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Take a trip to the ends of the universe and introduce early elementary readers to beginning astronomical ideas and concepts including galaxies, planets, asteroids, and the entire universe. This fascinating title features bright images, charts, diagrams, and engaging, informational text.

Take a trip to the ends of the universe and introduce early elementary readers to beginning astronomical ideas and concepts including galaxies, planets, asteroids, and the entire universe. This fascinating title features bright images, charts, diagrams, and engaging, informational text.

Explore our solar system and Earth's place in it as readers flip through the pages of this nonfiction title. Featuring vibrant images in conjunction with accessible charts and diagrams, readers will be fascinated from cover to cover!

Explore our solar system and Earth's place in it as readers flip through the pages of this nonfiction title. Featuring vibrant images in conjunction with accessible charts and diagrams, readers will be fascinated from cover to cover!

The first eight astonishing plays by Enda Walsh, 'one of the most dazzling wordsmiths of contemporary theatre' (Guardian).\n\n\n\nBursting onto the theatre scene in 1996 with Disco Pigs, Enda Walsh has delivered a sustained fusillade of strikingly original plays ever since. This volume, with a Foreword by the author, contains:\n\n\n\nThe Ginger Ale Boy (1995), Walsh's very first, previously unpublished play, a Cork cabaret about a ventriloquist who loses control.\n\n\n\nDisco Pigs (1996), his breakthrough play, winner of the 1997 George Devine and Stewart Parker Awards, a play that 'does for Irish kids what Irvine Welsh's Trainspotting did for young Scots' (Daily Telegraph).\n\n\n\n\n\nMisterman (1999, revised in 2012), in which we meet Thomas Magill on his obsessive mission to bring God to the townsfolk of Inishfree. \n\n\n\n\n\nbedbound (2000), his Fringe First Award-winning play, in which a father and daughter are trapped in their own compulsive and claustrophobic story.\n\n\n\nThe Small Things (2005), a 'harrowingly precise and poetic' (Guardian) exploration of language and our need for words to survive.\n\n\n\nChatroom (2005), a chilling tale of teenage manipulation that was written for the National Theatre's 2005 Connections season.\n\n\n\nAlso included are two previously unpublished short plays, How These Desperate Men Talk (2004) and Lynndie's Gotta Gun (2005), written during Walsh's time working with European theatremakers.

The second collection of plays from the multi-award-winning Irish playwright, Enda Walsh.\n\n\n\nThis volume of remarkable plays charts the development of one of the most strikingly original playwrights in contemporary theatre. It collects together four full-length plays – three of which were produced by Galway’s Druid Theatre Company, three of which were performed at the Edinburgh Fringe, and two of which transferred to London’s National Theatre – along with two fascinating short plays and a Foreword by the author.\n\n\n\n\n\nThe Walworth Farce (2006) is a madcap yet tender play about what can happen when we become stuck in the stories we tell about our lives.\nThe New Electric Ballroom (2008) is a dark, glitter-dusted fable of the emotionally stultifying effects of small-town life.\nIn a savage and riveting take on the classic Greek myth of Odysseus’s wife, Penelope (2010) sees four ridiculous men facing their inevitable deaths, and playing for an unwinnable love.\nBallyturk (2014) saw Walsh reuniting with actor Cillian Murphy after Disco Pigs and Misterman for a jaw-droppingly physical play in which the lives of two men unravel over the course of ninety minutes.\n\n\nAlso included in this volume are two short plays, My Friend Duplicity (2010), which went on to inspire Ballyturk, and Room 303 (2011).\n\n\n\n‘One of the most fiercely individual voices in the theatre today’ New York Times\n\n\n\n‘Enda Walsh makes his own distinctive stage music in the fury of his writing talent and the irresistible surge of his blatant theatricality’ Independent