelle interviste degli ultimi anni ridimensiona gli ideali giovanili e certe posizioni utopistiche, fino alla fine mantiene un entusiasmo contagioso verso la vita e ogni manifestazione artistica.

National Book Award for Poetry, 1973 Beginning with \"long poem of these States,\" The Fall of America continues Planet News chronicle tape-recorded scribed by hand or sung condensed, the flux of car bus airplane dream consciousness Person during Automated Electronic War years, newspaper headline radio brain auto poesy & silent desk musings, headline flashing on road through these states of consciousness...\"[Ginsberg] is never negligible, and he is often (the only true test) unforgettable.\" -- Helen Vendler, New York Times Book Review Allen Ginsberg (1926-1997) was an influential writer and poet during the 1950's Beat Generation and is best known for his poem \"Howl.\"