Sono stati trovati 41 prodotti corrispondenti alla tua ricerca per nicholson in 3 negozi:

ARCANGEA PROGEA Descrizione Integratore alimentare a base di estratti vegetali in particolare con sabal, epilobio, ortica e bucco utili per favorire una fisiologica funzionalità della prostata. Ingredienti Alcool etilico, acqua, sabal [ serenoa serrulata (michx.) g. nicholson] frutti, epilobio ( epilobium parviflorum schreb) parti aeree, echinacea a. ( echinacea angustifolia d.c.) radice, ortica ( urtica dioica l.) radice, crespino ( berberis vulgaris l.) corteccia delle radici, bucco [ barosma betulina (p.j. bergius) bartl. et h.l. wendl.] foglie, gramigna [ agropyron repens (l.) p. beauv.] rizoma, equiseto ( equisetum arvense l.) parti aeree, mais ( zea mais l.) stigmi. Idrati: 100 ml. Anidri: 26,1 ml. Alcool: 46,5% vol. Caratteristiche nutrizionali Valori medi per 2,7 g Sabal 119 mg Epilobio 108 mg Echinacea 76 mg Ortica 64 mg Crespino 43 mg Bucco 43 mg Gramigna 4 mg Equiseto 2 mg Mais 2 mg Modalità d'uso Si consigliano 30 gocce 3 volte al giorno. Agitare prima dell'uso. Avvertenze Tenere fuori dalla portata dei bambini al di sotto dei 3 anni. Gli integratori non vanno intesi come sostituti di una dieta varia ed equilibrata e si consiglia uno stile di vita sano. Non eccedere la dose giornaliera consigliata. Un'eventuale presenza di sedimento non pregiudica la qualità del prodotto. Conservazione Conservare in luogo fresco ed asciutto. Termine ultimo di conservazione dalla data di produzione, in confezione integra: 60 mesi. Formato Flacone da 50 ml.

A sequel to Winifred Nicholson: Liberation of Colour, this book is the first monograph on this highly talented artist who deserves to be better known. \n\nThis book explores the career of the St Ives artist Kate Nicholson, daughter of Ben and Winifred Nicholson. The contents range from her early landscapes, to the still lifes painted in Cumberland and St Ives, the abstracts – many of them inspired by her travels in Greece – to the late works made on the Isle of Eigg in the Hebrides.\n\nAlso examined is her artistic relationship with her mother, with whom she painted side-by-side in Cumberland and Scotland, and on their many Greek travels. It discusses her creative relationship with her father with whom she lived in St Ives in the mid-1950s for two years, as well as her friendship with many of the St Ives artists and her role in the Penwith Society. \n\nPublished to accompany the exhibition Kate Nicholson at Falmouth Art Gallery, this book illustrates many works from both public and private collections. It draws on ground-breaking new research, together with the author’s experience of travelling with Nicholson on painting trips.

A sequel to Winifred Nicholson: Liberation of Colour, this book is the first monograph on this highly talented artist who deserves to be better known. \n\nThis book explores the career of the St Ives artist Kate Nicholson, daughter of Ben and Winifred Nicholson. The contents range from her early landscapes, to the still lifes painted in Cumberland and St Ives, the abstracts – many of them inspired by her travels in Greece – to the late works made on the Isle of Eigg in the Hebrides.\n\nAlso examined is her artistic relationship with her mother, with whom she painted side-by-side in Cumberland and Scotland, and on their many Greek travels. It discusses her creative relationship with her father with whom she lived in St Ives in the mid-1950s for two years, as well as her friendship with many of the St Ives artists and her role in the Penwith Society. \n\nPublished to accompany the exhibition Kate Nicholson at Falmouth Art Gallery, this book illustrates many works from both public and private collections. It draws on ground-breaking new research, together with the author’s experience of travelling with Nicholson on painting trips.

Un viaggio immersivo nella carriera di uno degli attori più iconici della storia del cinema. Dalla ribellione lucida degli anni Settanta alle maschere grottesche del nuovo millennio, ogni decade attraversata da Jack Nicholson diventa il riflesso di un’epoca, un tassello dell’immaginario collettivo, un frammento di mito. Questo volume non è una biografia tradizionale, ma un itinerario artistico, cronologico e multimediale che esplora i film più significativi della sua carriera, offrendo al lettore un ritratto stratificato e sorprendente. Le scelte interpretative, le metamorfosi attoriali, i generi affrontati – dal dramma alla commedia, dal noir al thriller psicologico – vengono raccontati con uno stile rigoroso ma divulgativo. Ogni film è accompagnato da una scheda tecnica e da contenuti audiovisivi attivabili tramite QR code: trailer originali, scene memorabili, interviste, premi, approfondimenti e collegamenti diretti ai portali di streaming. Una fruizione aumentata e dinamica che, come in tutti i volumi della Collana Visio di Edizioni Intra, trasforma la lettura in un’esperienza multisensoriale.

Un viaggio immersivo nella carriera di uno degli attori più iconici della storia del cinema. Dalla ribellione lucida degli anni Settanta alle maschere grottesche del nuovo millennio, ogni decade attraversata da Jack Nicholson diventa il riflesso di un’epoca, un tassello dell’immaginario collettivo, un frammento di mito. Questo volume non è una biografia tradizionale, ma un itinerario artistico, cronologico e multimediale che esplora i film più significativi della sua carriera, offrendo al lettore un ritratto stratificato e sorprendente. Le scelte interpretative, le metamorfosi attoriali, i generi affrontati – dal dramma alla commedia, dal noir al thriller psicologico – vengono raccontati con uno stile rigoroso ma divulgativo. Ogni film è accompagnato da una scheda tecnica e da contenuti audiovisivi attivabili tramite QR code: trailer originali, scene memorabili, interviste, premi, approfondimenti e collegamenti diretti ai portali di streaming. Una fruizione aumentata e dinamica che, come in tutti i volumi della Collana Visio di Edizioni Intra, trasforma la lettura in un’esperienza multisensoriale.

An exploration of the Nicholson women’s artistic legacy across three generations, highlighting matrilineal influence, creative collaborations, textiles, and painting\n\nRelative Ties highlights the work of three generations of women artists from the illustrious Nicholson family—Mabel Nicholson, Nancy Nicholson, EQ Nicholson, and Louisa Creed—and explores what women inherit from their mothers, what can be passed down matrilineal lines, and the importance of siblings to a creative practice. It brings together designs, paintings, preparatory drawings, textiles, and wallpaper, alongside unprecedented insights into the tools and techniques the artists used.\n\nTogether, the Nicholson women—Mabel, her daughter Nancy, daughter-in-law EQ, and EQ’s daughter Louisa—form a celebrated line of artists working from the late nineteenth century to the present day across a multiplicity of spaces, contexts, and mediums, ranging from paintings and works on paper to wallpaper and fabric.\n\nPublished on the occasion of an exhibition at The Women’s Art Collection, Murray Edwards College, Cambridge, this catalogue also includes a newly commissioned work by contemporary artist Katie Schwab (b. 1985) responding directly to the Nicholson women’s legacy.

An exploration of the Nicholson women’s artistic legacy across three generations, highlighting matrilineal influence, creative collaborations, textiles, and painting\n\nRelative Ties highlights the work of three generations of women artists from the illustrious Nicholson family—Mabel Nicholson, Nancy Nicholson, EQ Nicholson, and Louisa Creed—and explores what women inherit from their mothers, what can be passed down matrilineal lines, and the importance of siblings to a creative practice. It brings together designs, paintings, preparatory drawings, textiles, and wallpaper, alongside unprecedented insights into the tools and techniques the artists used.\n\nTogether, the Nicholson women—Mabel, her daughter Nancy, daughter-in-law EQ, and EQ’s daughter Louisa—form a celebrated line of artists working from the late nineteenth century to the present day across a multiplicity of spaces, contexts, and mediums, ranging from paintings and works on paper to wallpaper and fabric.\n\nPublished on the occasion of an exhibition at The Women’s Art Collection, Murray Edwards College, Cambridge, this catalogue also includes a newly commissioned work by contemporary artist Katie Schwab (b. 1985) responding directly to the Nicholson women’s legacy.

Celebrates the inspiration work of British rag rug designer Winifred Nicholson. Richly illustrated with colorful, quirky rag rugs (also known as hooked rugs), this delightful book examines British artist Winifred Nicholson's relationship with the Cumbrian craft, the way in which she helped revive the tradition in the sixties and seventies, and her influence on contemporary makers. For anyone interested in textiles, naive art, British folk traditions, or mid-century craft, Winifred Nicholson is a treasure trove. Nicholson (1893–1981) initially encountered rag rugs in Cumberland in the early 1920s, when, with her husband Ben Nicholson (1894–1982), she visited her neighbor Margaret Warwick, who sat in her kitchen making a rug from scraps of old clothing. In 1960 Nicholson moved back to the old Cumbrian farmhouse she had owned since 1923. It was here that she helped to revive the local 'hooky' rag rug making tradition. Through her efforts, over a hundred new rugs were made.  This beautiful book also spotlights a selection of contemporary rag rug makers. Emma Tennant was inspired to start making rugs after seeing the ones made in the Cumbrian farmhouse. Also included are works by Nicholson's nieces Louisa Creed and the late Jenny Steinbugler. In addition, the author discusses the extensive rag rug collection at Chillingham Castle, as well as the rug by Lucie Aldridge in the Fry Art Gallery.

Celebrates the inspiration work of British rag rug designer Winifred Nicholson. Richly illustrated with colorful, quirky rag rugs (also known as hooked rugs), this delightful book examines British artist Winifred Nicholson's relationship with the Cumbrian craft, the way in which she helped revive the tradition in the sixties and seventies, and her influence on contemporary makers. For anyone interested in textiles, naive art, British folk traditions, or mid-century craft, Winifred Nicholson is a treasure trove. Nicholson (1893–1981) initially encountered rag rugs in Cumberland in the early 1920s, when, with her husband Ben Nicholson (1894–1982), she visited her neighbor Margaret Warwick, who sat in her kitchen making a rug from scraps of old clothing. In 1960 Nicholson moved back to the old Cumbrian farmhouse she had owned since 1923. It was here that she helped to revive the local 'hooky' rag rug making tradition. Through her efforts, over a hundred new rugs were made.  This beautiful book also spotlights a selection of contemporary rag rug makers. Emma Tennant was inspired to start making rugs after seeing the ones made in the Cumbrian farmhouse. Also included are works by Nicholson's nieces Louisa Creed and the late Jenny Steinbugler. In addition, the author discusses the extensive rag rug collection at Chillingham Castle, as well as the rug by Lucie Aldridge in the Fry Art Gallery.

A fully illustrated publication to accompany the first major presentation of William Nicholson (1872- 1949) in over two decades, spanning the entire career of an extraordinarily versatile and popular artist. Defying categorisation, Nicholson sat both at the heart of the art world and apart from artistic movements of his day. In this book, his spectacular output is considered afresh, from his acclaimed prints and book illustrations to his sensitive portraits of individuals of all ages and from all groups in British society. In unrivalled still lifes to expansive landscapes, Nicholson’s pictures are not simply representations of the visible world or scenes ripe with hidden symbolism; his are paintings of dazzling brushwork and exquisite colours that speak of his delight in the observation of his subjects. Exploring the premise that Nicholson’s work is more complex than previous interpretations have suggested, this publication will position Nicholson’s output as a product of the artist’s times, as revealed by his portrayals of key figures of the British Empire and his close relationship with London’s theatre world.\n\n Distributed for Pallant House Gallery

A fully illustrated publication to accompany the first major presentation of William Nicholson (1872- 1949) in over two decades, spanning the entire career of an extraordinarily versatile and popular artist. Defying categorisation, Nicholson sat both at the heart of the art world and apart from artistic movements of his day. In this book, his spectacular output is considered afresh, from his acclaimed prints and book illustrations to his sensitive portraits of individuals of all ages and from all groups in British society. In unrivalled still lifes to expansive landscapes, Nicholson’s pictures are not simply representations of the visible world or scenes ripe with hidden symbolism; his are paintings of dazzling brushwork and exquisite colours that speak of his delight in the observation of his subjects. Exploring the premise that Nicholson’s work is more complex than previous interpretations have suggested, this publication will position Nicholson’s output as a product of the artist’s times, as revealed by his portrayals of key figures of the British Empire and his close relationship with London’s theatre world.\n\n Distributed for Pallant House Gallery

This is the story of Arno Strine, a modest temporary typist, who has perfected the knack of stopping time in its tracks and taking women's clothes off. He is hard at work on his autobiography, The Fermata, which proves in the telling to be a very provocative, very funny and altogether morally confused piece of work. \n\nHilarious and totally original, Nicholson Baker's new novel is a triumphant comedy about sexual fantasy and fantastic sexuality.

This is the story of Arno Strine, a modest temporary typist, who has perfected the knack of stopping time in its tracks and taking women's clothes off. He is hard at work on his autobiography, The Fermata, which proves in the telling to be a very provocative, very funny and altogether morally confused piece of work. \n\nHilarious and totally original, Nicholson Baker's new novel is a triumphant comedy about sexual fantasy and fantastic sexuality.

In addition to a clear, engaging survey of the Christian crusades to the Holy Lands, this book offers an overview of the many contemporary campaigns against non-Christians throughout Europe and the Middle East. Seventeen biographical sketches of key figures and a dozen primary texts in translation are included, as are six maps and an annotated bibliography and chronology.

In addition to a clear, engaging survey of the Christian crusades to the Holy Lands, this book offers an overview of the many contemporary campaigns against non-Christians throughout Europe and the Middle East. Seventeen biographical sketches of key figures and a dozen primary texts in translation are included, as are six maps and an annotated bibliography and chronology.

The Mezzanine is the story of one man's lunch hour. Pondering life's littlest questions - why does one shoelace always wear out before the other? Whatever happened to the paper drinking straw - our narrator interrogates the inner-workings of corporate living as he traipses his way down escalators to the first floor and through the mundaneness of office life. \n\n Mixing humour with the existentialism that surrounds all our working lives, The Mezzanine is a classic work of modern American literature.