Sono stati trovati 42 prodotti corrispondenti alla tua ricerca per villeneuve in 5 negozi:

Denominazione: Châteauneuf-du-Pape AOC, Annata: 2021, Vitigni: grenache 70%, mourvèdre 16%, cinsault, syrah, clairette, Formato: 0.75L, Temperatura di servizio: 18/20 °C, Alcol: 14%, Giudizio di Tannico: 80pt

Denominazione: Champagne AOC, Annata: 2017, Vitigni: chardonnay 100%, Formato: 0.75L, Temperatura di servizio: 8/10 °C, Alcol: 12%, Giudizio di Tannico: 93pt

The nimble, creative spirit of Quebecois screenwriter and filmmaker, Denis Villeneuve, is reflected in his varied body of work. Villeneuve explores questions of alterity and interculturality, of language and identity, of memory and forgetting, of violence and retribution, throughout his filmography: Un 32 aout sur terre (1998), Maelstrom (2000), Polytechnique (2009), Incendies (2010), Enemy (2013), Prisoners (2013), Sicario (2015), Arrival (2016), Blade Runner 2049 (2017) and Dune: Part 1 (2021).This edited collection brings together original works of scholarship on all of Villeneuve's feature films from different theoretical approaches, in order to deepen our understanding of this important and yet relatively understudied director; read individually or as a collective whole, these studies reveal important elements of Villeneuve's filmic practice, as well as the evolutions of his oeuvre.

Critically examines the work of Qu b cois filmmakers Denis Villeneuve\n\nEngages with all of Villeneuve's feature films (some individually and some comparatively), including those that have up until now received little critical attention\nProposes original analyses of all the films from multiple critical and theoretical approaches (thematic, sociocultural, formal, ontological, feminist, allegorical, narrative, spectatorial, intertextual) which both contribute to current scholarship and serve as a resource for undergraduate and graduate students\nOffers a clear overview of Villeneuve's contributions to contemporary cinema, both in a Qu b cois context and with regards to his Hollywood films\n\nThe nimble, creative spirit of Qu b cois screenwriter and filmmaker, Denis Villeneuve, is reflected in his varied body of work. Villeneuve explores questions of alterity and interculturality, of language and identity, of memory and forgetting, of violence and retribution, throughout his filmography: Un 32 ao t sur terre (1998), Maelstr m (2000), Polytechnique (2009), Incendies (2010), Enemy (2013), Prisoners (2013), Sicario (2015), Arrival (2016), Blade Runner 2049 (2017) and Dune: Part 1 (2021).\n\nThis edited collection brings together original works of scholarship on all of Villeneuve's feature films from different theoretical approaches, in order to deepen our understanding of this important and yet relatively understudied director; read individually or as a collective whole, these studies reveal important elements of Villeneuve's filmic practice, as well as the evolutions of his oeuvre.

The nimble, creative spirit of Quebecois screenwriter and filmmaker, Denis Villeneuve, is reflected in his varied body of work. Villeneuve explores questions of alterity and interculturality, of language and identity, of memory and forgetting, of violence and retribution, throughout his filmography: Un 32 aout sur terre (1998), Maelstrom (2000), Polytechnique (2009), Incendies (2010), Enemy (2013), Prisoners (2013), Sicario (2015), Arrival (2016), Blade Runner 2049 (2017) and Dune: Part 1 (2021).This edited collection brings together original works of scholarship on all of Villeneuve's feature films from different theoretical approaches, in order to deepen our understanding of this important and yet relatively understudied director; read individually or as a collective whole, these studies reveal important elements of Villeneuve's filmic practice, as well as the evolutions of his oeuvre.

Critically examines the work of Qu b cois filmmakers Denis Villeneuve\n\nEngages with all of Villeneuve's feature films (some individually and some comparatively), including those that have up until now received little critical attention\nProposes original analyses of all the films from multiple critical and theoretical approaches (thematic, sociocultural, formal, ontological, feminist, allegorical, narrative, spectatorial, intertextual) which both contribute to current scholarship and serve as a resource for undergraduate and graduate students\nOffers a clear overview of Villeneuve's contributions to contemporary cinema, both in a Qu b cois context and with regards to his Hollywood films\n\nThe nimble, creative spirit of Qu b cois screenwriter and filmmaker, Denis Villeneuve, is reflected in his varied body of work. Villeneuve explores questions of alterity and interculturality, of language and identity, of memory and forgetting, of violence and retribution, throughout his filmography: Un 32 ao t sur terre (1998), Maelstr m (2000), Polytechnique (2009), Incendies (2010), Enemy (2013), Prisoners (2013), Sicario (2015), Arrival (2016), Blade Runner 2049 (2017) and Dune: Part 1 (2021).\n\nThis edited collection brings together original works of scholarship on all of Villeneuve's feature films from different theoretical approaches, in order to deepen our understanding of this important and yet relatively understudied director; read individually or as a collective whole, these studies reveal important elements of Villeneuve's filmic practice, as well as the evolutions of his oeuvre.

\"Villeneuve, con il suo temperamento, conquistò subito le folle e ben presto diventò... Gilles! Sì, c'è chi lo ha definito aviatore e chi lo valutava svitato, ma con la sua generosità, con il suo ardimento, con la capacità ‘distruttiva’ che aveva nel pilotare le macchine, macinando semiassi, cambi di velocità, frizioni, freni, ci insegnava cosa bisognava fare perché un pilota potesse difendersi in un momento imprevedibile, in uno stato di necessità. È stato campione di combattività e ha regalato, ha aggiunto tanta notorietà alla Ferrari. Io gli volevo bene.\" (Enzo Ferrari)

“Un piccolo, grande uomo”, venuto dal Canada e apparso quasi dal nulla nel mondo della Formula 1 degli anni Settanta, dove ha brillato da autentica stella sino a quel tragico pomeriggio di Zolder, l’8 maggio 1982. La parabola di Gilles Villeneuve nel “Circus” è stata dirompente e folgorante: nel volgere di pochi anni seppe conquistare le folle – con quella che, al tempo, fu chiamata “febbre Villeneuve” – oltre al cuore del Grande Vecchio, Enzo Ferrari, che a proposito di quel suo giovane pilota scrisse «È stato campione di combattività e ha regalato, ha aggiunto tanta notorietà alla Ferrari. Io gli volevo bene».

“Un piccolo, grande uomo”, venuto dal Canada e apparso quasi dal nulla nel mondo della Formula 1 degli anni Settanta, dove ha brillato da autentica stella sino a quel tragico pomeriggio di Zolder, l’8 maggio 1982. La parabola di Gilles Villeneuve nel “Circus” è stata dirompente e folgorante: nel volgere di pochi anni seppe conquistare le folle – con quella che, al tempo, fu chiamata “febbre Villeneuve” – oltre al cuore del Grande Vecchio, Enzo Ferrari, che a proposito di quel suo giovane pilota scrisse «È stato campione di combattività e ha regalato, ha aggiunto tanta notorietà alla Ferrari. Io gli volevo bene».

It's October 1918 and the war is drawing to a close. Toussaint Caillet returns home to his wife, Jeanne, and the young daughter he hasn't seen growing up. He is not coming back from the front line but from the department for facial injuries at Val-de-Grace military hospital, where he has spent the last two years. For Jeanne, who has struggled to endure his absence and the hardships of war, her husband's return marks the beginning of a new battle. With the promise of peace now in sight, the family must try to stitch together a new life from the tatters of what they had before.

It's October 1918 and the war is drawing to a close. Toussaint Caillet returns home to his wife, Jeanne, and the young daughter he hasn't seen growing up. He is not coming back from the front line but from the department for facial injuries at Val-de-Grace military hospital, where he has spent the last two years. For Jeanne, who has struggled to endure his absence and the hardships of war, her husband's return marks the beginning of a new battle. With the promise of peace now in sight, the family must try to stitch together a new life from the tatters of what they had before.

Villeneuve sheds new light on the Formula 1 legend through 48 illuminating interviews with his contemporaries and a stunning array of action and behind-the-scenes photographs, many previously unseen. Gilles Villeneuve, F1's last cavalier, lives on in the memories of his fans - his heritage all the more colourful thanks to Karoly Mehes' vivid tribute. Villeneuve's Formula 1 career only lasted for 67 grands prix between 1977 and 1982, yet he made an indelible impression as a driver who raced without limits. Having debuted for McLaren, the daredevil Canadian soon switched to F1's most charismatic team: Enzo Ferrari was Villeneuve's biggest fan. After his tragic death in May 1982, Villeneuve's legend has continued to grow globally. Karoly Mehes has interviewed Villeneuve's Ferrari team-mates, his opponents and journalists - as well as Gilles' widow, Joann, and son, Jacques (world champion of 1997). Nearly 40 years on, they speak about the incandescent star of Formula 1 - a man who gave everything for his beloved sport, ultimately his life.

Villeneuve sheds new light on the Formula 1 legend through 48 illuminating interviews with his contemporaries and a stunning array of action and behind-the-scenes photographs, many previously unseen. Gilles Villeneuve, F1's last cavalier, lives on in the memories of his fans - his heritage all the more colourful thanks to Karoly Mehes' vivid tribute. Villeneuve's Formula 1 career only lasted for 67 grands prix between 1977 and 1982, yet he made an indelible impression as a driver who raced without limits. Having debuted for McLaren, the daredevil Canadian soon switched to F1's most charismatic team: Enzo Ferrari was Villeneuve's biggest fan. After his tragic death in May 1982, Villeneuve's legend has continued to grow globally. Karoly Mehes has interviewed Villeneuve's Ferrari team-mates, his opponents and journalists - as well as Gilles' widow, Joann, and son, Jacques (world champion of 1997). Nearly 40 years on, they speak about the incandescent star of Formula 1 - a man who gave everything for his beloved sport, ultimately his life.

Sapersi muovere agilmente tra due modi di fare cinema, quello autoriale decisamente indie e quello mainstream più coevo all'entertainment blockbuster, è la capacità di Denis Villeneuve, regista canadese apprezzato per film come La donna che canta, Prisoners e Sicario. Così Villeneuve ha reso ben riconoscibile il suo touch, un filo rosso che collega tutte le sue opere: la ricerca della verità che prende forma, si plasma attraverso una triangolazione visiva che avviene quando sguardo del regista, obiettivo della macchina da presa e occhi dello spettatore si sovrappongono.