Foram encontrados 43 produtos que correspondem à sua pesquisa de geiss em lojas de 3:

Zeiss CP.2 85mm T/2.1 EF Cine Lens is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Canon EF mount to be easily swapped out for an optional Nikon F or cinema-standard PL mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget.

The Zeiss CP.2 28mm T/2.is a cine lens designed for filmmaking. Aside from great optics and mechanics, it offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.

The Zeiss CP.2 15mm T/2.9 Sony is a cine prime lens designed for filmmaking and video production applications. Aside from great optics and mechanics, it offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.

The ZEISS CP.2 50mm T1.5 is a prime lens that is part of the ZEISS Compact Prime CP.2 line of cine lenses. It is a super-speed lens with a T-stop of 1.5, which means it can gather a lot of light, making it a good choice for low-light shooting. It also has a 14-blade iris diaphragm, which creates smooth bokeh.

ZEISS 21-100mm T2.9-3.9 LWZ.3 - Sony FE Fit the реrfесt blеnd bеtwееn wеіght, ѕіzе аnd орtісаl реrfоrmаnсе. Wіth а fосаl lеngth оf 21 tо 100mm аnd а vаrіаblе ареrturеs оf Т2.9-3.9 Т*, thе lеnѕ іѕ ѕuіtаblе fоr а wіdе rаngе оf аррlісаtіоnѕ mаkіng іt thе іdеаl сhоісе fоr рrоfеѕѕіоnаl fіlmmаkеrѕ.

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 85mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 25, 28, 35, and 50mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.

Zeiss CP.2 85mm T/2.1 EF Cine Lens is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Canon EF mount to be easily swapped out for an optional Nikon F or cinema-standard PL mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget.

The Zeiss 18mm/T3.6 CP.2 Compact Prime Cine Lens with EF Mount is an 18mm fixed focal length lens with a flexible design compatible with separately available interchangeable mounts for PL, EF, F, E and MFT mounts, allowing you to use the cine lens with movie cameras and HDSLR cameras. The lens covers the ANSI Super 35 and Normal 35 image formats, and is suitable for HDSLRs with APS-C and APS-H format sensors.

The Zeiss CP.2 15mm T/2.9 EF Lens is a cine prime lens designed for filmmaking and video production applications. Aside from great optics and mechanics, it offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.

Building on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 35mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 25, 28, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.

CARL ZEISS Filtro UV T*; Filtro UV alta qualidade; Di�metro 58mm

The Batis 18mm f/2.8 Lens from Zeiss is designed for full-frame Sony E-mount mirrorless cameras. The innovative design of this lens features an OLED display that highlights the focus distance and depth of field range for quickly recognising your focusing parameters, and autofocus is handled by linear motors that maintain quick, quiet, and smooth performance. In regard to optics, the lens employs a Distagon concept with a floating elements design that maintains consistent sharpness and illumination throughout the focusing range, and a series of aspherical and special glass elements help to control both chromatic and spherical aberrations. A Zeiss T* anti-reflective coating has also been applied to individual elements in order to suppress flare and ghosting for improved contrast and colour fidelity, and the lens also sports a dust- and moisture-sealed design to permit its use in trying environments. Well-suited to interior, architectural, and astrophotography applications, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality.

Thanks to its close focusing distance and fast autofocus, the ZEISS Batis 2/40 CF is ready to capture every unique moment. Its 40mm focal length makes the lens a versatile companion for a whole range of shooting situations. The close focusing distance of 24cm (9.4 inches) and large aperture f/2 enable photographers to integrate the main objects cut-out into a creative shot.

Pairing the tested Distagon concept with contemporary functionality, the Batis 25mm f/2 Lens from Zeiss is a wide-angle prime designed specifically for full-frame E-mount mirrorless cameras. The innovative design of this lens features an OLED display that highlights the focus distance and depth of field range for quickly recognising your focusing parameters, and its autofocus performance is benefitted by linear motors for fast, smooth performance.

The Zeiss Touit 32mm f/1.8 Lens is a normal length prime lens designed specifically for use on APS-C-sized image sensors, and as such provides a 35mm-equivalent focal length of 48mm. This lens is compatible with Sony E Mount mirrorless cameras and supports all camera functions, including autofocus and exposure control. The Planar design of this lens is a highly successful optical construction that inherently corrects for most aberrations and distortion while offering high overall sharpness and image clarity. Additionally, Carl Zeiss T* anti-reflective coatings have been applied to all lens surfaces to reduce reflections, lens flare, and ghosting to produce imagery with high contrast and colour fidelity. The physical construction of the lens features a metal lens barrel with rubberised control rings for high precision when working with manual focus. When working in autofocus modes, the focusing system of the lens offers smooth and reliable performance with high precision and control. A rigid metal bayonet mount ensures accurate alignment and a nearly circular nine-blade aperture works to produce an aesthetic out-of-focus highlight quality.

A camera concept designed to give you a seamless experience: from shooting and editing, to publishing and backing up. No interruptions. No detours. Find your own personal flow. The ZEISS ZX1 is the camera for everyone who knows that creative photography isn't just about capturing the perfect moment, but also about a smooth workflow. It was specially designed for a unique, seamless creative process, from shooting and editing, to saving and sharing.

The Batis 18mm f/2.8 Lens from Zeiss is designed for full-frame Sony E-mount mirrorless cameras. The innovative design of this lens features an OLED display that highlights the focus distance and depth of field range for quickly recognising your focusing parameters, and autofocus is handled by linear motors that maintain quick, quiet, and smooth performance. In regard to optics, the lens employs a Distagon concept with a floating elements design that maintains consistent sharpness and illumination throughout the focusing range, and a series of aspherical and special glass elements help to control both chromatic and spherical aberrations. A Zeiss T* anti-reflective coating has also been applied to individual elements in order to suppress flare and ghosting for improved contrast and colour fidelity, and the lens also sports a dust- and moisture-sealed design to permit its use in trying environments. Well-suited to interior, architectural, and astrophotography applications, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality.