Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per phils in 3 negozi:

A dead woman, an enigmatic stranger, family secrets, and a corporate cover up: Brighton Eventide’s well-ordered life hasn’t prepared her for any of this.\n\n\nAlmost thirty and a model twenty-second-century citizen, Brighton has spent all her life within the confines of Citydome. The Corporation, known affectionately as Uncle Sal, provides all she needs and protects Brighton and her fellow citizens from the devastated, hostile environment Outside.\n\n\nBrighton hopes that one day Outside will be habitable again. She longs to experience the wild beauty that filled her grandparents’ stories of life before the domes. While she waits for ‘one day’, she trusts Uncle Sal to uphold its motto of ‘Protect. Preserve. Provide.’ But when Brighton stumbles across a dead woman and meets the mysterious Tom, she starts a chain of events that rips her world apart.\n\n\nBrighton begins to question all she has been told and is drawn into an unfamiliar and unpredictable world, not knowing who to trust or believe. As her faith in Uncle Sal erodes and the certainties she relies on crumble, Brighton fears she is running out of time to uncover the truth.\n\n\nThen she makes a discovery that could change everything.

A dead woman, an enigmatic stranger, family secrets, and a corporate cover up: Brighton Eventide’s well-ordered life hasn’t prepared her for any of this.\n\n\nAlmost thirty and a model twenty-second-century citizen, Brighton has spent all her life within the confines of Citydome. The Corporation, known affectionately as Uncle Sal, provides all she needs and protects Brighton and her fellow citizens from the devastated, hostile environment Outside.\n\n\nBrighton hopes that one day Outside will be habitable again. She longs to experience the wild beauty that filled her grandparents’ stories of life before the domes. While she waits for ‘one day’, she trusts Uncle Sal to uphold its motto of ‘Protect. Preserve. Provide.’ But when Brighton stumbles across a dead woman and meets the mysterious Tom, she starts a chain of events that rips her world apart.\n\n\nBrighton begins to question all she has been told and is drawn into an unfamiliar and unpredictable world, not knowing who to trust or believe. As her faith in Uncle Sal erodes and the certainties she relies on crumble, Brighton fears she is running out of time to uncover the truth.\n\n\nThen she makes a discovery that could change everything.

The Obscene Madame D is the electrifying masterpiece by one of modern Brazilian literature's most significant and controversial writers.\n\nAt sixty years old, Hillé decides to abandon conventional life and devote the rest of her days to contemplation in a recess under the stairs. There, she is haunted by her perplexed, recently deceased lover, Ehud, who cannot understand her rejection of common sense, sex and a simple life in favour of vain metaphysical speculations.\n\nIn a stream-of-consciousness monologue, Hillé speaks of her search for spiritual fulfilment from a space of dereliction. In thrilling prose that is part Joyce, part Lispector and part de Sade, Hilda Hilst takes us into the disorder and beauty of a mind restlessly testing its own limits.

Al centro del romanzo c’è Hillé – la signora D – una donna che, dopo la morte del marito Ehud, sceglie di ritirarsi a vivere in un sottoscala. Lì si mette a nudo per dar voce a un monologo teso, abissale e lirico insieme. Tra bestemmia e invocazione, memoria e desiderio, Hillé affronta i grandi temi esistenziali dell’assenza e della corporeità in una continua ricerca dell’inattingibile. Il testo, ibrido e sperimentale, alterna prosa, poesia, flusso di coscienza e dialoghi interiori, nello sforzo di raggiungere il reale di una donna il cui corpo è reso quasi disincarnato da un eccesso di domande che non arretrano davanti all’assoluto e in cui le parole tradiscono un’esperienza di voluttà. Con il suo linguaggio potente e densissimo, Hilst mette in scena una discesa negli abissi dell’anima e un confronto senza filtri con le molte maschere di un osceno inteso come ciò che resta fuori dal dicibile, al margine del mondo e del sacro.

Marzo 1942. Sul ghetto di Prokov - città ucraina occupata dalle truppe romene, alleate con i nazisti - è perennemente notte. Giorno dopo giorno, smarrito in un'atmosfera apocalittica, Ranek combatte per sopravvivere. Antieroe spietato e cinico, è disposto a tutto pur di restare aggrappato alla vita, in un'incessante lotta per il cibo e un posto letto con gli altri personaggi del romanzo, ombre costrette a muoversi nella nebbia che si imprimono nella memoria del lettore. Postfazione di Paola Del Zoppo.

Marzo 1942. Sul ghetto di Prokov - città ucraina occupata dalle truppe romene, alleate con i nazisti - è perennemente notte. Giorno dopo giorno, smarrito in un'atmosfera apocalittica, Ranek combatte per sopravvivere. Antieroe spietato e cinico, è disposto a tutto pur di restare aggrappato alla vita, in un'incessante lotta per il cibo e un posto letto con gli altri personaggi del romanzo, ombre costrette a muoversi nella nebbia che si imprimono nella memoria del lettore. Postfazione di Paola Del Zoppo.

Al centro del romanzo c’è Hillé – la signora D – una donna che, dopo la morte del marito Ehud, sceglie di ritirarsi a vivere in un sottoscala. Lì si mette a nudo per dar voce a un monologo teso, abissale e lirico insieme. Tra bestemmia e invocazione, memoria e desiderio, Hillé affronta i grandi temi esistenziali dell’assenza e della corporeità in una continua ricerca dell’inattingibile. Il testo, ibrido e sperimentale, alterna prosa, poesia, flusso di coscienza e dialoghi interiori, nello sforzo di raggiungere il reale di una donna il cui corpo è reso quasi disincarnato da un eccesso di domande che non arretrano davanti all’assoluto e in cui le parole tradiscono un’esperienza di voluttà. Con il suo linguaggio potente e densissimo, Hilst mette in scena una discesa negli abissi dell’anima e un confronto senza filtri con le molte maschere di un osceno inteso come ciò che resta fuori dal dicibile, al margine del mondo e del sacro.

The Obscene Madame D is the electrifying masterpiece by one of modern Brazilian literature's most significant and controversial writers.\n\nAt sixty years old, Hillé decides to abandon conventional life and devote the rest of her days to contemplation in a recess under the stairs. There, she is haunted by her perplexed, recently deceased lover, Ehud, who cannot understand her rejection of common sense, sex and a simple life in favour of vain metaphysical speculations.\n\nIn a stream-of-consciousness monologue, Hillé speaks of her search for spiritual fulfilment from a space of dereliction. In thrilling prose that is part Joyce, part Lispector and part de Sade, Hilda Hilst takes us into the disorder and beauty of a mind restlessly testing its own limits.

In Letters from a Seducer, Hilst describes the everyday life of Karl, a wealthy, erudite, and amoral man who seeks an answer to his incomprehension of life through sex. \n\nKarl writes and sends twenty provocative letters to Cordelia, his chaste sister. The letters' text becomes intertwined with the life of the poet Stamatius, who finds Karl's letters in the trash, as Hilst constructs an ingenious mirror play between the two that casts strange light on questions of amorality, sexuality and the spirit.\n\nLinguistically rich and endlessly playful, Letters from a Seducer is a work of perverse genius by one of Brazil's greatest modern writers.

The overthrow of Muammar Gaddafi has been one of the twenty-first century's defining moments: the Arab world's most bizarre dictator brought down by his own people with the aid of NATO aircraft. Lindsey Hilsum was in Libya when Gaddafi met his squalid end. She traces the history of his strange regime from its beginnings - when Gaddafi had looks, charisma and popular appeal - to its paranoid, corrupt final state. At the heart of her book, however, is a brilliant narrative of Libyan people overcoming fear and disillusionment and finding the strength to rebel. Hilsum follows five of them through the terror and tragedy. \n\nThis is the story of modern Libyan as it was lived, from the excesses of dictatorship to violent revolution. Sandstorm will take its place in a library of classic books about turning points of history.

In Letters from a Seducer, Hilst describes the everyday life of Karl, a wealthy, erudite, and amoral man who seeks an answer to his incomprehension of life through sex. \n\nKarl writes and sends twenty provocative letters to Cordelia, his chaste sister. The letters' text becomes intertwined with the life of the poet Stamatius, who finds Karl's letters in the trash, as Hilst constructs an ingenious mirror play between the two that casts strange light on questions of amorality, sexuality and the spirit.\n\nLinguistically rich and endlessly playful, Letters from a Seducer is a work of perverse genius by one of Brazil's greatest modern writers.

The overthrow of Muammar Gaddafi has been one of the twenty-first century's defining moments: the Arab world's most bizarre dictator brought down by his own people with the aid of NATO aircraft. Lindsey Hilsum was in Libya when Gaddafi met his squalid end. She traces the history of his strange regime from its beginnings - when Gaddafi had looks, charisma and popular appeal - to its paranoid, corrupt final state. At the heart of her book, however, is a brilliant narrative of Libyan people overcoming fear and disillusionment and finding the strength to rebel. Hilsum follows five of them through the terror and tragedy. \n\nThis is the story of modern Libyan as it was lived, from the excesses of dictatorship to violent revolution. Sandstorm will take its place in a library of classic books about turning points of history.