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Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA LF (LPL) camera in this Basic Camera Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality, producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture, and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter, and shorter flange focal depth than the original ARRI PL mount, enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

The Arri Alexa Plus is an upgrade to the ALEXA camera, adding built-in wireless remote control, the ARRI Lens Data System, additional RS power output and built-in position and motion sensors. Both ALEXA and ALEXA Plus share the same exceptional image performance, are simple to operate, reliable in even the most extreme environments and versatile enough to cover a diverse range of workflow and budget requirements.

Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA LF (LPL) camera in this Basic Camera Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality, producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture, and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter, and shorter flange focal depth than the original ARRI PL mount, enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

The ARRI ALEXA SXT EV is an expansion on the original ALEXA digital cinema camera. The SXT EV gives you the ability to record in a range of formats, including HD, 2K, 4K UHD and 4K Cine with the option to capture in ARRIRAW or ProRes.

Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA LF (LPL) camera in this Basic Camera Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality, producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture, and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter, and shorter flange focal depth than the original ARRI PL mount, enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

The ARRI ALEXA SXT EV is an expansion on the original ALEXA digital cinema camera. The SXT EV gives you the ability to record in a range of formats, including HD, 2K, 4K UHD and 4K Cine with the option to capture in ARRIRAW or ProRes.

The ALEXA XT (Xtended Technology) cameras add a number of significant and unique features to the ALEXA family: a 4:3 Super 35 sensor, in-camera ARRIRAW recording up to 120 fps, the high-end ProRes 4444 XQ codec, Open Gate sensor mode, internal ND filtration, integrated CDL capture, LDS PL mount, included anamorphic de-squeeze and high speed licenses, new viewfinder mounting bracket as well as a new, super silent fan. These features will expand on the benefits that have already made ALEXA such an extraordinary success – highest overall image quality and lowest overall production cost through reliability, ergonomics and efficient workflows.

The Arri Alexa Plus is an upgrade to the ALEXA camera, adding built-in wireless remote control, the ARRI Lens Data System, additional RS power output and built-in position and motion sensors. Both ALEXA and ALEXA Plus share the same exceptional image performance, are simple to operate, reliable in even the most extreme environments and versatile enough to cover a diverse range of workflow and budget requirements.

The best just got better. The ALEXA SXT (Super Extended Technology) is an exciting addition to the ALEXA family and comes with some fantastic features, including in-camera recording of ProRes 4K UHD (3840 x 2160 pixels) and ProRes 4K Cine (4096 x 2636 pixels). ARRI’s ALEXA has never failed to impress. It has a consistently high image quality and the most efficient workflows available for both on-set and post-production. The ALEXA SXT is a step up once again, improving upon these features. You’ll find easy in-camera ProRes 4K recording, along with improved image quality, new colour management, super flexible on-set monitoring and a powerful new media bay. With these fantastic new additions, the SXT has risen above the already widely-admired gold standard set by the original ALEXA.

The Arri Alexa Plus is an upgrade to the ALEXA camera, adding built-in wireless remote control, the ARRI Lens Data System, additional RS power output and built-in position and motion sensors. Both ALEXA and ALEXA Plus share the same exceptional image performance, are simple to operate, reliable in even the most extreme environments and versatile enough to cover a diverse range of workflow and budget requirements.

The ALEXA Plus 4:3 joins the ALEXA Studio and ALEXA M, which already have 4:3 sensors, rounding out a line-up that now represents the perfect solution for anamorphic productions. The Studio might typically function as an A-camera, the Plus 4:3 as a B-camera and the M as a compact, versatile C-camera. With the ALEXA 4:3 cameras, the full area of the sensor is used and a much higher image quality retained. In addition, the unique optical characteristics of anamorphic lenses the magic at the heart of anamorphic cinematography are rendered faithfully and fully in the digital image. Image shown in use.