Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per haymanampaposs in 4 negozi:

Il Gin Hayman's Old Tom ha la particolarità di essere più dolce degli altri gin della casa, del resto la peculiarità degli Old Tom è l'aggiunta di zucchero. Le quantità gloriosamente generose di botaniche utilizzate nella ricetta di famiglia di questa distilleria, creano un carattere audace di agrumi, pino e ginepro che risulta ricco e rotondo al palato con un finale meravigliosamente delicato. Bottiglia 70 cl

L'Hayman's Sloe Ginsi presenta con un intenso colore rosso che cattura l'attenzione. Al naso si percepisce una piacevole fruttuosità, accompagnata da delicati sentori di nocciole e mandorle. Al palato questo gin si rivela ricco e avvolgente, con note morbide ma decise di prugna che si fondono armoniosamente con il carattere distintivo del ginepro. Durante la degustazione, il sapore dolce della prugna è accompagnato da un tocco pungente e leggermente acidulo, donato dalla prugnola. Questa combinazione di sapori crea un'esperienza gustativa appagante e completa, che invita a gustare ogni sorso con piacere. Bottiglia 70 cl

Il Gin Hayman's London Dry segue una ricetta familiare segreta che dura da cinque generazioni, utilizzando lo stesso metodo di distillazione sin dal 1863. Dieci botaniche selezionate sono aggiunte a mano negli alambicchi tradizionali di rame, in cui restano in infusione in un distillato di grano Inglese per un'intera giornata prima di essere distillate. La loro distillazione lenta, unica nel suo genere, concede ai sapori tutto il tempo di cui hanno bisogno per svilupparsi. Bottiglia 70 cl

Gin.

Animals are better at certain jobs than we are. Did you know that ferrets can be employed by electricians to safely lay cables in inaccessible areas? Or that bats can live in ancient libraries protecting the books from insects and other pests? Would you hang up a painting by a pig? \n\nGet to know the different jobs that animals can have, from helping people as therapy pets, to crafty spywork, as you meet photographer pigeons, geese guards, post office cats and much more.

Animals are better at certain jobs than we are. Did you know that ferrets can be employed by electricians to safely lay cables in inaccessible areas? Or that bats can live in ancient libraries protecting the books from insects and other pests? Would you hang up a painting by a pig? \n\nGet to know the different jobs that animals can have, from helping people as therapy pets, to crafty spywork, as you meet photographer pigeons, geese guards, post office cats and much more.

Gin.

Chinoiserie, a decorative style inspired by the art of the Far East, gripped Britain from the late seventeenth to the early nineteenth century. Despite taking its name from the French word for ‘Chinese’, the style also incorporated influences from other Asian countries, helping to shape the period’s popular fantasy of the ‘exotic Orient’. Wealthy consumers jostled to obtain imported wallpaper, lacquered cabinets and hand-painted porcelain, while domestic manufacturers such as Royal Worcester and Chippendale met demand with mass-produced items of their own. Though interest in the style waned as the Gothic Revival took hold, many examples of Chinoiserie have been preserved. \n\nIn this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.

Chinoiserie, a decorative style inspired by the art of the Far East, gripped Britain from the late seventeenth to the early nineteenth century. Despite taking its name from the French word for ‘Chinese’, the style also incorporated influences from other Asian countries, helping to shape the period’s popular fantasy of the ‘exotic Orient’. Wealthy consumers jostled to obtain imported wallpaper, lacquered cabinets and hand-painted porcelain, while domestic manufacturers such as Royal Worcester and Chippendale met demand with mass-produced items of their own. Though interest in the style waned as the Gothic Revival took hold, many examples of Chinoiserie have been preserved. \n\nIn this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.

Thomas Mann, author of \"Death in Venice\", \"The Magic Mountain\", and \"Buddenbrooks\" was a man with secrets. This biography offers a portrait of the Nobel Prize-winning German novelist, drawing on Mann's unexpurgated diaries. It uncovers a brilliant writer's mask to reveal the private man: his bisexuality, his obsession with preserving appearances and the deep guilt which plagued him for nearly fifty years. The sanitized self-image Mann strove to maintain is revealed as a fragile veneer. Drawing on the diaries that he stipulated should remain under seal for twenty years after his death, and on interviews with Mann's children, the author depicts a man subject to nervous trembling, convulsive sobbing and moments of sexual embarrassment. When his novels are reread from this perspective, new meanings emerge and interconnections between the problems of the author and his characters become apparent. As Mann wrote to a friend, he devised \"novelistic forms and masks which can be displayed in public as a means of relaying my love, my hatred, my sympathy, my contempt, my pride, my scorn and the accusations I want to make\".\nRonald Hayman is the biographer of Proust, Sartre, Kafka, Nietzche, Brecht and Sylvia Plath.

Thomas Mann, author of \"Death in Venice\", \"The Magic Mountain\", and \"Buddenbrooks\" was a man with secrets. This biography offers a portrait of the Nobel Prize-winning German novelist, drawing on Mann's unexpurgated diaries. It uncovers a brilliant writer's mask to reveal the private man: his bisexuality, his obsession with preserving appearances and the deep guilt which plagued him for nearly fifty years. The sanitized self-image Mann strove to maintain is revealed as a fragile veneer. Drawing on the diaries that he stipulated should remain under seal for twenty years after his death, and on interviews with Mann's children, the author depicts a man subject to nervous trembling, convulsive sobbing and moments of sexual embarrassment. When his novels are reread from this perspective, new meanings emerge and interconnections between the problems of the author and his characters become apparent. As Mann wrote to a friend, he devised \"novelistic forms and masks which can be displayed in public as a means of relaying my love, my hatred, my sympathy, my contempt, my pride, my scorn and the accusations I want to make\".\nRonald Hayman is the biographer of Proust, Sartre, Kafka, Nietzche, Brecht and Sylvia Plath.

Originally published in 1969, this was the first book of its kind: an attempt to describe the different approaches that the actor needs to make to different media – theatre, film and television – and to show how the art of acting, which never stops evolving had entered into a new phase of growth in the sixties. Ronald Hayman examines questions which are basic, but had often been ignored: What exactly goes on inside the actor’s mind while (s)he is preparing a part? How much do actors vary in their approach? Where does personality stop and technique begin? This wide-ranging study of the actor at work is based partly on what outstanding actors have said about their methods but chiefly on close analysis of actual performances in plays, films and on television. Laurence Olivier, Helene Weigel, Jeanne Moreau and many others are both examined in close-up and viewed in perspective against the giants of the past like Bernhardt and Salvini.

Originally published in 1969, this was the first book of its kind: an attempt to describe the different approaches that the actor needs to make to different media – theatre, film and television – and to show how the art of acting, which never stops evolving had entered into a new phase of growth in the sixties. Ronald Hayman examines questions which are basic, but had often been ignored: What exactly goes on inside the actor’s mind while (s)he is preparing a part? How much do actors vary in their approach? Where does personality stop and technique begin? This wide-ranging study of the actor at work is based partly on what outstanding actors have said about their methods but chiefly on close analysis of actual performances in plays, films and on television. Laurence Olivier, Helene Weigel, Jeanne Moreau and many others are both examined in close-up and viewed in perspective against the giants of the past like Bernhardt and Salvini.

Il volume è una guida al riconoscimento degli uccelli che nascono in Europa o la visitano regolarmente. Le 430 specie sono illustrate con dettagli a colori, in volo e a riposo. I simboli mostrano le caratteristiche salienti di forma e habitat. Una codifica a colori raggruppa le famiglie di uccelli per veloci raffronti. Peter Hayman è ornitologo e Rob Hume curatore della rivista \"Birds\", pubblicata dalla Royal Society for the Protection of Birds.

Il volume è una guida al riconoscimento degli uccelli che nascono in Europa o la visitano regolarmente. Le 430 specie sono illustrate con dettagli a colori, in volo e a riposo. I simboli mostrano le caratteristiche salienti di forma e habitat. Una codifica a colori raggruppa le famiglie di uccelli per veloci raffronti. Peter Hayman è ornitologo e Rob Hume curatore della rivista \"Birds\", pubblicata dalla Royal Society for the Protection of Birds.

Timber-framed buildings are a distinctive and treasured part of Britain’s heritage, with such noteworthy examples as Little Moreton Hall, Anne Hathaway’s Cottage and Lavenham Guildhall. The oldest are medieval but their numbers peaked in the sixteenth and seventeenth centuries, with a revival in the nineteenth. The majority of timber-framed buildings are houses, but wood was used in all kinds of other buildings, including shops, inns, churches, town halls and farm buildings.\n\nIn this beautifully illustrated book, Richard Hayman outlines the history of timber-framed designs, and considers the techniques used in their construction, the regional variations in style that can be found, and how these buildings displayed social status. He also guides the reader in identifying structures now concealed behind later work and explores how these buildings have been treated in subsequent centuries.

Timber-framed buildings are a distinctive and treasured part of Britain’s heritage, with such noteworthy examples as Little Moreton Hall, Anne Hathaway’s Cottage and Lavenham Guildhall. The oldest are medieval but their numbers peaked in the sixteenth and seventeenth centuries, with a revival in the nineteenth. The majority of timber-framed buildings are houses, but wood was used in all kinds of other buildings, including shops, inns, churches, town halls and farm buildings.\n\nIn this beautifully illustrated book, Richard Hayman outlines the history of timber-framed designs, and considers the techniques used in their construction, the regional variations in style that can be found, and how these buildings displayed social status. He also guides the reader in identifying structures now concealed behind later work and explores how these buildings have been treated in subsequent centuries.