Sono stati trovati 45 prodotti corrispondenti alla tua ricerca per honduras in 8 negozi:

Rosso biologico fermo. Il naso non sussurra, strilla territorio, con note di ciliegie e rosa canina, viola, arancia sanguinella, mentuccia, iodio e un tocco di tabacco dell’Honduras.

Rosso biologico fermo. Il naso non sussurra, strilla territorio, con note di ciliegie e rosa canina, viola, arancia sanguinella, mentuccia, iodio e un tocco di tabacco dell’Honduras.

Rosso biologico fermo. Il naso non sussurra, strilla territorio, con note di ciliegie e rosa canina, viola, arancia sanguinella, mentuccia, iodio e un tocco di tabacco dell’Honduras.

Il nostro Americano, pensato per gli amanti del caffè lungo, cattura tutto il gusto ricco e vellutato di un buon caffè in una tazza grande. Assapora le sfumature eleganti e fruttate di questa miscela realizzata con pregiati chicchi di pura Arabica provenienti da Colombia, Brasile e Honduras.

Assapora tutta l'eleganza di Milano racchiusa in una tazza: lasciati conquistare dal profilo delicato di questo espresso ispirato alla tradizione del caffè all'italiana. Una miscela realizzata con pregiati chicchi di pura Arabica provenienti da Colombia, Honduras e Brasile, e chicchi di Robusta del Vietnam. ISPIRAZIONE MILANESE Questo espresso delicato ed equilibrato spicca per la sua morbida corposità, ricoperta da una crema vellutata con note fruttate e rotonde, insieme a sentori leggermente speziati. Assapora l'autenticità dell'espresso italiano nel comfort di casa tua! UNA NOTA DI DELICATEZZA Prossima tappa: Milano. Degusta questo espresso delicato per immergerti nelle strade della splendida città ambrosiana, ogniqualvolta che desideri evadere dalla tua routine quotidiana. QUATTRO ORIGINI, UN CLASSICO ITALIANO Il nostro espresso dall'animo italiano nasce da un'accurata selezione di pregiati chicchi di caffè che derivano da diverse parti del mondo. Degusta una miscela realizzata con la migliore qualità di pura Arabica proveniente da Colombia, Honduras e Brasile, e Robusta del Vietnam. Grazie al nostro programma Grown Respectfully (Caffè coltivato con rispetto), aiutiamo i coltivatori e le loro comunità a piantare questi pregiati chicchi di caffè in modo responsabile, garantendo loro salari equi nel rispetto del pianeta.

Simone Barbato racconta i suoi 57 giorni da “naufrago” su un’isola in Honduras come partecipante a un noto programma televisivo. Il racconto si sdoppia contemporaneamente in due viaggi: il primo, quello reale, dove viene descritto dettagliatamente tutto ciò che succede durante la permanenza sull'isola; il secondo è più spirituale, è il racconto delle sensazioni e delle impressioni intime di questa sua straordinaria avventura. La scrittura si alterna tra momenti narrativi, una sorta di “diario di bordo”, e altri di riflessioni e poesie inedite. Ricordi personali e famigliari si intrecciano a impressioni e aneddoti sui suoi compagni d’avventura creando una narrazione che racchiude felicemente molti generi letterari diversi, al contempo ironica e profonda, autobiografica e lirica. Simone Barbato porta il lettore per mano dentro questa storia e dentro di sé, nel suo mondo, nel suo personaggio televisivo e soprattutto dentro la sua parte più intima e misteriosa, rivelandosi anche in una nuova veste artistica: oltre che mimo, attore, tenore lirico, pianista, ora anche poeta.

A fascinating look at a pivotal period in Zora Neale Hurston's life that reimagines her complicated legacy.\n\nZora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins, Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. \n\nOn the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for \"crackerphilia\" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. \n\nHurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions.

A fascinating look at a pivotal period in Zora Neale Hurston's life that reimagines her complicated legacy.\n\nZora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins, Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. \n\nOn the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for \"crackerphilia\" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. \n\nHurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions.

LAMPADA RESINA HONDURAS CM Ø 35X48 Mauro Ferretti Mauro Ferretti Wall Decor Lampada da tavolo in resina con eleganti decorazioni lineari in rilievo. Completa di paralume in tessuto beige.

The Skyband Group is an impressive elite site in the urban core of Copán, Honduras, which is dominated by the palatial compounds of Maya sub-royal nobles. Such grandees often bore court titles showing that they were clients and officials of kings, but also competitors for political power, especially just before the dynastic collapse around AD 800. Penn State University excavations in 1990 and 1997 revealed large vaulted buildings, richly embellished with facade sculpture, and an elaborate carved throne in the form of a sky band, replete with celestial images of the sun, moon, and Venus. Artifacts and burials retrieved from these buildings and smaller ancillary structures are characteristic of elite residences, but the iconography of the facades and the throne also reveals connections with Copán’s royal dynasty and efforts by the last ruler to shore up his faltering kingdom. Activity at the Skyband Group and other sites in the Copán valley continued after the abrupt political debacle, an example of the ‘slow collapse’ process that is increasingly evident among the great Maya centers in the southern lowlands of Mesoamerica.