Sono stati trovati 41 prodotti corrispondenti alla tua ricerca per quietly in 3 negozi:

Tama True Touch Training Kit 5-pcs, Practice Drumkit, Ideal for practising quietly at home, Realistic playing feel, Snare pad can be tuned conventionally, allowing the pitch to be changed in the classic way, Stainless steel balls inside the snare pad produce a dynamic, snare buzz-like sound, Tom and floor tom pads with mesh surface and audible pitch differences@+@+*Set consisting of:*@+@+, Solid kick bass pad, AAD snare pad, 8" High tom pad with mounting clamp, 8.5" Low tom pad with mounting clamp, 9" Floor tom with clamp, Boom arm, L-Rod, Tom stand

Enjoy the incredible art of Frank Quitely collected into poster format! Known for his incredible takes on Superman, Batman, Robin, and more this is a collection for any art lover!

Enjoy the incredible art of Frank Quitely collected into poster format! Known for his incredible takes on Superman, Batman, Robin, and more this is a collection for any art lover!

From the #1 New York Times bestselling author of Wow, No Thank You\n\n'Brilliant, hilarious and perspicacious.' ELIZABETH DAY\n'One of our culture's greatest humorists is back.' Glamour\n'SO funny.' SARA PASCOE\n\nThis is not an advice book. Samantha Irby doesn't know anything.\n\nAfter fleeing Chicago to quarantine at home in Michigan, Irby finds herself bleaching groceries and wondering if her upper lip hairs are visible on Zoom. Her career reaches new heights: she gets to work with the iconic ladies of Sex and the City - her dream! - but behind the new-found glam, Irby is just trying to keep her life together. Our friend in print is back, on point, and ready to take us with her, from adopting Abe (her scrawny, watery-eyed firstborn dog) to her favourite, extremely specific porn searches (including two old nuns).\n\n'Wildly, seditiously funny' New York Times\n'Sam Irby is the king of sparkling misanthropy and tender, loving dread.' JIA TOLENTINO\n\nWhat readers are saying:\n\n'Raunchy, punchy, relatable, fricken stellar. Highly! Recommend!'\n'There is no writer out there who makes me laugh like Irby'\n'What a ride it was! I loved every minute of it'\n'Another entertaining collection in Irby's hilarious style'

From the #1 New York Times bestselling author of Wow, No Thank You\n\n'Brilliant, hilarious and perspicacious.' ELIZABETH DAY\n'One of our culture's greatest humorists is back.' Glamour\n'SO funny.' SARA PASCOE\n\nThis is not an advice book. Samantha Irby doesn't know anything.\n\nAfter fleeing Chicago to quarantine at home in Michigan, Irby finds herself bleaching groceries and wondering if her upper lip hairs are visible on Zoom. Her career reaches new heights: she gets to work with the iconic ladies of Sex and the City - her dream! - but behind the new-found glam, Irby is just trying to keep her life together. Our friend in print is back, on point, and ready to take us with her, from adopting Abe (her scrawny, watery-eyed firstborn dog) to her favourite, extremely specific porn searches (including two old nuns).\n\n'Wildly, seditiously funny' New York Times\n'Sam Irby is the king of sparkling misanthropy and tender, loving dread.' JIA TOLENTINO\n\nWhat readers are saying:\n\n'Raunchy, punchy, relatable, fricken stellar. Highly! Recommend!'\n'There is no writer out there who makes me laugh like Irby'\n'What a ride it was! I loved every minute of it'\n'Another entertaining collection in Irby's hilarious style'

A beautifully illustrated book-length publication on the contemporary artist and Academy Award–nominated filmmaker Garrett Bradley, whose quietly devastating work blurs the space between fact and fiction.\n\nGarrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley’s work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present.\n\nAdopting archival material alongside newly shot footage, Bradley’s films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life—its joys, pleasures, and pains—are lyrically and intimately rendered on screen.

A beautifully illustrated book-length publication on the contemporary artist and Academy Award–nominated filmmaker Garrett Bradley, whose quietly devastating work blurs the space between fact and fiction.\n\nGarrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley’s work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present.\n\nAdopting archival material alongside newly shot footage, Bradley’s films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life—its joys, pleasures, and pains—are lyrically and intimately rendered on screen.