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This book is for students and practitioners of not only knapping, lithic technology and archaeology, but also of fractography and fracture mechanics. At conferences on fractography of glasses and ceramics, the author has often been asked to demonstrate knapping as well as provide overviews of fractography learned from it. The first part of the book is intended to stimulate such interests further, in order to solicit contributions from a largely untapped pool of experts. Such contributions can advance significantly our understandings of knapping as well as fractography. In Part II of the book, fracture markings as the tools of fractography are introduced, with their formation, meaning and utility explained. Observations on the presence or absence of the markings in knapping are considered in Part III, along with a number of interpretations of fracture features. The basic principles and concepts of fracture mechanics and fractography apply to fractures produced in any cultural context. This volume therefore addresses most questions on fracture in a generic sense, independent of cultural contexts. In general, understanding of fractures provides a sounder basis for lithic analysis, and use of more recent scientific tools opens new avenues for lithic studies.

This book is for students and practitioners of not only knapping, lithic technology and archaeology, but also of fractography and fracture mechanics. At conferences on fractography of glasses and ceramics, the author has often been asked to demonstrate knapping as well as provide overviews of fractography learned from it. The first part of the book is intended to stimulate such interests further, in order to solicit contributions from a largely untapped pool of experts. Such contributions can advance significantly our understandings of knapping as well as fractography. In Part II of the book, fracture markings as the tools of fractography are introduced, with their formation, meaning and utility explained. Observations on the presence or absence of the markings in knapping are considered in Part III, along with a number of interpretations of fracture features. The basic principles and concepts of fracture mechanics and fractography apply to fractures produced in any cultural context. This volume therefore addresses most questions on fracture in a generic sense, independent of cultural contexts. In general, understanding of fractures provides a sounder basis for lithic analysis, and use of more recent scientific tools opens new avenues for lithic studies.

'Cecilia Knapp beautifully captures the experience of contemporary womanhood in this lyrical and insightful novel. A genuine triumph' ELIZA CLARK\n \n \n 'Poignant to the bone. Lack is both masterfully, poetically complex and beautifully easy to read' GEMMA CAIRNEY\n \n In the quiet, lonely hours of the middle of the night, a woman scrolls social media on her phone. Babies are everywhere. All her friends seem to have one. But she is full of doubt – just the creep sniffing at the window. How can she consider the enormity of new life when the world outside is burning?\n\n\n Besides, there’s something wrong in her body. She can feel it: pain, a constant dull ache she is too frightened to investigate.\n\n\n And then there’s something darker, pulsing beneath the surface, threatening to catch up with her. Hers is a life deeply affected by grief and chaos; the death of her mother, a long buried sexual assault, and a drawn-out affair with a married actor of middling fame and maximum ego – full of glamour, hedonism, obsession and control.\n\n\n \n Is it possible to rebuild, when all you feel is lack?\n \n\n\n \n ––-\n \n\n\n \n 'A stunning poet and an equally gorgeous storyteller. I love everything Cecilia Knapp writes' HOLLIE MCNISH\n \n\n\n \n ‘Cecilia Knapp is a great writer. I love her’ KAE TEMPEST\n \n\n\n \n ‘I really love Cecilia’s writing. It's sharp. Cuts to the quick. And offers my favourite thing, a real insight into the minds of women and all the things we don't often get to say out loud' SALMA EL-WARDANY

'Cecilia Knapp beautifully captures the experience of contemporary womanhood in this lyrical and insightful novel. A genuine triumph' ELIZA CLARK\n \n \n 'Poignant to the bone. Lack is both masterfully, poetically complex and beautifully easy to read' GEMMA CAIRNEY\n \n In the quiet, lonely hours of the middle of the night, a woman scrolls social media on her phone. Babies are everywhere. All her friends seem to have one. But she is full of doubt – just the creep sniffing at the window. How can she consider the enormity of new life when the world outside is burning?\n\n\n Besides, there’s something wrong in her body. She can feel it: pain, a constant dull ache she is too frightened to investigate.\n\n\n And then there’s something darker, pulsing beneath the surface, threatening to catch up with her. Hers is a life deeply affected by grief and chaos; the death of her mother, a long buried sexual assault, and a drawn-out affair with a married actor of middling fame and maximum ego – full of glamour, hedonism, obsession and control.\n\n\n \n Is it possible to rebuild, when all you feel is lack?\n \n\n\n \n ––-\n \n\n\n \n 'A stunning poet and an equally gorgeous storyteller. I love everything Cecilia Knapp writes' HOLLIE MCNISH\n \n\n\n \n ‘Cecilia Knapp is a great writer. I love her’ KAE TEMPEST\n \n\n\n \n ‘I really love Cecilia’s writing. It's sharp. Cuts to the quick. And offers my favourite thing, a real insight into the minds of women and all the things we don't often get to say out loud' SALMA EL-WARDANY

Spray Per L'alito.

Mentre fuori il vento spezza i rami degli alberi, il pianto di un neonato riempie di vita la stanza. È nato il figlio di Cora e lei, finalmente, può cullarlo. Ma non è solo una notte di nascita e tempesta. È una notte di decisioni. Il bambino ha bisogno di un nome, ma Cora esita. La scelta più semplice sarebbe chiamarlo Gordon. Il nome del padre, e di tutti i maschi della famiglia. Il nome che il marito vorrebbe imporle. Eppure, Cora sente che non è la decisione giusta. Potrebbe chiamarlo Julian, un nome che le è sempre piaciuto per il suo significato: Padre del cielo. O accontentare la primogenita Maia che le ha suggerito Bear. Il mattino dopo, la bufera è passata. Cora, invece, sente ancora infuriare dentro di sé lo stesso vento che ha messo sottosopra la città. Mentre va all'anagrafe, ferma il passeggino sotto una quercia e stringe forte la mano di Maia. Gordon, Julian, Bear. Cora deve decidere se assecondare la volontà di suo marito o ribellarsi. In tre scenari alternati, la madre dà al figlio un nome diverso. Una scelta che comporta tre vite differenti. Una decisione che innesca infinite possibilità. Perché un nome non è mai soltanto un nome. Può essere dono, eredità, promessa; oppure trasformarsi in vincolo, marchio, condanna. Può proteggere o ferire. Può esprimere amore o potere. E può cambiare un'intera esistenza. Questo romanzo ci spinge a riflettere sulle conseguenze delle nostre scelte e su come il nome dato a un bambino possa influire sul suo futuro.

Mentre fuori il vento spezza i rami degli alberi, il pianto di un neonato riempie di vita la stanza. È nato il figlio di Cora e lei, finalmente, può cullarlo. Ma non è solo una notte di nascita e tempesta. È una notte di decisioni. Il bambino ha bisogno di un nome, ma Cora esita. La scelta più semplice sarebbe chiamarlo Gordon. Il nome del padre, e di tutti i maschi della famiglia. Il nome che il marito vorrebbe imporle. Eppure, Cora sente che non è la decisione giusta. Potrebbe chiamarlo Julian, un nome che le è sempre piaciuto per il suo significato: Padre del cielo. O accontentare la primogenita Maia che le ha suggerito Bear. Il mattino dopo, la bufera è passata. Cora, invece, sente ancora infuriare dentro di sé lo stesso vento che ha messo sottosopra la città. Mentre va all'anagrafe, ferma il passeggino sotto una quercia e stringe forte la mano di Maia. Gordon, Julian, Bear. Cora deve decidere se assecondare la volontà di suo marito o ribellarsi. In tre scenari alternati, la madre dà al figlio un nome diverso. Una scelta che comporta tre vite differenti. Una decisione che innesca infinite possibilità. Perché un nome non è mai soltanto un nome. Può essere dono, eredità, promessa; oppure trasformarsi in vincolo, marchio, condanna. Può proteggere o ferire. Può esprimere amore o potere. E può cambiare un'intera esistenza. Questo romanzo ci spinge a riflettere sulle conseguenze delle nostre scelte e su come il nome dato a un bambino possa influire sul suo futuro.

Join Ruby Red Shoes on her second adventure: in Paris!\n\nRuby Red Shoes and her grandmother are on holiday in Paris and Ruby is fizzing with excitement as she explores. She practices her best French, eats buttered baguettes, and scoots about with a special new friend who shows her the sights. It's a time she'll treasure forever.\n\nRuby Red Shoes Goes to Paris is a charming, heartwarming tale about the wonders of travelling, featuring gorgeous full-colour illustrations. This is the second installment in Kate Knapp's Ruby Red Shoes series – find out more about Ruby, her grandmother and her home in the first book in the series: Ruby Red Shoes: A Very Aware Hare.

Join Ruby Red Shoes on her second adventure: in Paris!\n\nRuby Red Shoes and her grandmother are on holiday in Paris and Ruby is fizzing with excitement as she explores. She practices her best French, eats buttered baguettes, and scoots about with a special new friend who shows her the sights. It's a time she'll treasure forever.\n\nRuby Red Shoes Goes to Paris is a charming, heartwarming tale about the wonders of travelling, featuring gorgeous full-colour illustrations. This is the second installment in Kate Knapp's Ruby Red Shoes series – find out more about Ruby, her grandmother and her home in the first book in the series: Ruby Red Shoes: A Very Aware Hare.

Flint knapping, which is the shaping of flint or other fracturing stone to manufacture tools, was one of the primary skills used for survival by our prehistoric ancestors. Early mankind once made and used these implements on a daily basis to hunt, prepare food and clothing, to farm, make shelters, and perform all the other tasks required for Stone Age existence.\n\nA material that has been with us since earliest times, flint still plays a part in our lives today: it is used in cigarette, gas and barbeque lighters; in some parts of Britain it is a major building material; and many of our beaches have shingle which is just flint by another name.\n\nIn this informative and original guide, expert Robert Turner explains how flint was used, what tools were made and what they were made for, and provides detailed instruction of how to make them, enabling the reader to replicate their own Stone Age toolkit. Illustrated throughout, Flint Knapping is a journey of archaeological discovery through the Palaeolithic, Mesolithic, Neolithic and Bronze Ages.

Flint knapping, which is the shaping of flint or other fracturing stone to manufacture tools, was one of the primary skills used for survival by our prehistoric ancestors. Early mankind once made and used these implements on a daily basis to hunt, prepare food and clothing, to farm, make shelters, and perform all the other tasks required for Stone Age existence.\n\nA material that has been with us since earliest times, flint still plays a part in our lives today: it is used in cigarette, gas and barbeque lighters; in some parts of Britain it is a major building material; and many of our beaches have shingle which is just flint by another name.\n\nIn this informative and original guide, expert Robert Turner explains how flint was used, what tools were made and what they were made for, and provides detailed instruction of how to make them, enabling the reader to replicate their own Stone Age toolkit. Illustrated throughout, Flint Knapping is a journey of archaeological discovery through the Palaeolithic, Mesolithic, Neolithic and Bronze Ages.

Fresco Spray Alito è un deodorante spray in grado di neutralizzare i batteri che causano l’alito cattivo Fresco Spray Alito: Cos’è e a cosa serve Fresco Spray Alito grazie alla sua formula innovativa, neutralizza rapidamente i batteri che causano l’alitosi. Lo spray è dotato di un freschissimo sapore di menta, è tascabile e senza gas, alcool e saccarina, per tale ragione può essere utilizzato da tutti senza controindicazioni. Il Carbossilmetilchitosano, presente all’interno di questo spray agisce con effetto tamponante, neutralizzando in questo modo i batteri del cavo orale che producono sostanze responsabili dell’alito cattivo. Il tea tree oil, l’estratto di pomplemo e l’aloe vera, poi, aumentano l’efficacia del prodotto. Posologia e Dosaggio Erogare uno o due spruzzi nella bocca evitando accuratamente la zona perioculare. Formato Flacone spray da 15 ml.

Ruby Red Shoes is a white hare who lives in a prettily painted caravan with her grandmother. Ruby is gentle, cheerful and enchanting. She is a very aware hare and loves animals and people, trees and nature - not forgetting red shoes . . . She also loves to travel! \n\nJoin Ruby Red Shoes on her adventure to London at Christmas-time, as she visits the sights, rides the Underground, sees snow for the first time and has a surprising encounter with the Queen!\n\nRuby Red Shoes Goes to London is Kate Knapp's third installment in the Ruby Red Shoes series, and features gorgeous full-colour illustrations. Discover more of Ruby's adventures in Ruby Red Shoes: A Very Aware Hare and Ruby Red Shoes Goes to Paris.\n\n'Has the tenderness of a modern Beatrix Potter' Metro\n\n'Utterly charming: think a modern Little Grey Rabbit' Bookseller

A charming, heartwarming tale, Ruby Red Shoes: A Very Aware Hare is about a hare who treats everyone's feelings with great care.\n\nRuby Red Shoes is a white hare who lives in a prettily painted caravan with her grandmother. Ruby is gentle, cheerful and enchanting. She is a very aware hare and loves animals and people, trees and nature, flowers and sunshine – not forgetting red shoes . . . She also loves to travel! But home is where her heart lies and she loves nothing better than tending to her chickens, drinking peppermint tea and eating strawberry jam.\n\nFeaturing gorgeous full-colour illustrations. This is the first installment in Kate Knapp's Ruby Red Shoes series – follow Ruby on her next adventure in Ruby Red Shoes Goes to Paris.