Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per nawalny in 8 negozi:

Before the critically-acclaimed animated shows, the bestselling graphic novel Coyote Doggirl, or the humor collections Hot Dog Taste Test and My Dirty Dumb Eyes, cartoonist Lisa Hanawalt was a comic book industry sensation with her Ignatz Award-winning minicomic series I Want You. Hanawalt s outlandish humor and ingenious formalism are evident in the comics collected here. Her love of anthropomorphism and scatology are on full display, all lovingly and grotesquely drawn by Hanawalt in obsessive, unnerving detail. The stars here are She-Moose, who we join sex-toy shopping, and He-Horse, who we learn mid-flight suffers from ornithophobia. The true star of I Want You may just be Hanawalt s hilarious command of the graphic listicle. Top Causes of Freeway Accidents is a prescient pre-BoJack display of Hanawalt s love for all things equine. Things We Are Sorry We Did Last Night includes the murder of all Hanawalt s Google doppelgangers. Whether she s discussing the daily commute or masturbation, she packs each comic in I Want You with punchy cultural observations and sharp-witted reflections on typically taboo subjects. A master humorist and cartoonist, Hanawalt strikes the perfect balance of drawing the gorgeous and the repugnant, the fantastical and the lifelike, the bizarre and the hilarious creating a deeply human exp

Before the critically-acclaimed animated shows, the bestselling graphic novel Coyote Doggirl, or the humor collections Hot Dog Taste Test and My Dirty Dumb Eyes, cartoonist Lisa Hanawalt was a comic book industry sensation with her Ignatz Award-winning minicomic series I Want You. Hanawalt s outlandish humor and ingenious formalism are evident in the comics collected here. Her love of anthropomorphism and scatology are on full display, all lovingly and grotesquely drawn by Hanawalt in obsessive, unnerving detail. The stars here are She-Moose, who we join sex-toy shopping, and He-Horse, who we learn mid-flight suffers from ornithophobia. The true star of I Want You may just be Hanawalt s hilarious command of the graphic listicle. Top Causes of Freeway Accidents is a prescient pre-BoJack display of Hanawalt s love for all things equine. Things We Are Sorry We Did Last Night includes the murder of all Hanawalt s Google doppelgangers. Whether she s discussing the daily commute or masturbation, she packs each comic in I Want You with punchy cultural observations and sharp-witted reflections on typically taboo subjects. A master humorist and cartoonist, Hanawalt strikes the perfect balance of drawing the gorgeous and the repugnant, the fantastical and the lifelike, the bizarre and the hilarious creating a deeply human exp

Bint Allah knows herself only as the Daughter of God. Born in a stifling male-dominated state, ruled by the Imam and his coterie of ministers, she dreams of one day reaching the top of a distant hill visible through the bars of the orphanage window. But Bint Allah's ambitions do not escape the attention of the Imam, who never feels secure no matter how well he protects himself. When the Imam falsely accuses Bint Allah of adultery and sentences her to death by stoning, he is not prepared for what happens next. A postmodern fantasia, this powerful and poetic novel is a call to arms against those who use religion as a weapon against women.

Bint Allah knows herself only as the Daughter of God. Born in a stifling male-dominated state, ruled by the Imam and his coterie of ministers, she dreams of one day reaching the top of a distant hill visible through the bars of the orphanage window. But Bint Allah's ambitions do not escape the attention of the Imam, who never feels secure no matter how well he protects himself. When the Imam falsely accuses Bint Allah of adultery and sentences her to death by stoning, he is not prepared for what happens next. A postmodern fantasia, this powerful and poetic novel is a call to arms against those who use religion as a weapon against women.

Bahiah Shaheen, an eighteen-year-old medical student and the daughter of a prominent Egyptian public official, finds the male students in her class coarse and alien. Her father, too, seems to belong to a race apart. Frustrated by her hard-working, well-behaved, middle-class public persona, her meeting with a stranger at a gallery one day proves to be the beginning of her road to self-discovery and the start of her realisation that fulfilment in life is indeed possible.

Distinguished literary critic Bodour is trapped in a loveless marriage and carries with her a dark secret. She fell in love in her youth and gave birth to an illegitimate daughter, Zeina, whom she abandoned on the streets of Cairo. Bodour doesn't know that Zeina has blossomed into one of Egypt's most beloved entertainers. Pining for her estranged daughter, she writes a fictional account of her life in an attempt to find solace. But as the revolution in Cairo begins to gain fire, the novel goes missing and Bodour must find who has stolen it. Will her hunt for the thief bring mother and daughter together? Or is Bodour destined to lose her daughter to Cairo forever?

Bahiah Shaheen, an eighteen-year-old medical student and the daughter of a prominent Egyptian public official, finds the male students in her class coarse and alien. Her father, too, seems to belong to a race apart. Frustrated by her hard-working, well-behaved, middle-class public persona, her meeting with a stranger at a gallery one day proves to be the beginning of her road to self-discovery and the start of her realisation that fulfilment in life is indeed possible.

Distinguished literary critic Bodour is trapped in a loveless marriage and carries with her a dark secret. She fell in love in her youth and gave birth to an illegitimate daughter, Zeina, whom she abandoned on the streets of Cairo. Bodour doesn't know that Zeina has blossomed into one of Egypt's most beloved entertainers. Pining for her estranged daughter, she writes a fictional account of her life in an attempt to find solace. But as the revolution in Cairo begins to gain fire, the novel goes missing and Bodour must find who has stolen it. Will her hunt for the thief bring mother and daughter together? Or is Bodour destined to lose her daughter to Cairo forever?

CC2057-629-Nowoczesne dywany do dekoracji salonu zmywalny dywanik duh20y

CC1102-437-Nowoczesne dywany do dekoracji salonu zmywalny dywanik duh20y

Lisa Hanawalt's debut graphic novel, My Dirty Dumb Eyes, achieved instant and widespread acclaim: reviews in the New York Times and NPR, Best of Year nods from the Washington Post and USA Today, and praise from comedians like Patton Oswalt and Kristen Schaal. Her designs define the look of the wildly popular Netflix animated series Bojack Horseman. Her culinary-focused comics and illustrated essays in Lucky Peach magazine won her a James Beard Award. Now, Hot Dog Taste,collects Hanawalt's devastatingly funny comics, gorgeous art, and screwball lists as she tucks into the pomposities of the foodie subculture. Hanawalt dismantles the notion of breakfast; says goodbye to New York through a street food smorgasbord; shadows chef Wylie Dufresne, samples all-you-can-eat buffets in Vegas; and crafts an eerie comic about being a horse lover yet an avid carnivore.Hot Dog Taste Test explodes with color, hilarity, charm, and, occasionally, reproductive organs.\nLush full-spread paintings of birds getting their silly feet all over a kitchen, a fully imagined hot dog show (think Best in Show but with hot dogs), and a holiday feast gone awry are the creamy icing on this imaginative rainbow-colored cake. But Hanawalt's wit and heart extend far beyond gags-her insight- ful musings on popular culture, relationships, and the animal in all of us are as keen and funny as her watercolors are exquisite.

Lisa Hanawalt's debut graphic novel, My Dirty Dumb Eyes, achieved instant and widespread acclaim: reviews in the New York Times and NPR, Best of Year nods from the Washington Post and USA Today, and praise from comedians like Patton Oswalt and Kristen Schaal. Her designs define the look of the wildly popular Netflix animated series Bojack Horseman. Her culinary-focused comics and illustrated essays in Lucky Peach magazine won her a James Beard Award. Now, Hot Dog Taste,collects Hanawalt's devastatingly funny comics, gorgeous art, and screwball lists as she tucks into the pomposities of the foodie subculture. Hanawalt dismantles the notion of breakfast; says goodbye to New York through a street food smorgasbord; shadows chef Wylie Dufresne, samples all-you-can-eat buffets in Vegas; and crafts an eerie comic about being a horse lover yet an avid carnivore.Hot Dog Taste Test explodes with color, hilarity, charm, and, occasionally, reproductive organs.nLush full-spread paintings of birds getting their silly feet all over a kitchen, a fully imagined hot dog show (think Best in Show but with hot dogs), and a holiday feast gone awry are the creamy icing on this imaginative rainbow-colored cake. But Hanawalt's wit and heart extend far beyond gags-her insight- ful musings on popular culture, relationships, and the animal in all of us are as keen and funny as her watercolors are exquisite.

BEST OF THE YEAR NODS FROM AMAZON, THE WASHINGTON POST, AND USA TODAY'S POP CANDY BLOG!\n\n\"For years I've encountered Lisa Hanawalt's comics and illustrations piecemeal -- in various magazines and periodicals. They're always a pleasant jolt. Now, they've been assembled into one thick, blazing bludgeon. I envy you getting walloped by them all for the first time. This is a Hanawalt assault. Succumb.\"-Patton Oswalt\n\n\"Hanawalt's My Dirty Dumb Eyes is a fantastically vivid and whimsical playground, offering page after page of absurdity, humor, and charm. The artwork is stunning and the jokes are surprising and fresh. This book is a rare and wonderful invitation inside the surreal world of Hanawalt.\"--Kristen Schaal\n\n\"Lisa Hanawalt is as gifted of an artist as she is a hilarious writer, which is completely upsetting and unfair considering how untalented most people in this stupid world are. Her comics are brilliantly funny, gloriously weird, and visually stunning. I worship the chair she farts on.\"--Julie Klausner\n\nMy Dirty Dumb Eyes introduces Lisa Hanawalt as a first-rank cartoonist/humorist/stalker for an audience that likes its humor idiosyncratic, at times anthropomorphic or scatological, often uncomfortable, and always sharp witted. Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre. With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as \"Rumors I've Heard About Anna Wintour,\" and \"The Secret Lives of Chefs,\" Hanawalt's comedy shines, making the quotidian silly and surreal, flatulent and facetious. \nHanawalt's comics have appeared in the Hairpin, VanityFair.com, the New York Times, and the Believer. She lives in Brooklyn with a dog and a comedian.

BEST OF THE YEAR NODS FROM AMAZON, THE WASHINGTON POST, AND USA TODAY'S POP CANDY BLOG!nn"For years I've encountered Lisa Hanawalt's comics and illustrations piecemeal -- in various magazines and periodicals. They're always a pleasant jolt. Now, they've been assembled into one thick, blazing bludgeon. I envy you getting walloped by them all for the first time. This is a Hanawalt assault. Succumb."-Patton Oswaltnn"Hanawalt's My Dirty Dumb Eyes is a fantastically vivid and whimsical playground, offering page after page of absurdity, humor, and charm. The artwork is stunning and the jokes are surprising and fresh. This book is a rare and wonderful invitation inside the surreal world of Hanawalt."--Kristen Schaalnn"Lisa Hanawalt is as gifted of an artist as she is a hilarious writer, which is completely upsetting and unfair considering how untalented most people in this stupid world are. Her comics are brilliantly funny, gloriously weird, and visually stunning. I worship the chair she farts on."--Julie KlausnernnMy Dirty Dumb Eyes introduces Lisa Hanawalt as a first-rank cartoonist/humorist/stalker for an audience that likes its humor idiosyncratic, at times anthropomorphic or scatological, often uncomfortable, and always sharp witted. Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre. With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as "Rumors I've Heard About Anna Wintour," and "The Secret Lives of Chefs," Hanawalt's comedy shines, making the quotidian silly and surreal, flatulent and facetious. nHanawalt's comics have appeared in the Hairpin, VanityFair.com, the New York Times, and the Believer. She lives in Brooklyn with a dog and a comedian.

\"Se provo a ricordare cosa è successo quando sono venuta al mondo, tutto quello che so è che sono nata donna. Sentivo dire che Dio crea il maschio e la femmina, e che, molto prima che nascessi, le neonate venivano sepolte vive. Poi, dall'alto, un verso discese nel Corano, e diceva così: 'E se alla femmina sepolta viva si chiede per quale peccato sia stata uccisa...'. Fossi nata a quell'epoca sarei stata una di quelle neonate. Questo mi dicevano quando avevo quattro anni.\" La memoria e le parole sono le armi che Nawal El Saadawi utilizza per ribellarsi a una società in cui la nascita di una femmina equivale a una sventura. Una società in cui l'interpretazione del Corano è monopolio degli uomini, in cui le bambine subiscono la cliteridectomia, sono costrette a sposarsi in tenera età ed educate a servire gli uomini in silenzio. \"Una figlia di Iside\" è il racconto dell'infanzia e della gioventù della femminista più famosa nel mondo islamico. Una testimonianza appassionata. La storia di una emancipazione possibile.

\"Se provo a ricordare cosa è successo quando sono venuta al mondo, tutto quello che so è che sono nata donna. Sentivo dire che Dio crea il maschio e la femmina, e che, molto prima che nascessi, le neonate venivano sepolte vive. Poi, dall'alto, un verso discese nel Corano, e diceva così: 'E se alla femmina sepolta viva si chiede per quale peccato sia stata uccisa...'. Fossi nata a quell'epoca sarei stata una di quelle neonate. Questo mi dicevano quando avevo quattro anni.\" La memoria e le parole sono le armi che Nawal El Saadawi utilizza per ribellarsi a una società in cui la nascita di una femmina equivale a una sventura. Una società in cui l'interpretazione del Corano è monopolio degli uomini, in cui le bambine subiscono la cliteridectomia, sono costrette a sposarsi in tenera età ed educate a servire gli uomini in silenzio. \"Una figlia di Iside\" è il racconto dell'infanzia e della gioventù della femminista più famosa nel mondo islamico. Una testimonianza appassionata. La storia di una emancipazione possibile.

A woman disappears without trace. Nobody, including the police commissioner investigating the case, can understand how a woman could simply walk away, leaving husband and home behind. After all, in the Kingdom of Oil where His Majesty reigns supreme, no woman has ever dared disobey the command of men. nnWhen the woman finally reappears, there is a blurring between the men in her life, as she leaves one to join another, then returns to her first husband who has since taken a new wife. She is trapped in a man-made web, unable to escape from a male figure who continually fills urns that she must carry.nnSurreal and satirical, Love in the Kingdom of Oil is a startling reflection on the limits of female freedom in a patriarchal society.

A woman disappears without trace. Nobody, including the police commissioner investigating the case, can understand how a woman could simply walk away, leaving husband and home behind. After all, in the Kingdom of Oil where His Majesty reigns supreme, no woman has ever dared disobey the command of men. \n\nWhen the woman finally reappears, there is a blurring between the men in her life, as she leaves one to join another, then returns to her first husband who has since taken a new wife. She is trapped in a man-made web, unable to escape from a male figure who continually fills urns that she must carry.\n\nSurreal and satirical, Love in the Kingdom of Oil is a startling reflection on the limits of female freedom in a patriarchal society.