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Erwin Wurm Photographs is being published to accompany the first retrospective (4 March - 7 June 2020) organized by the Maison Européenne de la Photographie (MEP) of this world-renowned Austrian artist’s photographic work. \nThe book explores Wurm’s eclectic practice from this new angle. In addition to bringing together some 600 photographs from the late 1980s to the present, this exhaustive compilation includes original contact sheets and prints from the artist’s personal archive that have never been seen before. It examines the artistic process through which Wurm created many of his major works and series, from his “Dust Sculptures” and “Fabio Getting Dressed” to his influential “One-Minute Sculptures,” and also features his recent large-format Polaroid photographs.

Erwin Wurm Photographs is being published to accompany the first retrospective (4 March - 7 June 2020) organized by the Maison Européenne de la Photographie (MEP) of this world-renowned Austrian artist’s photographic work. \nThe book explores Wurm’s eclectic practice from this new angle. In addition to bringing together some 600 photographs from the late 1980s to the present, this exhaustive compilation includes original contact sheets and prints from the artist’s personal archive that have never been seen before. It examines the artistic process through which Wurm created many of his major works and series, from his “Dust Sculptures” and “Fabio Getting Dressed” to his influential “One-Minute Sculptures,” and also features his recent large-format Polaroid photographs.

Beautifully reproduced and cleanly presented, the four hundred images in this volume represent the finest work of a pre-eminent landscape photographer. The photographs are arranged chronologically into five major periods in order to convey Adams's maturation as an artist - from his first photographs in 1916 to his last great photograph in 1968. ANSEL ADAMS' 400 PHOTOGRAPHS is intended as a must-have gift and reference book for anyone who appreciates photography and the allure of the natural world. Few artists or photographers of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Ansel's vision and his prodigious output that a book of this scale can be justified, and it is a point of pride for Little, Brown to publish a comprehensive overview of the work of Ansel Adams in a single well-packaged volume.

Ansel Adams: 400 Photographs presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, Ansel Adams: 400 Photographs will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students.\n\nThe photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams' life, document the evolution of his technique, and give voice to his artistic vision.\n\nFew artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. Ansel Adams: 400 Photographs is a must-have for anyone who appreciates photography and the allure of the natural world.

Beautifully reproduced and cleanly presented, the four hundred images in this volume represent the finest work of a pre-eminent landscape photographer. The photographs are arranged chronologically into five major periods in order to convey Adams's maturation as an artist - from his first photographs in 1916 to his last great photograph in 1968. ANSEL ADAMS' 400 PHOTOGRAPHS is intended as a must-have gift and reference book for anyone who appreciates photography and the allure of the natural world. Few artists or photographers of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Ansel's vision and his prodigious output that a book of this scale can be justified, and it is a point of pride for Little, Brown to publish a comprehensive overview of the work of Ansel Adams in a single well-packaged volume.

In Gray Malin: Dogs, the New York Times bestselling author and fine-art photographer captures the world's chicest canines in a delightfully playful series of photographs\n\nIn this handsome coffee table book, Gray Malin captures the adorable, the pampered, the well-dressed, and the glamorous pooches from Beverly Hills to London to New York City to Paris.\n\nWith poodles sunbathing in Palm Beach to Bernese mountain dogs perfectly perched on Aspen chairlifts, this book is filled with whimsical joy and the universal love of dogs\n\nReady for gifting, displaying, and leafing through, this never‑before‑published collection includes stunning images from the following stylish locations:\n* Beverly Hills Hotel\n* New York City\n* Aspen\n* The Parker Hotel\n* Nantucket\n* Palm Beach\n* San Diego\n* Paris\n* London\n* Boston\n* Santa Barbara

Ansel Adams: 400 Photographs presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, Ansel Adams: 400 Photographs will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students.\n\nThe photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams' life, document the evolution of his technique, and give voice to his artistic vision.\n\nFew artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. Ansel Adams: 400 Photographs is a must-have for anyone who appreciates photography and the allure of the natural world.

In Gray Malin: Dogs, the New York Times bestselling author and fine-art photographer captures the world's chicest canines in a delightfully playful series of photographs\n\nIn this handsome coffee table book, Gray Malin captures the adorable, the pampered, the well-dressed, and the glamorous pooches from Beverly Hills to London to New York City to Paris.\n\nWith poodles sunbathing in Palm Beach to Bernese mountain dogs perfectly perched on Aspen chairlifts, this book is filled with whimsical joy and the universal love of dogs\n\nReady for gifting, displaying, and leafing through, this never‑before‑published collection includes stunning images from the following stylish locations:\n* Beverly Hills Hotel\n* New York City\n* Aspen\n* The Parker Hotel\n* Nantucket\n* Palm Beach\n* San Diego\n* Paris\n* London\n* Boston\n* Santa Barbara

The first major book to showcase internationally renowned photographer Bent Rej’s seminal photographs of 1960s rock legends, including The Rolling Stones, The Beatles, The Who, The Kinks, Jimi Hendrix, Bob Dylan, and more.\n\nIn 1965, as a twenty-five-year-old photographer, Bent Rej was assigned by a Danish newspaper to cover The Rolling Stones’ European tour. Rej developed an immediate rapport with the burgeoning British Invasion band, especially with Brian Jones, who became a close friend. As part of the Stones’ entourage, he was soon swept into the bustling celebrity underworld of the late ’60s London.\n\n There, he met and photographed the band’s notable peers, gaining unfettered access to the young musicians of the day who would go on to become legends. With a camera always on hand, Rej took some of the most iconic, behind-the-scenes shots of the most influential rock musicians of the era, including: \n\n Mick Jagger \n Keith Richards \n John Lennon \n Paul McCartney \n Roger Daltrey \n Pete Townshend \n Ray Davies \n And many more. \n\n\n Featuring an insightful introduction and over 200 color and black-and-white photographs—both well-known and rare candid images—of the most beloved rock stars of a generation, this deluxe volume is an essential addition to the collections of rock fans, music historians, photography lovers, and devotees of 1960s culture and fashion. Crafted to the dimensions of a record album, it is an irresistible coffee table book any music lover will covet.

The first major book to showcase internationally renowned photographer Bent Rej’s seminal photographs of 1960s rock legends, including The Rolling Stones, The Beatles, The Who, The Kinks, Jimi Hendrix, Bob Dylan, and more.\n\nIn 1965, as a twenty-five-year-old photographer, Bent Rej was assigned by a Danish newspaper to cover The Rolling Stones’ European tour. Rej developed an immediate rapport with the burgeoning British Invasion band, especially with Brian Jones, who became a close friend. As part of the Stones’ entourage, he was soon swept into the bustling celebrity underworld of the late ’60s London.\n\n There, he met and photographed the band’s notable peers, gaining unfettered access to the young musicians of the day who would go on to become legends. With a camera always on hand, Rej took some of the most iconic, behind-the-scenes shots of the most influential rock musicians of the era, including: \n\n Mick Jagger \n Keith Richards \n John Lennon \n Paul McCartney \n Roger Daltrey \n Pete Townshend \n Ray Davies \n And many more. \n\n\n Featuring an insightful introduction and over 200 color and black-and-white photographs—both well-known and rare candid images—of the most beloved rock stars of a generation, this deluxe volume is an essential addition to the collections of rock fans, music historians, photography lovers, and devotees of 1960s culture and fashion. Crafted to the dimensions of a record album, it is an irresistible coffee table book any music lover will covet.

Photographs Not Taken is a collection of photographers’ essays about failed attempts to make a picture. Editor Will Steacy asked each photographer to abandon the conventional tools needed to make a photograph—camera, lens, film—and instead make a photograph using words, to capture the image (and its attendant memories) that never made it through the lens. In each essay, the photograph has been stripped down to its barest and most primitive form: the idea behind it. This collection provides a unique and original interpretation of the experience of photographing, and allows the reader into a world rarely seen: the image making process itself. Photographs Not Taken features contributions by: Peter Van Agtmael, Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D’Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, and others.

Photographs Not Taken is a collection of photographers’ essays about failed attempts to make a picture. Editor Will Steacy asked each photographer to abandon the conventional tools needed to make a photograph—camera, lens, film—and instead make a photograph using words, to capture the image (and its attendant memories) that never made it through the lens. In each essay, the photograph has been stripped down to its barest and most primitive form: the idea behind it. This collection provides a unique and original interpretation of the experience of photographing, and allows the reader into a world rarely seen: the image making process itself. Photographs Not Taken features contributions by: Peter Van Agtmael, Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D’Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, and others.

Learn how renowned photographer and conservationist David Yarrow manages to get his incredible shots. For two decades Yarrow has been venturing further and further afield in search of amazing animals to photograph. Here he shares the incredible knowledge and stories he has gathered along the way and distils them down into the key lessons to take into your own photography. Including guides to composition and perspective, tips on using remote cameras and dealing with dangerous animals, and the philosophy behind his boundary-pushing approach to image taking.

Learn how renowned photographer and conservationist David Yarrow manages to get his incredible shots. For two decades Yarrow has been venturing further and further afield in search of amazing animals to photograph. Here he shares the incredible knowledge and stories he has gathered along the way and distils them down into the key lessons to take into your own photography. Including guides to composition and perspective, tips on using remote cameras and dealing with dangerous animals, and the philosophy behind his boundary-pushing approach to image taking.