Sono stati trovati 44 prodotti corrispondenti alla tua ricerca per shirin in 5 negozi:

Istruzioni per la manutenzione: • Lavabile fino a 30°C. • Pulire gli sversamenti il prima possibile con acqua tiepida e una piccola quantità di detergente delicato. Preferibilmente, utilizzare un panno non trattato. • Per i tappeti lavabili è possibile utilizzare lavatrici a caricamento frontale, lavatrici a caricamento dall'alto e combinate con lavasciuga. (Non utilizzare la funzione asciugatrice.) • Non superare la capacità di carico consigliata dalla lavatrice. • Prima di inserirlo nella macchina, scuotere il tappeto all'esterno per rimuovere lo sporco in eccesso. • Per pulire le macchie, consigliamo di pretrattare il tappeto e strofinare delicatamente l'area macchiata con un detersivo per piatti delicato. • Per ottenere i migliori risultati, fare in modo che le macchie siano rivolte verso l'esterno in lavatrice. • Utilizzare il ciclo delicato della lavatrice. • Per una lavatrice normale è sufficiente fino a un cucchiaio di detersivo. • Per le macchie ostinate, ripetere queste istruzioni di lavaggio. • Appendere il tappeto ad asciugare in condizioni di buona circolazione dell'aria. Assicurarsi che sia completamente asciutto prima di riposizionarlo sul pavimento. • Se il tappeto è molto sporco, consigliamo di farlo pulire in lavanderia.

Hmdrd Safi 200 ml + Hmdrd Roghan Badam 50ml Olio di mandorle puro al 100% Aiuta a mantenere il cervello sano e fornire una memoria più nitida Safi aiuta a fornire una pelle morbida e bella senza brufoli

Stampa digitale di alta qualità su vetro acrilico da 3 mm. Naturale: prodotto in Germania. L'immagine viene fornita in una confezione per gioielli. Il vetro acrilico è stampato sul retro per una migliore brillantezza. Pronto da appendere: già montato con gancio e distanziatore. Aprire la confezione – rimuovere la pellicola protettiva – appendere – fatto. Più di 200 motivi famosi artisti moderni per il vostro soggiorno, la cucina o la camera dei lavoratori. Forniamo gallerie, case di mobili e musei in tutta Europa. I nostri motivi vengono stampati in digitale su carta di alta qualità, tela, vetro acrilico e dibond. Foratura affilata e individuale nella misura desiderata.

A multimedia portrait of a fictional woman artist caught between two cultures\n\nIn her latest body of work, multimedia artist Shirin Neshat (born 1957) turns her focus to the American West. With more than 100 photographs, a two-channel video installation and a feature film, Neshat creates a multilayered look at contemporary America through the eyes of a fictionalized artist. Monumental black-and-white photographs are transformed through Neshat's use of Farsi text and images that have been hand-drawn onto the picture. The texts represent Neshat's interpretation of the dreams of the sitter, with references to ancient myths and ideologies. Neshat works and experiments with photography, video and film, imbuing them with highly poetic and politically charged images and narratives that question issues of power, religion, race, gender and the relationship between the past and present, occident and orient, individual and collective through the lens of her personal experiences as an Iranian woman living in exile.

Stampa digitale di alta qualità su vetro acrilico da 3 mm. Naturale: prodotto in Germania. L'immagine viene fornita in una confezione per gioielli. Il vetro acrilico è stampato sul retro per una migliore brillantezza. Pronto da appendere: già montato con gancio e distanziatore. Aprire la confezione – rimuovere la pellicola protettiva – appendere – fatto. Più di 200 motivi famosi artisti moderni per il vostro soggiorno, la cucina o la camera dei lavoratori. Forniamo gallerie, case di mobili e musei in tutta Europa. I nostri motivi vengono stampati in digitale su carta di alta qualità, tela, vetro acrilico e dibond. Foratura affilata e individuale nella misura desiderata.

A multimedia portrait of a fictional woman artist caught between two cultures\n\nIn her latest body of work, multimedia artist Shirin Neshat (born 1957) turns her focus to the American West. With more than 100 photographs, a two-channel video installation and a feature film, Neshat creates a multilayered look at contemporary America through the eyes of a fictionalized artist. Monumental black-and-white photographs are transformed through Neshat's use of Farsi text and images that have been hand-drawn onto the picture. The texts represent Neshat's interpretation of the dreams of the sitter, with references to ancient myths and ideologies. Neshat works and experiments with photography, video and film, imbuing them with highly poetic and politically charged images and narratives that question issues of power, religion, race, gender and the relationship between the past and present, occident and orient, individual and collective through the lens of her personal experiences as an Iranian woman living in exile.

A vivid and compelling collection of quotations from the influential contemporary artist and filmmaker Shirin Neshat\n\nNeshat-isms is an exciting collection of quotations from award-winning Iranian-American visual artist and filmmaker Shirin Neshat. Her experiences of loss and grief as an Iranian woman living in exile are central themes of her work in photography, video, and film. She is known for her outspoken advocacy for Iranian women and human rights, and for poetic and politically charged images and narratives that raise questions about power, religion, race, and gender. Gathered from interviews, talks, and writings, these powerful and thought-provoking quotations showcase the voice of one of the most important artists of our time.\n\n\n\n\n“Through my work I have continued to defy and resist the Western clichéd image of Iranian women as passive victims. While acknowledging the repressive situation in Iran, I have continued to represent Iranian women as empowered, courageous, defiant, and rebellious.”\n“Every Iranian artist, in one form or another, is political. Politics has defined our lives.”\n“I’ve done a lot of work about women in a state of madness, where ultimately they find a kind of freedom.”\n“You can’t demystify a myth.”

A vivid and compelling collection of quotations from the influential contemporary artist and filmmaker Shirin Neshat\n\nNeshat-isms is an exciting collection of quotations from award-winning Iranian-American visual artist and filmmaker Shirin Neshat. Her experiences of loss and grief as an Iranian woman living in exile are central themes of her work in photography, video, and film. She is known for her outspoken advocacy for Iranian women and human rights, and for poetic and politically charged images and narratives that raise questions about power, religion, race, and gender. Gathered from interviews, talks, and writings, these powerful and thought-provoking quotations showcase the voice of one of the most important artists of our time.\n\n\n\n\n“Through my work I have continued to defy and resist the Western clichéd image of Iranian women as passive victims. While acknowledging the repressive situation in Iran, I have continued to represent Iranian women as empowered, courageous, defiant, and rebellious.”\n“Every Iranian artist, in one form or another, is political. Politics has defined our lives.”\n“I’ve done a lot of work about women in a state of madness, where ultimately they find a kind of freedom.”\n“You can’t demystify a myth.”

In the 1990s, Shirin Neshat's startling black-and-white videos of Iranian women won enormous praise for their poetic reflections on post-revolutionary life in her native country. Writing in the New Yorker, Peter Schjeldahl called her multi-screen video meditations on the culture of the chador in Islamic Iran \"the first undoubtable masterpieces of video installation.\" Over the next twenty-five years Neshat's work has continued its passionate engagement with ancient and recent Iranian history, extending its reach to the universal experience of living in exile and the human impact of political revolution. This book connects Neshat's early video and photographic works-including haunting films such as Rapture, 1999 and Tooba, 2002-to her current projects which focus on the relation of home to exile and dreams such as The Home of My Eyes, 2015, and a new, never-before-seen project, Land of Dreams, 2019. It includes numerous stills from her series, Dreamers, in which she documents the lives of outsiders and exiles in the United States. This volume also includes essays by prominent Iranian cultural figures as well as an interview with the artist. Neshat has always been a voice for those whose individual freedoms are under attack. With this monograph, her audience will gain a deeper understanding of Neshat's own emotional, psychological, and political identities, and how they have helped her create compassionate portraits of the fraught and delicate spaces between attachment and alienation.

In the 1990s, Shirin Neshat's startling black-and-white videos of Iranian women won enormous praise for their poetic reflections on post-revolutionary life in her native country. Writing in the New Yorker, Peter Schjeldahl called her multi-screen video meditations on the culture of the chador in Islamic Iran \"the first undoubtable masterpieces of video installation.\" Over the next twenty-five years Neshat's work has continued its passionate engagement with ancient and recent Iranian history, extending its reach to the universal experience of living in exile and the human impact of political revolution. This book connects Neshat's early video and photographic works-including haunting films such as Rapture, 1999 and Tooba, 2002-to her current projects which focus on the relation of home to exile and dreams such as The Home of My Eyes, 2015, and a new, never-before-seen project, Land of Dreams, 2019. It includes numerous stills from her series, Dreamers, in which she documents the lives of outsiders and exiles in the United States. This volume also includes essays by prominent Iranian cultural figures as well as an interview with the artist. Neshat has always been a voice for those whose individual freedoms are under attack. With this monograph, her audience will gain a deeper understanding of Neshat's own emotional, psychological, and political identities, and how they have helped her create compassionate portraits of the fraught and delicate spaces between attachment and alienation.

Shirin has just arrived from war-stricken Iran to Sweden - her new home. Her and her family must learn to acclimatise to the weather, culture and socialisation of Sweden whilst still staying in touch with their Iranian heritage.\n\n\nAlong with her response to such things as a traditional Swedish Christmas lunch, the dating rituals of European teenagers or the social dynamics of an unfamiliar and not always friendly classroom are fascinating glimpses into the lives of a varied community of refugees, eccentrics and drop-outs. These are interspersed with traditional Persian fairy tales and nostalgic memories of her beloved grandmother, which sustain her in her new life.\n\n\nOnce Upon A Time in Uppsala is a remarkable, candid and moving account of a sensitive child on the verge of adolescence transplanted from her beloved but suffering homeland into a country which, although politically safe, offers unexpected challenges of its own.\n\n\n\"A book of an unusual charm.\"\n\n\nIrma Kurtz (Author of My Life in Agony, About Time and Agony Aunt for Cosmopolitan)\n\n\n\"This is an exceptionally candid, sensitive and lively account of an immigrant's experience in an alien society.\"\n\n\nJonathan Keates (Writer, biographer, novelist and former chairman of the Venice in Peril Fund)\n\n\n\"Honest, unflinching and thought-provoking, this is a book that will stay with me for a long time...\"\n\n\nAwais Khan, (Award-winning author of No Honour)\n\n\n\"A moving and fascinating read about displacement, integration, solidarity and friendship.\"\n\n\nDaphna Baram (Author of Disenchantment, The Guardian and Israel)\n\n\n\"A beautiful, deeply moving account of love, family and friendship. Everyone should read this.\"\n\n\nA.A. Chaudhuri (Best-selling author of The Scribe, The Abduction, She's Mine and The Loyal Friend)\n\n\n\"Perfectly captured that fish-out-of-water feeling of being thrown into a baffling new culture.\"\n\n\nHeleen Kist (Author of What I Hid From You)

Shirin has just arrived from war-stricken Iran to Sweden - her new home. Her and her family must learn to acclimatise to the weather, culture and socialisation of Sweden whilst still staying in touch with their Iranian heritage.\n\n\nAlong with her response to such things as a traditional Swedish Christmas lunch, the dating rituals of European teenagers or the social dynamics of an unfamiliar and not always friendly classroom are fascinating glimpses into the lives of a varied community of refugees, eccentrics and drop-outs. These are interspersed with traditional Persian fairy tales and nostalgic memories of her beloved grandmother, which sustain her in her new life.\n\n\nOnce Upon A Time in Uppsala is a remarkable, candid and moving account of a sensitive child on the verge of adolescence transplanted from her beloved but suffering homeland into a country which, although politically safe, offers unexpected challenges of its own.\n\n\n\"A book of an unusual charm.\"\n\n\nIrma Kurtz (Author of My Life in Agony, About Time and Agony Aunt for Cosmopolitan)\n\n\n\"This is an exceptionally candid, sensitive and lively account of an immigrant's experience in an alien society.\"\n\n\nJonathan Keates (Writer, biographer, novelist and former chairman of the Venice in Peril Fund)\n\n\n\"Honest, unflinching and thought-provoking, this is a book that will stay with me for a long time...\"\n\n\nAwais Khan, (Award-winning author of No Honour)\n\n\n\"A moving and fascinating read about displacement, integration, solidarity and friendship.\"\n\n\nDaphna Baram (Author of Disenchantment, The Guardian and Israel)\n\n\n\"A beautiful, deeply moving account of love, family and friendship. Everyone should read this.\"\n\n\nA.A. Chaudhuri (Best-selling author of The Scribe, The Abduction, She's Mine and The Loyal Friend)\n\n\n\"Perfectly captured that fish-out-of-water feeling of being thrown into a baffling new culture.\"\n\n\nHeleen Kist (Author of What I Hid From You)

POWERFUL AND SOMETIMES SHOCKING ... SUNDAY TIMES \n\nIn this powerful book, Dr Shirin Ebadi, Iranian human rights lawyer and activist, tells of her fight for reform inside Iran, and the devastating backlash she faced after winning the Nobel Peace Prize.\n\nHaving fought tirelessly for democracy, equality before the law and freedom of speech, Ebadi became a global voice of inspiration. Yet, inside her own country, her life has been plagued by surveillance, intimidation and violence. \n\nUntil We Are Free tells shocking stories of how the Iranian authorities eventually forced her into exile. Her sister and daughter were detained, her husband was enmeshed in an espionage plot with another woman, her Nobel medal was stolen from her safety deposit box, and her offices in Tehran were ransacked.\n\nAn illuminating depiction of life in Iran today as well as the account of Ebadi's personal struggle to uphold her work and keep her family together, Until We Are Free is ultimately a work of hope and perseverance under circumstances of exceptional difficulty.

'POWERFUL AND SOMETIMES SHOCKING ...' SUNDAY TIMES \n\nIn this powerful book, Dr Shirin Ebadi, Iranian human rights lawyer and activist, tells of her fight for reform inside Iran, and the devastating backlash she faced after winning the Nobel Peace Prize.\n\nHaving fought tirelessly for democracy, equality before the law and freedom of speech, Ebadi became a global voice of inspiration. Yet, inside her own country, her life has been plagued by surveillance, intimidation and violence. \n\nUntil We Are Free tells shocking stories of how the Iranian authorities eventually forced her into exile. Her sister and daughter were detained, her husband was enmeshed in an espionage plot with another woman, her Nobel medal was stolen from her safety deposit box, and her offices in Tehran were ransacked.\n\nAn illuminating depiction of life in Iran today as well as the account of Ebadi's personal struggle to uphold her work and keep her family together, Until We Are Free is ultimately a work of hope and perseverance under circumstances of exceptional difficulty.