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L'opera di Cyrill Korvin Krasinski è fra quelle che insegnano l'arte del risveglio. E lo fa con il soccorso di un'antica nozione: che esistono innumerevoli corrispondenze fra l'uomo e la totalità del cosmo, al quale egli è così strettamente apparentato e su di esso così perfettamente ricalcato che si può parlare dell'uomo come di un universo in miniatura, cioè di un microcosmo. L'idea di microcosmo, come dimostra Krasinski, ricorre con sorprendente logicità in tutte le culture superiori universali, dalle religioni precristiane ai culti dei popoli non occidentali, all'affermazione paolina secondo la quale Cristo è la ricapitolazione dell'universo, archetipo increato.

Esistono così tante corrispondenze tra il singolo individuo e la totalità del cosmo che si potrebbe defi nire l'uomo come un universo in miniatura. Questa nozione di microcosmo ricorre con sorprendente logicità in tutte le culture del passato, dalle più prossime alle più remote. Eppure, quella tra microcosmo e macrocosmo resta una relazione tanto più preziosa quanto più smarrita. Nella prima parte del volume Cyrill von Korvin-Krasinski esamina le idee sul microcosmo nelle culture precristiane e nei culti dei popoli non occidentali. Nella seconda parte, invece, la riflessione si fa più strettamente connessa alla teologia cristiana, per giungere infine a un importante insegnamento etico: l'arte del risveglio.

Esistono così tante corrispondenze tra il singolo individuo e la totalità del cosmo che si potrebbe defi nire l'uomo come un universo in miniatura. Questa nozione di microcosmo ricorre con sorprendente logicità in tutte le culture del passato, dalle più prossime alle più remote. Eppure, quella tra microcosmo e macrocosmo resta una relazione tanto più preziosa quanto più smarrita. Nella prima parte del volume Cyrill von Korvin-Krasinski esamina le idee sul microcosmo nelle culture precristiane e nei culti dei popoli non occidentali. Nella seconda parte, invece, la riflessione si fa più strettamente connessa alla teologia cristiana, per giungere infine a un importante insegnamento etico: l'arte del risveglio.

The Future (and the past) is Female: Summer Wheat’s whimsical, often tongue-in-cheek tableaux in rich jewel tones punctuated with bright neons, teem with fantastical figures that imagine tribes of women hunting, collaborating, celebrating, and ultimately replacing millennia of images of male rulers and warriors.\n\nSummer Wheat’s unique formative experiences with art growing up in Oklahoma were shaped by the aesthetic and conceptual drive of the images that surrounded her from the rich textures Native American weavings to the brilliant hues of Lisa Frank Trapper Keepers. Bridging those early influences with the canon of Western art (from ancient sculpture to medieval tapestries) and popular references such as astrology and music videos, the artist’s work centers female archetypes 0in her expansive practice of painting, sculpture, and large-scale installation.\n\nFor the artist’s first monograph, curator Jen Sudul Edwards discusses the wide range of subjects that inform Wheat’s work and positions her use of materials in the context of alchemy. Curator Anne Ellegood in conversation with the artist traces Wheat’s transition from painting to sculptural work, large-scale installations ,and first foray into building a freestanding architectural space. Jennifer Krasinski explores Wheat’s unique approach to painting, with her large panels seemingly a cross between intricate beadwork and the pixel-like structure of a digital image. Artist Diedrick Brackens speaks with Wheat about lines—from one that is drawn by hand to the ones that define spaces between art and craft, and the ones defined by a single thread.

The Future (and the past) is Female: Summer Wheat’s whimsical, often tongue-in-cheek tableaux in rich jewel tones punctuated with bright neons, teem with fantastical figures that imagine tribes of women hunting, collaborating, celebrating, and ultimately replacing millennia of images of male rulers and warriors.\n\nSummer Wheat’s unique formative experiences with art growing up in Oklahoma were shaped by the aesthetic and conceptual drive of the images that surrounded her from the rich textures Native American weavings to the brilliant hues of Lisa Frank Trapper Keepers. Bridging those early influences with the canon of Western art (from ancient sculpture to medieval tapestries) and popular references such as astrology and music videos, the artist’s work centers female archetypes 0in her expansive practice of painting, sculpture, and large-scale installation.\n\nFor the artist’s first monograph, curator Jen Sudul Edwards discusses the wide range of subjects that inform Wheat’s work and positions her use of materials in the context of alchemy. Curator Anne Ellegood in conversation with the artist traces Wheat’s transition from painting to sculptural work, large-scale installations ,and first foray into building a freestanding architectural space. Jennifer Krasinski explores Wheat’s unique approach to painting, with her large panels seemingly a cross between intricate beadwork and the pixel-like structure of a digital image. Artist Diedrick Brackens speaks with Wheat about lines—from one that is drawn by hand to the ones that define spaces between art and craft, and the ones defined by a single thread.

Experts Plebański and Krasiński provide a thorough introduction to the tools of general relativity and relativistic cosmology. Assuming familiarity with advanced calculus, classical mechanics, electrodynamics and special relativity, the text begins with a short course on differential geometry, taking a unique top-down approach. Starting with general manifolds on which only tensors are defined, the covariant derivative and affine connection are introduced before moving on to geodesics and curvature. Only then is the metric tensor and the (pseudo)-Riemannian geometry introduced, specialising the general results to this case. The main text describes relativity as a physical theory, with applications to astrophysics and cosmology. It takes the reader beyond traditional courses on relativity through in-depth descriptions of inhomogeneous cosmological models and the Kerr metric. Emphasis is given to complete and clear derivations of the results, enabling readers to access research articles published in relativity journals.

Experts Plebański and Krasiński provide a thorough introduction to the tools of general relativity and relativistic cosmology. Assuming familiarity with advanced calculus, classical mechanics, electrodynamics and special relativity, the text begins with a short course on differential geometry, taking a unique top-down approach. Starting with general manifolds on which only tensors are defined, the covariant derivative and affine connection are introduced before moving on to geodesics and curvature. Only then is the metric tensor and the (pseudo)-Riemannian geometry introduced, specialising the general results to this case. The main text describes relativity as a physical theory, with applications to astrophysics and cosmology. It takes the reader beyond traditional courses on relativity through in-depth descriptions of inhomogeneous cosmological models and the Kerr metric. Emphasis is given to complete and clear derivations of the results, enabling readers to access research articles published in relativity journals.

Paris is the city of light, the city of love, and the city of more art than you could possibly explore in a lifetime-and not just in museums. Tucked away in tree-lined parks, preserved in world class restaurants, emblazoned on Metro station walls, and hidden in the most unexpected places are masterpieces worthy of the Louvre, if you know where to look! \n\nIn this whimsically illustrated celebration of Parisian art and artists, author and curator Lori Zimmer highlights more than 100 treasures. From the gorgeous remnants of the Art Nouveau era to the homes of some of the world's most influential artists-including Vincent Van Gogh, Pablo Picasso, and more-to an introduction to the modern masters of urban art, there are endless riches to be explored. Discover art that was hidden for decades inside cafes, shops and even a Belle Époque brothel! Paris will surprise you.\n\nIllustrated by artist Maria Krasinski, this book provides curated itineraries for dreaming up your next urban exploration, and is perfect for displaying on any art lover's shelf.

Paris is the city of light, the city of love, and the city of more art than you could possibly explore in a lifetime-and not just in museums. Tucked away in tree-lined parks, preserved in world class restaurants, emblazoned on Metro station walls, and hidden in the most unexpected places are masterpieces worthy of the Louvre, if you know where to look! \n\nIn this whimsically illustrated celebration of Parisian art and artists, author and curator Lori Zimmer highlights more than 100 treasures. From the gorgeous remnants of the Art Nouveau era to the homes of some of the world's most influential artists-including Vincent Van Gogh, Pablo Picasso, and more-to an introduction to the modern masters of urban art, there are endless riches to be explored. Discover art that was hidden for decades inside cafes, shops and even a Belle Époque brothel! Paris will surprise you.\n\nIllustrated by artist Maria Krasinski, this book provides curated itineraries for dreaming up your next urban exploration, and is perfect for displaying on any art lover's shelf.

A Villa Scintilla ogni abitante ha il suo hobby, ma nessuno dà fastidio agli altri, e tutti sono felici di vivere insieme: le Scimmie cucinano una torta, Cane scolpisce una statua di marmo, Pantera si occupa della collezione di piante esotiche, Pipistrello studia balletto, le Rane scrivono il testo di una canzone per il rapper Topino... Si stanno preparando per la grande festa sul terrazzo, a cui ciascuno contribuirà a modo suo. Fatevi invitare! Età di lettura: da 4 anni.