Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per shelton in 4 negozi:
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Shelton et Felter T03
Venditore: Lafeltrinelli.it Prezzo: 10.99 € -
Shelton et Felter T01
Venditore: Ibs.it Prezzo: 10.99 € -
Shelton et Felter T02
Venditore: Lafeltrinelli.it Prezzo: 10.99 € -
Shelton et Felter T02
Venditore: Ibs.it Prezzo: 10.99 € -
Shelton et Felter T04
Venditore: Ibs.it Prezzo: 11.99 € -
Shelton et Felter T04
Venditore: Lafeltrinelli.it Prezzo: 11.99 € -
Shelton et Felter T03
Venditore: Ibs.it Prezzo: 10.99 € -
Shelton et Felter T01
Venditore: Lafeltrinelli.it Prezzo: 10.99 € -
Paige Shelton Dark Night
Venditore: Lafeltrinelli.it Prezzo: 10.00 € (+2.70 €) -
Paige Shelton Winter's End
Venditore: Lafeltrinelli.it Prezzo: 11.24 € (+2.70 €) -
Dinah Shelton Jus Cogens
Venditore: Ibs.it Prezzo: 23.74 € (+2.70 €)The doctrine of peremptory norms (jus cogens) is a set of core obligations in international law. In this volume in the Elements of International Law series, Dinah Shelton explores its origins and history, its revival in the twentieth century, and its place in international and domestic jurisprudence. Providing a fresh, objective, and non-argumentative approach to the discipline of international law, the Elements series is an accessible go-to source\nfor practicing international lawyers, judges and arbitrators, government and military officers, scholars, teachers, and students.\n\nBeginning with the writings of Grotius, Vattel, and Suarez, Shelton shows how the theory of jus cogens drew upon Roman law for its foundations. In the subsequent chapter, she considers the emergence of positivism and its rejection of any non-consensual basis for binding States to international norms. She then turns to the re-emergence of jus cogens in theories of the twentieth century and its place in the modern law of treaties. The volume includes extensive analysis of the\ninterpretation of jus cogens obligations by international courts and tribunals, as well as by various domestic courts, including those of Italy, Greece, Canada, the US, and the UK. The volume concludes with a consideration of the place of jus cogens in modern scholarship.
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Paige Shelton Lost Hours
Venditore: Ibs.it Prezzo: 27.30 €A year after arriving in Benedict, Beth Rivers is feeling very at home in Alaska, even as outsiders are starting to return to enjoy the brief summer perfection. Beth feels like she’s finally let go of most of her demons. She’s even found her father, Eddy Rivers - or, rather, he found her - and she's trying to find the middle ground between anger and forgiveness.\n\nOne sunny July day, Beth boards a tourist ship to see the glaciers, the main reason visitors venture to the area, and something Beth hasn’t attempted until now. But when the captain has to navigate to an island, a bloodied woman is found standing on the shore, waving for help. When she’s brought aboard, she claims she was kidnapped from her home in Juneau three days earlier, and that a bear on the island killed her captor. She, however, is unharmed.\n\nThe woman, Sadie, finds a sympathetic ear in Beth. She tells her that she’s been in Juneau under witness protection, and that the Juneau police don’t like her. When another kidnapping occurs, Beth and police chief Gril can’t help but think the two cases are interwoven, though the clues to solving them will be harder to unravel.
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Dinah Shelton Jus Cogens
Venditore: Lafeltrinelli.it Prezzo: 24.99 € (+2.70 €)The doctrine of peremptory norms (jus cogens) is a set of core obligations in international law. In this volume in the Elements of International Law series, Dinah Shelton explores its origins and history, its revival in the twentieth century, and its place in international and domestic jurisprudence. Providing a fresh, objective, and non-argumentative approach to the discipline of international law, the Elements series is an accessible go-to source\nfor practicing international lawyers, judges and arbitrators, government and military officers, scholars, teachers, and students.\n\nBeginning with the writings of Grotius, Vattel, and Suarez, Shelton shows how the theory of jus cogens drew upon Roman law for its foundations. In the subsequent chapter, she considers the emergence of positivism and its rejection of any non-consensual basis for binding States to international norms. She then turns to the re-emergence of jus cogens in theories of the twentieth century and its place in the modern law of treaties. The volume includes extensive analysis of the\ninterpretation of jus cogens obligations by international courts and tribunals, as well as by various domestic courts, including those of Italy, Greece, Canada, the US, and the UK. The volume concludes with a consideration of the place of jus cogens in modern scholarship.
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Paige Shelton Winter's End
Venditore: Ibs.it Prezzo: 10.68 € (+2.70 €) -
Paige Shelton Lost Hours
Venditore: Lafeltrinelli.it Prezzo: 28.74 €A year after arriving in Benedict, Beth Rivers is feeling very at home in Alaska, even as outsiders are starting to return to enjoy the brief summer perfection. Beth feels like she’s finally let go of most of her demons. She’s even found her father, Eddy Rivers - or, rather, he found her - and she's trying to find the middle ground between anger and forgiveness.\n\nOne sunny July day, Beth boards a tourist ship to see the glaciers, the main reason visitors venture to the area, and something Beth hasn’t attempted until now. But when the captain has to navigate to an island, a bloodied woman is found standing on the shore, waving for help. When she’s brought aboard, she claims she was kidnapped from her home in Juneau three days earlier, and that a bear on the island killed her captor. She, however, is unharmed.\n\nThe woman, Sadie, finds a sympathetic ear in Beth. She tells her that she’s been in Juneau under witness protection, and that the Juneau police don’t like her. When another kidnapping occurs, Beth and police chief Gril can’t help but think the two cases are interwoven, though the clues to solving them will be harder to unravel.
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Salotto alluminio Shelton 3 posti antracite
Venditore: Manomano.it Prezzo: 1,444.69 €Giardino e piscine > Mobili per esterni > Mobili da giardino > Salotti da giardino VACCHETTI, Misure: - Poltrona Cm74X84H84 - Divano 3 Posti Cm202X84H84 - Tavolino Cm110X60H45 Struttura In Alluminio Verniciato A Polvere Colore Antracite Cuscini In 100%...
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Salotto alluminio shelton 2 posti antracite
Venditore: Manomano.it Prezzo: 1,102.50 €Giardino e piscine > Mobili per esterni > Mobili da giardino > Salotti da giardino VACCHETTI, Poltrona:74X84X84Cm Divano Due Posti:138X84X84Cm Tavolino:110X60X45Cm Materiale: Alluminio Peso: 50 kg
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Dave Shelton Good Dog Bad Dog: The Golden Bone
Venditore: Lafeltrinelli.it Prezzo: 11.24 € (+2.70 €)Kirk Bergman and Duncan McBoo are pedigree police: the finest canine cops in all Muttropolis. And they're never short of work. The Golden Bone of Alexandria has been stolen by malevolent mongrels and our doggy duo are the perfect pooches to take on the case . . .\n\nCRIMINALS BEWARE: Bergman and McBoo are on your tail!
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Tom Ford Giacca Shelton In Lana Navy 48 - 50 - 54
Venditore: Luisaviaroma.com Prezzo: 3,790.00 € (+10.00 €)Abbottonatura frontale. Fondo manica con bottoni. Una tasca sul petto. Due tasche frontali. Misura indossata in foto: 48
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Syd Shelton Rock Against Racism
Venditore: Lafeltrinelli.it Prezzo: 53.74 €An outstanding photography book documenting a movement that rocked the world. \n\nSyd Shelton: Rock Against Racism is a body of photographs that Syd Shelton produced for and about the British Rock Against Racism movement (RAR) of 1976-1981. For Shelton, this work was a socialist act, what he calls a \"graphic argument,\" on behalf of marginalized lives. His practice of photographic activism began in 1973 when he was driven to document the socio cultural and political dynamics expressed on the streets of Sydney by urban Australian Aboriginal communities, the working class, and the architectural landscapes of these groups. Shelton's first solo show in 1975, \"Working Class Heroes\" at the Sydney Film-makers Cooperative, established his distinct activist eye.\n\n\nShelton joined RAR in early 1977 on his return to England from Australia. He did so because he found his birthplace a more racist country than it had been when he left. This was marked by the increased political presence of the National Front, notably its gain of some 119,000 votes in the Greater London Council Elections of May 1977. Shelton, like millions of others, feared for the future of multi-cultural Britain. His contribution to RAR was to be on the London committee, to create graphic material with other RAR members such as the RAR publication \"Temporary Hoarding,\" posters' badges and his photography-RAR did not have an official photographer. Shelton's instinctive need to document RAR-its events, contributors, and supporters-has resulted in the largest collection of images on the movement. Alongside his documentation of RAR, Shelton took photographs of what he calls \"the contextual images,\" the lives and landscapes that were defined by others as \"different,\" and that often fueled racist acts of violence by simply being.\n\nWhat is presented here are Shelton's authoritative visual statements as participant-photographer on the social tempo in Britain at this time and the activist potency of RAR. As collective activism, RAR's success was dependent on individual contributions to fuel the movement's activities across the country. This unique national, and eventually international, charge incorporated the visual dynamic of how Black and white RAR contributors and participants styled their bodies as another antagonistic tool against racism. These were acts of style activism-the making of an activist identity through the considered composition of clothes, accessories, hairstyles, makeup, and body language. Shelton's images prompt us to remember that the individuals at RAR carnivals, gigs, and demonstrations were the event-they were RAR.\n\nThere are many versions of what RAR was and its legacy. Syd Shelton: Rock Against Racism provides an auto/biographical telling of that historical moment. It reflects on how Shelton's work as a photographer contributed towards social change at a critical moment of political and racial tension in Britain.
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